An introduction to the ways scholars date the archaeological remains of classical antiquity. Specific examples from architecture, sculpture and painting are presented and the different methods of dating them are explained.

The museums of the world are full of statues and other artefacts of the Greeks and the Romans. All are given a date. But how are these dates arrived at. What is the evidence? This study provides the student with an introduction and explanation of the ways scholars date the archaeological remains of classical antiquity. Specific examples from architecture, sculpture, and painting are presented, and the differnt methods of dating them are explained. These are supplemented with many original photographs and drawings. Old, and not so old problems in chronology are thus investigated and new theories reviewed from a fresh perspective.

An examination of the methodology of the first book that attempted to use coins as historical documents, in the contexts of contemporary humanist and artistic responses to Classical Antiquity.

This volume consists consists of forty contributions written by an internationally renowned selection of scholars. The authors adopt an interdisciplinary methodology, examining both literary and archaeological sources, and a comparative perspective that transgresses national, chronological, and cultural boundaries, in order to investigate the nature of the links between text and image. This multifaceted approach to the study of ancient artifacts enables the authors to treat art and artistic production as activities that do not merely mirror social or cultural relationships but rather, and more significantly, as activities that create social and cultural relationships. The essays in this book are motivated by their authors' belief that there is no simple direct link between art and myths, art and text, or art and ritual, and that art should not be delegated to the role of a by-product of a literate culture. Instead, the contextual and symbolic analyses of artifacts and representations offered in this volume elucidate how art actively shaped myth, how it changed texts, how it transformed ritual, and how it altered the course of local, regional, and Mediterranean histories.

Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory. In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study. This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Ancient Art And Its Remains: Or A Manual Of The Archaeology Of Art Karl Otfried MUller John Leitch Fullarton, 1847 Art; History; General; Archaeology; Art / History / Ancient & Classical; Art / History / General; Art, Ancient; Social Science / Archaeology

"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.

The third edition of Ancient Cities surveys the cities of the Ancient Near East, Egypt, and the Greek, Etruscan, and Roman worlds from the perspectives of archaeology and architectural history, bringing to life the physical world of ancient city dwellers by concentrating on archaeological evidence. Urban form is the focus: the physical appearance and overall plans of cities, their architecture and natural topography, and the cultural and historical contexts in which they flourished. Attention is also paid to non-urban features such as religious sanctuaries and burial grounds, places and institutions that were a familiar part of the city dweller’s experience. Objects or artifacts that furnished everyday life are discussed, such as writing systems, pottery, sculpture, wall paintings, mosaics, and coins. Ancient Cities is unusual in presenting this wide range of Old World cultures in such comprehensive detail, giving equal weight to the Preclassical and Classical periods, and in showing the links between these ancient cultures. In this new edition, in which Andrew Goldman has joined Charles Gates in updating the volume, readers and lecturers will be delighted to see a major revision of the chapters on Greek cities in South Italy and Sicily, the Etruscans, the development of the capital city, Rome, during the Republic as well as the Empire, and the end of the ancient city. This new edition includes several new and updated user-friendly features, such as: Clear and accessible language, assuming no previous background knowledge Lavishly illustrated, with almost 350 line drawings, maps, and photographs, including new contributions from Neslihan Yılmaz Tekman adding to her already acclaimed illustrations Suggestions for further reading for each chapter A companion website with images, study guides, and an interactive timeline. With its comprehensive presentation of ancient Mediterranean and Near Eastern cities, its rich collection of illustrations, and its companion website, Ancient Cities remains an essential textbook for university and high school students across a wide range of archaeology, ancient history, and ancient Near Eastern, Biblical, and Classical Studies courses.