As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.

As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.

CEO-in-training, heiress and cosmetics company marvel Isabel Alfonso needs to hire an assistant. She needs to hire someone who is smart and competent to arrange a trip to Shanghai for her to meet with potential business partners. She needs to learn how to let go of her cosmetics company, her baby, in order to take on the CEO role which she’s been groomed for her entire life. What she does not need to hire is a young single dad, last seen with her in bed as a one night stand. Falling for Adam Sevilla is a complication that Isabel doesn’t need. And with so much on the line, she can’t afford to make any mistakes. Can she really leave everything behind, just to head the family business? Or will she hold on to what she has with zero guarantees?

CEO-in-training, heiress and cosmetics company marvel Isabel Alfonso needs to hire an assistant. She needs to hire someone who is smart and competent to arrange a trip to Shanghai for her to meet with potential business partners. She needs to learn how to let go of her cosmetics company, her baby, in order to take on the CEO role which she's been groomed for her entire life. What she does not need to hire is a young single dad, last seen with her in bed as a one night stand. Falling for Adam Sevilla is a complication that Isabel doesn't need. And with so much on the line, she can't afford to make any mistakes. Can she really leave everything behind, just to head the family business? Or will she hold on to what she has with zero guarantees?

Twelve-year-old Mattie wrestles with her crush on Gemma as they participate in their school production of Romeo and Juliet in what School Library Journal calls “a fine choice for middle school libraries in need of accessible LGBTQ stories.” Twelve-year-old Mattie is thrilled when she learns the eighth grade play will be Romeo and Juliet. In particular, she can’t wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty—and British!—and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys AND girls? If that wasn’t enough to deal with, things offstage are beginning to resemble their own Shakespearean drama: the cast is fighting, and the boy playing Romeo may not be up to the challenge of the role. And due to a last-minute emergency, Mattie is asked to step up and take over the leading role—opposite Gemma’s Juliet—just as Mattie’s secret crush starts to become not-so-secret in her group of friends. In this funny, sweet, and clever look at the complicated nature of middle school romance, Mattie learns how to become a lead player in her own life.

A STANDALONE REVERSE HAREM NOVEL Cara had always been different - strange, weird, a freak. No one ever understood why - not even Cara. That is, until she realizes that she's destined for so much more. She's the beginner of the apocalypse - the one meant to give the ones in hell worthy of redemption their second chance. And she's got four, sexy, muscular men to stand by her side - to give her strength as she becomes the Goddess of Hell. **if you're looking for a slow-burn PNR RH novel, this book is not going to be for you.**

2019 The Washington Post Best Children’s Book of the Year (Erin Entrada Kelly Pick) A 2020 ALA Notable Children’s Book “The novel’s all-too-familiar scenario offers a springboard for discussion among middle schoolers…Easily grasped scenarios and short chapters help make this timely #MeToo story accessible to a wide audience.” —Publishers Weekly (starred review) “Realistic and heartbreaking.” —BCCB Barbara Dee explores the subject of #MeToo for the middle grade audience in this heart-wrenching—and ultimately uplifting—novel about experiencing harassment and unwanted attention from classmates. For seventh-grader Mila, it starts with some boys giving her an unwanted hug on the school blacktop. A few days later, at recess, one of the boys (and fellow trumpet player) Callum tells Mila it’s his birthday, and asks her for a “birthday hug.” He’s just being friendly, isn’t he? And how can she say no? But Callum’s hug lasts a few seconds too long, and feels…weird. According to her friend, Zara, Mila is being immature and overreacting. Doesn’t she know what flirting looks like? But the boys don’t leave Mila alone. On the bus. In the halls. During band practice—the one place Mila could always escape. It doesn’t feel like flirting—so what is it? Thanks to a chance meeting, Mila begins to find solace in a new place: karate class. Slowly, with the help of a fellow classmate, Mila learns how to stand her ground and how to respect others—and herself. From the author of Everything I Know About You, Halfway Normal, and Star-Crossed comes this timely story of a middle school girl standing up and finding her voice.

From an author the San Francisco Chronicle hails as "daring and splendid" comes an exhilarating novel of passion and ideas that cuts to the heart of one of literature's most fascinating and enduring mysteries: the enigma of Shakespeare. Meet Joe Roper, tough-minded young graduate student, who has been lucky enough to land a job cataloging the famed Kellogg Collection of Elizabethan texts and curiosities. Joe's been passionate about Shakespeare since he read a duct-taped paperback at age nine and found the witches, warriors, murders, and ghosts as much fun as Stephen King, but his working-class roots make him a fish out of water in the academic world. He is seemingly as far from adventure as it's possible to be -- until the delicious Posy Gould enters, stage right. A glamorous rising star at Harvard, she insists that a letter Joe has found, signed by one W. Shakespeare of Stratford, is a career-making discovery for them both -- because the letter says Shakespeare didn't write the plays. To Joe's mind, the letter is a forgery. When Posy insists they test it, the two literary sleuths head for England to prove their clashing theories. But they find themselves in a world where the London Eye looks out over Shakespeare's city, Hollywood producers rub elbows with Elizabethan spies, and mystery shadows the heart of Westminster Abbey and the lanes of rural England. And Joe and Posy find that, when you start chasing Shakespeares, what you find is not only who he was, but who you are, and how far you're willing to go.... A first-rate mystery from one of the masters of the genre, Chasing Shakespeares is also a literary shell game, a love story, and a profound meditation on identity and ownership. Sarah Smith has created a novel that rivals A. S. Byatt's Possession in its rich and fast-moving blend of literary history and page-turning suspense.