This selection of highlights from one of the most comprehensive jewelry collections in the world ranges from ancient Eygptian amulets to necklaces inspired by Calder mobiles A mode of expression that can be traced back to the earliest civilizations, jewelry can be as culturally revealing as it is stunningly beautiful. Artful Adornments: Jewelry from the Museum of Fine Arts, Boston features over 100 works of the jeweler's art from one of the most comprehensive jewelry collections in the world. With nearly 200 color illustrations, the dazzling array ranges from an emerald and diamond brooch once owned by cereal-fortune heiress Merriweather Post, to a rock crystal and gold amulet found in tomb of an ancient Egyptian queen and a twentieth-century kinetic necklace influenced by the mobiles of Alexander Calder. Magical jewels, emblems of wealth and power, tokens of affection, adornment as dress, and jewelry as expressions of avant-garde art movements are all discussed, revealing how a jewel painted with chopped bits of a loved one's hair can be just as precious--and no less decorative--than one encrusted with gemstones. Spanning five continents and nearly six millennia, this book introduces the reader to the variety and brilliance of the jeweler's art from around the world and throughout the ages.

By mixing relatively simple jewelry making methods with standard paper arts techniques, "Altered Paper Jewelry" offers paper crafters, altered art aficionados, and jewelry makers creative new ideas for creating stylish and contemporary jewelry from gorgeous paper. Projects include: jewelry decorated and constructed with found paper, photos and beautiful scrapbook papers; beads fashioned from rolled paper, covered with decoupage, and molded with paper craft accessories; paper-like materials, such as vellum, transparencies, shrink plastic and printable fabric paper punched, cut, shrunk and rolled into mini wearable masterpieces, and more. Includes illustrated, step-by-step instructions and templates.

Adorn Yourself.... The beautiful and delicate projects in Adornments are the perfect finishing touches for creating a purely romantic look. Make floral-inspired necklaces, in-full-bloom fascinators, and earrings with wispy feathers and sparkling beads. At parties, galas, special events, or even on your wedding day, the accessories in Adornments are artful creations that are sure to turn heads and inspire romance. Flip through the pages and you'll find... 20 accessory projects, from floral fascinators and hair pieces to necklaces, earrings and belts A techniques section that shows you how to use a millinery iron, cut lace appliques and work with wire and beads to create stunning pieces that would rival the wares of any high-end boutique Materials you'll love to work with: silk, linen and cotton fabrics, antique lace, delicate crystal beads and playful feathers Using simple hand-sewing, jewelry and millinery techniques, these accessories are easy to make and even easier to wear. In fact, you may not be able to take them off!

the art of ADORNMENT DESIGN • FASHION • ART Adornment originated in the fourteenth century as the action of making someone or something attractive by adding decoration. It is also those details in design that create evocative rooms, intriguing structures, and beautiful landscapes. The Art of Adornment is lavishly illustrated with design patterns and “adorned” with quotes about design, fashion, and art. It’s the perfect gift for anyone who understands that “the gods are in the details.” Each of the arts whose office is to refine, purify, adorn, embellish, and grace life is under the patronage of a muse, no god being found worthy to preside over them. —RALPH WALDO EMERSON

The Artful Species explores the idea that our aesthetic responses and art behaviors are connected to our evolved human nature. Our humanoid forerunners displayed aesthetic sensibilities hundreds of thousands of years ago and the art standing of prehistoric cave paintings is virtually uncontested. In Part One, Stephen Davies analyses the key concepts of the aesthetic, art, and evolution, and explores how they might be related. He considers a range of issues,including whether animals have aesthetic tastes and whether art is not only universal but cross-culturally comprehensible. Part Two examines the many aesthetic interests humans take in animals and how these reflect our biological interests, and the idea that our environmental and landscape preferences arerooted in the experiences of our distant ancestors. In considering the controversial subject of human beauty, evolutionary psychologists have traditionally focused on female physical attractiveness in the context of mate selection, but Davies presents a broader view which decouples human beauty from mate choice and explains why it goes more with social performance and self-presentation. Part Three asks if the arts, together or singly, are biological adaptations, incidental byproducts of nonartadaptations, or so removed from biology that they rate as purely cultural technologies. Davies does not conclusively support any one of the many positions considered here, but argues that there are grounds, nevertheless, for seeing art as part of human nature. Art serves as a powerful and complexsignal of human fitness, and so cannot be incidental to biology. Indeed, aesthetic responses and art behaviors are the touchstones of our humanity.

Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, this book takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures. From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species – religion, morality, and art. Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.

Have you stood in front of a painting and thought, What does this mean? The Art of Faith answers this question again and again, with insight, wit, and verve, providing a thorough reference to Christian art through the centuries. Practical and easy to read, this book unfolds the ancient world of Christian images for believers who want to enrich their faith, college students studying art history, and travelers to religious sites. With this book in hand, you can visit museums, churches, or other sacred places and identify a work of art's style and meaning. Or even explore the signs and symbols of your local church. Whatever your relationship to art or Christianity, open this book when you're curious about a painting, sculpture, symbol, or other sacred work. It will answer your questions about The Art of Faith. "Couchman offers a readable and user-friendly guide to deciphering and interpreting Christian visual art. She is rightly keen to meet the urgent need for a new depth of theological vision in the church and beyond." —Jeremy Begbie, Duke Divinity School; Author of Voicing Creation's Praise: Towards a Theology of the Arts

Handsomely executed, this eBook is the first eBook of it’s kind, is uniquely fertile source for jewelers, jewelry designers and all craftsmen in this field. This eBook contains 40 designs drawn by designer Fares Khalid Selmane using different cut and shapes of gemstones. These designs in this rich collection reflect the vigor, the spirit and the beauty of this expressive art form.

Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, this book takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures. From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species religion, morality, and art.