In 2004 and 2005 TEOR/tica developed a month-by-month conference program that included the participation of renowned historians, intellectuals, scholars, curators and art critics from all over Latin America and the Caribbean. The book is a compilation of 9 lectures given in 2004 on diverse aspects of visual art in Latin America.

Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music

"The book is a contribution to the historical study of gay and lesbian art, yet calls for altering its parameters in ways that fully recognize social and cultural difference. It provides a chronological and conceptual framework for studying the tropes of 'homotextual' expression in a Latin American context. More than one hundred illustrations, gathered from various sources across Latin America, North America and Europe, allow the reader to personally witness this fascinating and, until now, concealed story."--BOOK JACKET.

This is the first comprehensive and authoritative survey of an important and increasingly popular field. Because each of the contributors is an expert on his or her own national art, it is also the first to present a genuinely Latin American viewpoint. 17 scholars, critics and curators provide an exciting and challenging new assessment of twentieth-century Latin American art. The wider public and scholars alike will welcome the full treatment of the different histories and cultural traditions that have given each country its own character. Major artists such as Wifredo Lam, Frida Kahlo, Diego Rivera and Fernando Botero are seen in a wider context, and the exploration of the rich and important heritage of previously overlooked countries such as Ecuador, Peru, the Dominican Republic, Paraguay and Bolivia will be a revelation to many. Springing from complex cultural roots, Latin American art is fresh, varied and often startling in its originality. Its vast range and astonishing qualities are represented here in over 300 outstanding images.

Why is the linkage between cultural capital and economic capital growing so fast? What is favorable or not of corporate penetration and influence in the world of art? Is art just another venue of marketing? Survey and nuanced critique of this development. Sponsoring events, museums and lifestyles.