State of the art explicit erotic illustration by the best in the business.

​This book addresses the challenges faced by arts organizations, schools, and community-based settings when designing program evaluations and measuring artistic engagement and experience. With contributions from leaders in the field, this volume is an exemplary collection of complete program evaluations that assess music, theater, dance, multimedia, and the visual arts in a variety of contexts.

'The Scene That Would Not Die: Twenty Years of Post-Millennial Punk In The UK' is the fifth and final book in Ian Glasper's acclaimed series documenting the UK punk scene, bringing to a conclusion his in-depth analysis of this most underground musical genre, that began with 2003's 'Burning Britain: A History of UK Punk 1980 - 1984'. Featuring 111 bands active since 2000, hundreds of exclusive new interviews and previously unseen photos, this book explores the many insidious challenges faced by the scene: hedonism, nostalgia and apolitical apathy, not to mention coronavirus, Brexit and the rise of social media completely removing the mystique that drew many to punk rock in the first place. All could have derailed lesser genres, and there are indeed many detractors that have pronounced punk as a creative force dead in the water. But the reality - if you scratch beneath the surface - is that punk has gone underground once again, and is as vibrant and relevant as it's always been; there are still thousands of angry youths making vital music the length and breadth of the nation, and they still don't need permission from anyone to have their say. 648 pages. 234 x 156 x 40mm

(Guitar). The definitive work on the design and construction of an acoustic archtop guitar by one of the most talented luthiers of the twentieth century. Benedetto walks the reader through all aspects of construction through to marketing your finished work. Includes a list of suppliers to acquire all the tools and materials listed; a list of serial numbers for Benedetto guitars; full-color plates featuring the author's models; photos from the author's personal scrapbook of players who endorse his guitars; and fold-out templates for construction. 8-1/2 x 11 .

Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial, looks at how mainstream and punk media shape the public's outlook on the music's history and significance. Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities. This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.

Beneath the Shadows of T.S.O.L. is a collection of four interviews with groundbreaking singer Jack Grisham (done by longtime punk editor, writer, and musician David Ensminger, who writes for Maximum Rocknroll, Razorcake, Houston Press, and more, as well as Welly, editor of Artcore and singer for the notorious Welsh punk band Four Letter Word) that span the years from 2001 to 2018; it also includes a concise T.S.O.L. record chronology by Grisham, plus fan essay too, along with myriad rare photographs (including from famed punk chronicler Ed Colver!) and tons of gig flyers. It is an essential read for those interested in the Southern California punk revolt, death/dark/gothic/politico punk, and the history of underground music on the West Coast.

EDUCATION / Arts in Education

Jungle and Drum & Bass was like nothing else the world had experienced before - simultaneously black and white, urban and suburban, old skool attitude and new school innovation. A socio-cultural melting pot of early 90s broken Britain seizing the wheel and taking control of the machine. Originally published in 1997, State of Bass explores the scene's roots through its social, cultural and musical antecedents and on to its emergence via the debate that surrounded the apparent split between jungle and drum & bass. Drawing on interviews with some of the key figures in the early years, State of Bass explores the sonic shifts and splinters of new variants, styles and subgenres as it charts the journey from the early days to its position as a global phenomenon. State of Bass extends the original text to include the award of the Mercury Prize to Reprazent for the New Forms album and brings new perspectives to the story of the UK's most important subterranean urban energy.