Shows and describes Edo-period art, including screens, armor, woodblock prints, pottery, and kimonos

Designed for Pleasure is a dazzling probe of Japan's famous "floating world" of spectacle and entertainment. From luxury paintings of the pleasure qurters to Hokusai's iconic "Red Fugi," Designed for Pleasure presents a focused examinatin of the priod's fascinating networks of art, literature, and fashion, proving that the artists and the publishers and patrons who engaged them not only morrored the tastes of their energetic times, they created a unifying cultural legacy. Contributors include John T. Carpenter, Timothy Clark, Julie Nelson Davis, Allen Hockley, Donald Jenkins, David Pollack, Sarah E. Thompson, and David Boyer Waterhouse.

This title is an introduction to the important artists of the Edo period Japan and their work, as well as the issues and concepts surrounding the production and consumption of art in Japan at that time

The Edo period saw the growth of an urban culture of extraordinary richness, sophistication and cultural diversity, and an unprecendented flowering of the arts, in painting, woodblock prints, ceramics, laquer and textiles. This text offers an overview of the arts of the Edo period as they developed in Kyoto, Edo, Osaka and Nagasaki, illustrated with the work of artists such as Korin, Utamaro and Hokusai, as well as with lesser-known artists of the time.

Accompanies an exhibition of the same name held at the Harvard Art Museums, Cambridge, Massachusetts, February 14-July 26, 2020.

This survey examines the art and artists of the Edo period, one of the great epochs in Japanese art. The author focuses on the urban aspects of Edo art, including discussions of many of Japan's most popular artists - Korin, Utamaro and Hiroshige, among others.

Examines how and why people bought, sold, donated and received works of art at a time of dynamic exchanges between those making and those acquiring art.

This book explores the playfulness reflected in the artwork of two prominent Japanese Zen monk-painters: Hakuin Ekaku (1685-1768) and Sengai Gibon (1750-1837). Aviman elaborates on the nature of this particular artistic expression and identifies its sources, focusing on the lives of the monk-painters and their artwork. The author combines a holistic analysis of the paintings, i.e. as interrelated combination of text and image, with a contextualization of the works within their specific environments.

Exhibition, held at the Los Angeles County Museum of Art from November 15, 1992, to February 7, 1993

A captivating work of cultural blending unlike anything created prior, Andrew Archer's Edo Ball must be seen to be believed. This series of paintings seamlessly fuses contemporary basketball imagery with Edo-period Japanese art and culture, with captivating results. Often front and centre, an NBA personality is dramatically reimagined and yet recognizable, surrounded by the myriad trappings of the 'floating' world. Brief accompanying texts describe the thematic connections between each painting's converging themes and explore the roles that culture, community, celebrity, and games play in our daily lives.