This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.

Ozark Baptizings, Hangings, and Other Diversions is about the people of a unique corner of America and how they entertained themselves at the turn of the century. In the years from 1885 to 1910 most Ozark communities were still relatively isolated from the outside and from each other. Thus they had to rely on their own resources for diversion from the difficult and often solitary business of everyday living. The most popular of their entertainments were those that brought some "theater" into their lives. They especially delighted in "literaries," debates, mock trials, closing-of-school programs, suppers, picnics, brush-arbor revivals, and baptizings. Then there was the occasional hanging that for audience attention was rivaled only by the political rally. The hanging took on all the flavor of high drama, even to the impassioned farewell address by the condemned, who was carried away by the excitement of it all. By their entertainments shall we know them, and this account of Ozarkers' diversions reveals them in all their independence, conservatism, sense of place, humor, dedication to learning, love of the spoken language, and religious and political intensity. No "come-here" (an Ozarker's term for a newcomer), Robert K. Gilmore grew up on an Ozark farm, reared by grandparents who were young in the era described in this book. Years later he went back to the rural Ozarks and encouraged the people to recall the early days for him. They described the entertainments of their youth with a special clarity of recall. The files of the Ozark weeklies also proved richly rewarding. The editors and their rural "correspondents" delighted in describing the local entertainments in vivid reportage loaded with editorial comment. This book, illustrated with rare photographs of turn-of-the-century diversions celebrates the centennial of an era.

This book examines the role of temperance drama in American theatre and compares the American genre to its British counterpart.

A comprehensive encyclopedia on all aspects of the production, consumption, and social impact of alcohol. Alcohol and Temperance in Modern History: An International Encyclopedia spans the history of alcohol production and consumption from the development of distilled spirits and modern manufacturing and distribution methods to the present. Authoritative and unbiased, it brings together the work of hundreds of experts from a variety of disciplines with an emphasis on the extraordinary wealth of scholarship developed in the past several decades. Its nearly 500 alphabetically organized entries range beyond the principal alcoholic beverages and major producers and retailers to explore attitudes toward alcohol in various countries and religions, traditional drinking occasions and rituals, and images of drinking and temperance in art, painting, literature, and drama. Other entries describe international treaties and organizations related to alcohol production and distribution, global consumption patterns, and research and treatment institutions, as well as temperance, prohibition, and antiprohibitionist efforts worldwide.

In fiction, drama, poems, and pamphlets, nineteenth-century reformers told the familiar tale of the decent young man who fell victim to demon rum: Robbed of his manhood by his first drink, he slid inevitably into an abyss of despair and depravity. In its discounting of the importance of free will, argues Elaine Frantz Parsons, this story led to increased emphasis on environmental influences as root causes of drunkenness, poverty, and moral corruption—thus inadvertently opening the door to state intervention in the form of Prohibition. Parsons also identifies the emergence of a complementary narrative of "female invasion"—womanhood as a moral force powerful enough to sway choice. As did many social reformers, women temperance advocates capitalized on notions of feminine virtue and domestic responsibilities to create a public role for themselves. Entering a distinctively male space—the saloon—to rescue fathers, brothers, and sons, women at the same time began to enter another male bastion—politics—again justifying their transgression in terms of rescuing the nation's manhood.