A millennium of paintings, textiles, metal sculptures, ritual objects; aesthetic, religious contexts.

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

This book focuses on the Ashmolean Museum's important collection of Buddhist metal sculptures and other works of religious art from the Himalayan regions of Tibet and Nepal. Mainly these works date from the late eighteenth to the early twentieth century

Presents and describes 187 Hindu and Buddhist artworks of the Himalayas from the sixth through the nineteenth centuries; geographically themed essays; and translations and interpretations of several Nepali, Kashmiri, and Tibetan inscriptions.

The first in-depth examination of the fascinating and virtually unknown of armor and weapons from Tibet, dating from the 13th to the 20th century.

By studying these texts within and examining the styles of the manuscript illuminations, Amy Heller was able to shed light on the lost history of this remote Tibetan enclave, the spread of Buddhism in the Himalayas and its artistic legacy. The manuscripts, sculptures and mural paintings discovered in Dolpo are the concrete expression of the complex economic, political, artistic and religious interactions between the people of Dolpo and their neighbors in India, Nepal and Tibet. --

Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.