At last we can know who 'king' Arthur was, when he lived and what he did. This is the first work on the legendary hero started without any axe to grind. Here it is demonstrated that Arthur was a Coeling - a prince directly descended from Old King Cole -

Many remarkable things about Fife's origins never understood before are set out in detail here – a must read for all Fifers and those with an interest in the County. Drawn together for the first time: The name “Fife” has a complete explanation. Shakespeare's story of Macduff is refuted and the correct narrative offered. Why “St Regulus” was invented and the true story of the arrival of the Bones of St Andrew. Evidence of Kenneth mac Alpin's genocide in Fife is laid bare. St Serf's true story is told – so different from what so many believe. A proper explanation is given for the many Viking place names in Fife. Corrected explanations for many place names (including Kirkcaldy and Dunfermline) are given for the first time. And much much more. The book also foreshadows several centenaries which fall in the period 2025-2030 in the hope that they will be celebrated appropriately.

“A leading medievalist takes a clear-eyed look at the evidence for the existence of the legendary Arthur.” —The Sunday Times “Best Paperbacks of 2021” According to legend, King Arthur saved Britain from the Saxons and reigned over it gloriously sometime around A.D. 500. Whether or not there was a “real” King Arthur has all too often been neglected by scholars; most period specialists today declare themselves agnostic on this important matter. In this erudite volume, Nick Higham sets out to solve the puzzle, drawing on his original research and expertise to determine precisely when, and why, the legend began. Higham surveys all the major attempts to prove the origins of Arthur, weighing up and debunking hitherto claimed connections with classical Greece, Roman Dalmatia, Sarmatia, and the Caucasus. He then explores Arthur’s emergence in Wales—up to his rise to fame at the hands of Geoffrey of Monmouth. Certain to arouse heated debate among those committed to defending any particular Arthur, Higham’s book is an essential study for anyone seeking to understand how Arthur’s story began. “Likely to be the definitive text on the legendary warrior for the foreseeable future. With his profound knowledge of the rules of historical narrative and patient but forensic analysis of the evidence, Higham’s riveting book brings the historical Arthur to what may be his last, decisive battle.” —Max Adams, author of The First Kingdom “Fascinating, authoritative analysis.” —P. D. Smith, The Guardian “Intelligent and eminently readable . . . For fans of a fascinating story that is wonderfully well told, this is the perfect book to take you back to King Arthur’s time.” —All About History

For the first time, convincing locations have been found for all King Arthur’s battles.The inspiration for King Arthur’s Battle for Britain came from Eric’s discovery of an ancient Latin text in the British Library that listed the twelve battles of King Arthur. This presented an immediate challenge because only a few of the battle sites mentioned had been previously identified. After a decade searching mountains and moors throughout Britain, guided by references from early sources, Eric believes he has found convincing locations for all of Arthur’s battles.By developing an imaginary scenario for each battle in the chronological order of the text, a believable storyline has emerged depicting Arthur’s struggle to defend his country against nine different enemies, including dissident Britons as well as the invading Angles and Saxons. Eric has also discovered that it was Arthur’s own kith and kin who plotted his demise at the battle of Camlan. By linking clues interwoven with early poetry and legendary texts, Eric has been able to suggest the name of the Romano-British city most likely to have been King Arthur’s ‘Camelot’ and has also identified the site of Arthur’s military headquarters in the west. His search for new evidence confirms the location of Camlan and reveals the real Isle of Avalon, where Arthur was finally laid to rest.King Arthur’s Battle for Britain will appeal to anyone interested in the Arthurian period and the legend of King Arthur. Eric has been inspired by Geoffrey Ashe’s The Quest for Arthur’s Britain and John Morris’ The Age of Arthur.

Dorsey Armstrong provides a new, Modern English translation of the MORTE DARTHUR that portrays the holistic and comprehensive unity of the text as a whole, as suggested by the structure of Caxton’s print, but that is based primarily on the Winchester Manuscript, which offers the most complete and accurate version of Malory’s narrative. This translation makes one of the most compelling and important texts in the Arthurian tradition easily accessible to everyone—from high school students to Arthurian scholars. In addition to the complete text, Armstrong includes an introduction that discusses Malory’s sources and the long-running debate surrounding the manuscript and print versions of the narrative. For ease of use, the text is keyed to both William Caxton’s print version and the manuscript version edited by Eugène Vinaver. A detailed index is also included.

With more than 400,000 copies now in print, The Craft of Research is the unrivaled resource for researchers at every level, from first-year undergraduates to research reporters at corporations and government offices. Seasoned researchers and educators Gregory G. Colomb and Joseph M. Williams present an updated third edition of their classic handbook, whose first and second editions were written in collaboration with the late Wayne C. Booth. The Craft of Research explains how to build an argument that motivates readers to accept a claim; how to anticipate the reservations of readers and to respond to them appropriately; and how to create introductions and conclusions that answer that most demanding question, “So what?” The third edition includes an expanded discussion of the essential early stages of a research task: planning and drafting a paper. The authors have revised and fully updated their section on electronic research, emphasizing the need to distinguish between trustworthy sources (such as those found in libraries) and less reliable sources found with a quick Web search. A chapter on warrants has also been thoroughly reviewed to make this difficult subject easier for researchers Throughout, the authors have preserved the amiable tone, the reliable voice, and the sense of directness that have made this book indispensable for anyone undertaking a research project.

This biographical dictionary separates myth from history by differentiating and defining figures associated with Arthuriana. Entries cover more than 400 legendary and historic figures, and include extensive cross-referencing, maps, illustrations and photographs. An appendix provides a comprehensive character index of Sir Thomas Malory's Le Morte D'Arthur.

This first comprehensive treatment of Arthurian literature in the English language up until the end of the Middle Ages is now available for the first time in paperback. English people think of Arthur as their own – stamped on the landscape in scores of place-names, echoed in the names of princes even today. Yet some would say the English were the historical Arthur’s bitterest enemies and usurpers of his heritage. The process by which Arthurian legends have become an important part of England’s cultural heritage is traced in this book. Previous studies have concentrated on the handful of chivalric romances, which have given the impression that Arthur is a hero of romantic escapism. This study seeks to provide a more comprehensive and insightful look at the English Arthurian legends and how they evolved. It focuses primarily upon the literary aspects of Arthurian legend, but it also makes some important political and social observations.

Third in the medieval fantasy series. “A perfectly delicious, not entirely serious, reimagining of part of Thomas Malory’s Le Morte d’Arthur.”—Booklist Her castle under siege by an evil knight who keeps beheading all her would-be rescuers, Lady Lynet realizes the only way to get help is to get it herself. So one night she slips away and strikes out for King Arthur’s court where she hopes to find a gallant knight to vanquish the Knight of the Red Lands and free her castle. Gerald Morris’s Arthurian novel is a highly comic tale of hidden identities, mysterious knights, faeries and enchantments, damsels-in-distress, and true love. “In Morris’s third wry, sometimes hilarious, take on an Arthurian legend, a sharp-tongued young damosel gets an education in sorcery, intrigue and what true knighthood is all about . . . Fans of Gail Carson Levine’s Ella Enchanted, Patricia Wrede’s Enchanted Forest Chronicles and similarly lighthearted fantasy will be delighted.”—Kirkus Reviews “A rollicking treatment of a lesser-known episode from Sir Thomas Malory’s Le Morte d’Arthur . . . The novel is also enjoyable for its good-natured spoofing of the conventions of its medieval setting.”—School Library Journal “A rare action-fantasy that crosses age and gender lines.”—The Bulletin