Botanical and scientific illustration share many common themes - the meticulous observation, the crucial composition, the precision of rendering and the accuracy of colour are all intrinsic to this niche genre of art. In this beautiful book, Sarah Jane Humphrey explains the techniques of the botanical artist but also introduces ideas for scientific illustration, so that the illustrator has a fuller understanding when rendering the natural world. Detailed instruction on all aspects of illustration is given, from application and materials to research and field trips. There is practical advice on using monochrome and colour theory to bring your illustration to life. Illustrated with over 200 of the author's exquisite illustrations, it is an invaluable companion for both beginners and experienced artists, as well as a source of inspiration and joy. Beautifully illustrated with 429 colour illustrations including 200 of the author's own illustrations.

The most famous and popular book on art ever published, this quintessential "introduction to art," now in its sixteenth edition, has been a worldwide bestseller for over four decades.

From the author of Welcome to Camp America, an eerie exploration of America's performance of power and identity in the post-9/11 era What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictionsdocuments mock-village landscapes in the fictional country of "Atropia" and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios. Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in "moulage"--fake wounds--as they prepare to deploy. Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality--the artifice of war--presented in the book with a variety of texts to provoke critical inquiry about America's fantasy industrial complex. The book includes an essay by PEN Award-winning critical theorist Sarah Sentilles.

A lively and authoritative introduction to the history of art in Cornwall, from Turner to the present day. Themes include: Cornwall in the Romantic vision of landscape; the Victorian development of 'mythical' Cornwall as a tourist destination; the search for rustic authenticity and the early art colonies in Newlyn and St Ives; Cornwall's ......

St Ives is unique in British art history. Between the Second World War and the 1970s, many progressive artists chose to work and often settle around this small port in the far west of Cornwall.Drawing on fresh research, Michael Bird has created a fascinating and highly readable account of St Ives and its artists.

Welcome to Fairyland, where Our Correspondent is embedded with the sprites, and risks life, limb and sanity to bring you news that will rock the very foundations of your belief. This is the first ever on-the-ground account of the weird workings of this parallel universe, in which we humans exist purely for the amusement of our fairy keepers, and our continued existence hangs by the gossamer thread of fairy whim. Displaying the luck and tenacity of the great photojournalists, Lanyon uses happenstance images and curious captions to provide a tantalising glimpse of the tiny, capricious creatures that pull our strings, trip us up, and bend us to their mischievous ends.

David Mankin is a contemporary painter of abstract landscapes based in Cornwall. A series of sell-out shows and a fast-expanding international following has generated widespread interest in how Mankin creates his evocative paintings. 'David Mankin: Remembering in paint' explores his creative process in detail providing the reader access to the sources and influences that inform his work.00Reeve-Edwards looks into Mankin?s continually evolving studio practice: his sources, both external and internal, his methods, tools, and his materials. She places Mankin?s work and approach to painting within the wider context of the Action Painters and Abstract Expressionists of the mid-century, as well as exploring Mankin?s individual approach to abstract painting.00Through its pages the reader can gain a remarkable insight into the artist?s work, process, and his profound attachment to the Cornish landscape.00Exhibition: Cornwall Contemporary Gallery, Penzance, UK (28.08. - 25.09.2021).