Susan Glickman muses that thoughtful literary criticism is not merely about ‘duelling with words, however full of flourishes and feints’. Rather it ‘means—or ought to mean—to evaluate something dispassionately, seeing not only its faults but its virtues.’ In Artful Flight, she does just that, writing respectfully but uncompromisingly about artistic topics both ostensibly familiar (such as considerations of writers like Northrop Frye, Don Coles, Erín Moure and Bronwen Wallace) and delightfully arcane (such as the etymological evolution of contranyms in Shakespeare and beyond). With keen intelligence and droll wit, Glickman explores a variety of artistic concerns, from the expectations of literary genre, the formalist hurdles of poetry and the tyranny of modern opinion to the magical history of the violin and the pleasure of creating visual art later in life. Her approach is unabashedly her own: feminist, supportive and drawing on a wide range of cultural and literary references. These well-reasoned essays prove that balanced criticism can be compelling, nuanced and sensitive to the motives and influences of artists.

"This book is about the obsessive strategies people use to keep the arbitrary out of their lives; it is about the fanaticism and intolerance linked to their ideas of perfection and permanence.... Those readers who have brushed against the dangers of the idée fixe, who have come close to surrendering to something or someone diabolically seductive or coercive, will recognize in these characters their own encounter with a dangerously systematized world."—From the introduction. Monomania explores the cultural prominence of the idée fixe in Western Europe during the nineteenth and twentieth centuries. Marina van Zuylen revives the term monomania to explore the therapeutic attributes of obsession. She introduces us to artists and collectors, voyeurs and scholars, hypochondriacs and melancholics, whose lives are run by debilitating compulsions that may become powerful weapons against the tyranny of everyday life. In van Zuylen's view, there is a productive tension between disabling fixations and their curative powers; she argues that the idée fixe has acted as a corrective for the multiple disorders of modernity. The authors she studies—Charles Baudelaire, Sophie Calle, Elias Canetti, George Eliot, Gustave Flaubert, and Thomas Mann among them—embody or set in motion different manifestations of this monomaniacal imperative. Their protagonists or alter egos live more intensely, more meaningfully, because of the compulsive pressures they set up for themselves. Monomania shows that transforming life into art, or at least into the artful, drives out the anxiety of the void and puts in its place something so orderly and meaningful that it can take on the aura of a religion.

Winner of the Gabrielle Roy Prize in English and the Raymond Klibansky Prize, The Picturesque and the Sublime is a cultural history of two hundred years of nature writing in Canada, from eighteenth-century prospect poems to contemporary encounters with landscape. Arguing against the received wisdom (made popular by Northrop Frye and Margaret Atwood) that Canadian writers view nature as hostile, Susan Glickman places Canadian literature in the English and European traditions of the sublime and the picturesque. Glickman argues that early immigrants to Canada brought with them the expectation that nature would be grand, mysterious, awesome – even terrifying – and welcomed scenes that conformed to these notions of sublimity. She contends that to interpret their descriptions of nature as "negative," as so many critics have done, is a significant misunderstanding. Glickman provides close readings of several important works, including Susanna Moodie's "Enthusiasm," Charles G.D. Roberts's Ave, and Paulette Jiles's "Song to the Rising Sun," and explores the poems in the context of theories of nature and art. Instead of projecting backward from a modernist perspective, Glickman reads forward from the discovery of landscape as a legitimate artistic subject in seventeenth-century England and argues that picturesque modes of description, and a sublime aesthetic, have governed much of the representation of nature in this country. Susan Glickman is a poet living in Toronto. She is the author of Complicity, The Power to Move, Henry Moore's Sheep and Other Poems, and Hide and Seek.

Join the author on his extended photographic journey with Mother Nature and her gifts to us—a 10-year trek capturing more than one hundred memorable images. Observe the fruits of mindful photography: what can be seen when you pause in the moment, camera in hand, attuned to everyday miracles conveyed to us on beams of light. The pictures and the stories behind them have much to say. Their message shines through: All we have to do is Listen to the Light.

The invention of flight represents the culmination of centuries of thought and desire. Kites and rockets sparked our collective imagination. Then the balloon gave humanity its first experience aloft, though at the mercy of the winds. The steerable airship that followed had more practicality, yet a number of insurmountable limitations. But the airplane truly launched the Aerial Age, and its subsequent impact--from the vantage of a century after the Wright Brother's historic flight on December 17, 1903--has been extraordinary. Richard Hallion, a distinguished international authority on aviation, offers a bold new examination of aircraft history, stressing its global roots. The result is an interpretive history of uncommon sweep, complexity, and warmth. Taking care to place each technological advance in the context of its own period as well as that of the evolving era of air travel, this ground-breaking work follows the pre-history of flight, the work of balloon and airship advocates, fruitless early attempts to invent the airplane, the Wright brothers and other pioneers, the impact of air power on the outcome of World War I, and finally the transfer of prophecy into practice as flight came to play an ever-more important role in world affairs, both military and civil. Making extensive use of extracts from the journals, diaries, and memoirs of the pioneers themselves, and interspersing them with a wide range or rare photographs and drawings, Taking Flight leads readers to the laboratories and airfields where aircraft were conceived and tested. Forcefully yet gracefully written in rich detail and with thorough documentation, this book is certain to be the standard reference for years to come on how humanity came to take to the sky, and what the Aerial Age has meant to the world since da Vinci's first fantastical designs.

Clarissa: The History of a Young Lady is regency bestseller, the classic of English literature. It tells the tragic story of a young woman, whose quest for virtue is continually thwarted by her family. The Harlowes are a recently wealthy family whose preoccupation with increasing their standing in society leads to obsessive control of their daughter, Clarissa, who runs away from home to find love and happiness. However things start turning south soon.