Like many others on the autism spectrum, 20-something stand-up comic Michael McCreary has been told by more than a few well-meaning folks that he doesn’t “look” autistic. But, as he’s quick to point out in this memoir, autism “looks” different for just about everyone with Autism Spectrum Disorder (ASD). Diagnosed with ASD at age five, McCreary got hit with the performance bug not much later. During a difficult time in junior high, he started journaling, eventually turning his pain e into something empowering—and funny. He scored his first stand-up gig at age 14, and hasn't looked back. This unique and hilarious #OwnVoices memoir breaks down what it’s like to live with autism for readers on and off the spectrum. Candid scenes from McCreary's life are broken up with funny visuals and factual asides. Funny, You Don’t Look Autistic is an invaluable and compelling read for young readers with ASD looking for voices to relate to, as well as for readers hoping to broaden their understanding of ASD.

This investigation into the legal, political, and moral issues surrounding how the police and justice system use surveillance technology asks the question: what are citizens of a free country willing to tolerate in the name of public safety? As we rethink the scope of police power, Jon Fasman’s chilling examination of how the police and the justice system use the unparalleled power of surveillance technology—how it affects privacy, liberty, and civil rights—becomes more urgent by the day. Embedding himself within police departments on both coasts, Fasman explores the moral, legal, and political questions posed by these techniques and tools. By zeroing in on how facial recognition, automatic license-plate readers, drones, predictive algorithms, and encryption affect us personally, Fasman vividly illustrates what is at stake and explains how to think through issues of privacy rights, civil liberties, and public safety. How do these technologies impact how police operate in our society? How should archaic privacy laws written for an obsolete era—that of the landline and postbox—be updated? Fasman looks closely at what can happen when surveillance technologies are combined and put in the hands of governments with scant regard for citizens’ civil liberties, pushing us to ask: Is our democratic culture strong enough to stop us from turning into China, with its architecture of control?

One warm Arizona morning, Daisy Jenkins was talking with God during her daily walk and lamenting to Him about the negativity, vitriol, and hatred permeating US news media. Whatever happened to kindness and goodness? Jenkins wondered. Why didn't newspapers and TV broadcasts ever highlight stories of love and support, especially in the wake of the devastating COVID-19 pandemic? Instead, American society was being bombarded with reporting on the violence, mass shootings, political wrangling, and racial injustice that kept our country angry, mistrustful, and constantly on edge. "God," Jenkins said, "somebody needs to write more about the positive things happening in our world today." God's answer was immediate: "You're a writer. Why don't you write something positive and stop waiting for someone else to do it?" As soon as Jenkins heard this call to action, she got to work. This book features thirty amazing men, ranging in age from twenty-two to ninety-eight, with heartfelt and inspiring life stories to share. Their experiences may not be a cure-all for the troubles of this world, but they offer us precious liberation, even for a short while, from negativity. They remind us that when we look for goodness, we will find that it is still alive and well and that it's high time we shine a brighter light on it to reveal the truth that the more we see the goodness around us, the more we allow others to see it within us.

A gorgeously unique, fully illustrated exploration into the phenomenology of reading—how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader. “A playful, illustrated treatise on how words give rise to mental images.” —The New York Times What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page—a graceful ear there, a stray curl, a hat positioned just so—and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved—or reviled—literary figures. In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature—he considers himself first and foremost as a reader—into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

"This book will help children understand what autism is and how it affects someone who has it."--Amazon.com.

The story of two boys, one with autism, one without, who make their friendship work.

"As scholarly as [it] is . . . this book about education happens to double as an optimistic, even thrilling, summer read." —The New York Times A brilliant combination of science and its real-world application, Now You See It sheds light on one of the greatest problems of our historical moment: our schools and businesses are designed for the last century, not for a world in which technology has reshaped the way we think and learn. In this informed and optimistic work, Cathy N. Davidson takes us on a tour of the future of work and education, introducing us to visionaries whose groundbreaking ideas will soon affect every arena of our lives, from schools with curriculums built around video games to workplaces that use virtual environments to train employees.

What You See Is What You Hear develops a unique model of analysis that helps students and advanced scholars alike to look at audiovisual texts from a fresh perspective. Adopting an engaging writing style, the author draws an accessible picture of the field, offering several analytical tools, historical background, and numerous case studies. Divided into five main sections, the monograph covers problems of definitions, history, and most of all analysis. The first part raises the main problems related to audiovisuality, including taxonomical and historical questions. The second part provides the bases for the understanding of audiovisual creative communication as a whole, introducing a novel theoretical model for its analysis. The next three part focus elaborate on the model in all its constituents and with plenty of case studies taken from the field of cinema, TV, music videos, advertising and other forms of audiovisuality. Methodologically, the book is informed by different paradigms of film and media studies, multimodality studies, structuralism, narratology, “auteur theory” in the broad sense, communication studies, semiotics, and the so-called “Numanities.” What You See Is What You Hear enables readers to better understand how to analyze the structure and content of diverse audiovisual texts, to discuss their different idioms, and to approach them with curiosity and critical spirit.

"This third edition of this book is a compilation of articles I have written for the Autism Asperger's Digest magazine from 2000 to present"--Page xi.

NEW YORK TIMES BESTSELLER “As sweet and funny and sad and true and heartfelt a memoir as one could find.” —from the foreword by Augusten Burroughs Ever since he was young, John Robison longed to connect with other people, but by the time he was a teenager, his odd habits—an inclination to blurt out non sequiturs, avoid eye contact, dismantle radios, and dig five-foot holes (and stick his younger brother, Augusten Burroughs, in them)—had earned him the label “social deviant.” It was not until he was forty that he was diagnosed with a form of autism called Asperger’s syndrome. That understanding transformed the way he saw himself—and the world. A born storyteller, Robison has written a moving, darkly funny memoir about a life that has taken him from developing exploding guitars for KISS to building a family of his own. It’s a strange, sly, indelible account—sometimes alien yet always deeply human.