The Italian Rapier has held a special place in the history of European swordsmanship. Famous for generations after his death, Salvatore Fabris became the personal fencing master to the equally famous King Christianus of Denmark. Towards the end of his career, and at the king's request, the great master set down the sum of his art in clear in a clear, concise manual of footwork, guards, attacks, defenses, and conterattacks with the rapier, used alone or with a dagger or cloak. A landmark work brought to English for the very first time, Tomasso Leoni offers a complete translation that accompanies the 200 17th century engravings.

It's time to DUEL! The original Yu-Gi-Oh! manga ran for 38 volumes, has been adapted into multiple anime television series, and spawned one of the most popular trading card games in the world. Duel Art collects the fantastic color artwork of series creator Kazuki Takahashi, along with rough concept sketches, tutorials, and an exclusive interview with Takahashi-sensei himself.

Knightly Dueling is a complete overview of the fighting arts of German chivalric dueling, on horse and on foot, during the late Middle Ages and early Renaissance. Through the words and pictures of original source texts of the great German fight masters of the 14th through 16th centuries - extraordinary works that poetically preserved medieval methods of armed combat - it reveals knightly dueling for what it truly was: mortal combat over some grave matter with battlefield weaponry and armour. Until now, no single book has encompassed and clarified the scattered existing historical information on German dueling with swords, lances, daggers, pollaxes and other weapons. Knightly Dueling shows the ruthless reality of man-to-man combat of the German Kunst des Fechtens (art of fighting), providing a thorough understanding of Johannes Liechtenauer's Roszfechten (horse fighting) and Kampffechten (duel fighting). It gives Middle High German transcriptions, as well as the first and only modern English translations, of works from various fight books by Liechtenauer's renowned masterly interpreters, including Hanko Döbringer, Peter von Danzig, Hans Talhoffer and Andre Lignitzer. The book also presents an illustrated blow-by-blow account of a deadly duel from a German Fechtbuch (fight book); primary source information regarding specific training of noblemen for duels and the training of noble youth in the combat arts; and a unique glossary of historical German chivalric terms for arms and armour. Lavishly illustrated with many pieces of period artwork, Knightly Dueling restores the concept of German chivalry to its rightful martial role and is a must for any serious scholar of the dynamic field of European martial arts.

"Set... focus... Strike!" A samurai of Rokugan who does not thrill to these words is no samurai at all, and would do well to abandon his swords by the side of the road. Dueling captures many important facets of a samurai's life: skill with a blade, moral and physical courage, personal honor and loyalty to family and clan. It is an experience which compresses his existence to its essence... his entire being summed up in a single instant of perfect action.

If you are a long-time martial artist, you have likely been either the recipient, the victim - or both - of the "wise old master" phenomenon, whereby budo students reverentially enfold their teachers as martial, moral and mystical juggernauts sans reproach, in which case, this book will make you clench your fists and laugh out loud, often while reading the same sentence. Iconoclastic, rebellious, yet fiercely holding to some of the most traditional values of Japanese martial culture, Amdur brought something new to martial arts writing - a startling honesty about the flaws, not only within martial arts culture, but also within its practitioners, often using himself as an exemplar of the latter. Originally published in 2000, and now fully revised, with eight new chapters, new artwork and photography, Dueling with O Sensei, Revised and Expanded Edition will be an invaluable addition to the library of old readers and new alike.

This 1829 manual offered advice on everything from withdrawal of challenges to weapons. Dramatic anecdotes recount duels arising from disagreements over religion, women, gambling, and other volatile subjects.

About This Book "No amount of wisdom could possibly make sense of the mysterious verdict which God intended through this duel." A new translation of a key work by one of European literature’s most important early writers. One of the few novellas written by the master German playwright, The Duel was considered by Thomas Mann and others to be one of the great works of German literature. The story of a virtuous woman slandered by a nobleman, it is a precise study of a subject that fascinated von Kleist: That people are sometimes seemingly punished for their very innocence. This Is An Enhanced eBook This eBook contains Illuminations—additional curated material that expand the world of Kleist’s novella through text and illustrations—at no additional charge. "Illuminations" contains writings by Paul the Deacon - J.G. Millingen - Sir Walter Scott - Johann Ludwig Uhland - Miguel de Cervantes - Andrew Lang - John Carl Blankenagel - Louis and Regis Senac - Alfred Hutton - Fiore de Liberi and a collection of the twelve laws of chivalry. Illustrations include: Gerhard von Kugelgen - Johannes Gehrts - Jörg Breu Jüngere and Pauls Hector Mair - Achilles Emperaire - George Muhlberg and others. Also included is The Duelist’s Supplement – “The Art of Dueling: How To Shoot and Slash Your Way To Satisfaction” which includes an entire facsimile scan of Fior de Liberi's Flower of Battle.

From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.