We plan, as the old proverb says, and God laughs. But most of us don't find it all that funny when things go wrong. Most of us want love, a nice home, good work, and happy children. Many of us grew up with parents who made these things look relatively easy and assumed we would get them, too. So what do you do if you don't? What do you do when you feel you've messed it all up and your friends seem to be doing just fine? For Christina Patterson, it was her job as a journalist that kept her going through the ups and downs of life. And then she lost that, too. Dreaming of revenge and irritated by self-help books, she decided to do the kind of interviews she had never done before. The resulting conversations are surprising, touching and often funny. There's Ken, the first person to be publicly fired from a FTSE-100 board. There's Winston, who fell through a ceiling onto a purple coffin. There's Louise, whose baby was seriously ill, but who still worried about being fat. And through it all, there's Christina, eating far too many crisps as she tries to pick up the pieces of her life. The Art of Not Falling Apart is a joyous, moving, and sometimes shockingly honest celebration of life as an adventure, one where you ditch your expectations, raise a glass, and prepare for a rocky ride.

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.

A story of greed, duplicity and death in the flamboyant, super-ego world of rock celebrities. Dystopia have rocketed up the charts in Europe, so now it's time to crack the American market. The opening concert in Las Vegas is a huge success -- but secret envy and open animosity have begun to tear the group apart. The lead singer, Vid, is on a roller-coaster of self-indulgence and egomania... Jared, the lead guitarist, increasingly resents being shouldered out of the limelight... Spin, the warm-up DJ, just cannot resist a dangerous extra-marital adventure... nor can their manager, Alex, resist the lure of personal gain that greed and duplicity could bring him. Then one of them dies, in an apparent accident, and there begins to unravel a chilling saga of dark emotions, cynical manipulation, and murderously ruthless self-interest.

This edition includes: Introduction: Leo Tolstoy - Biography What is Art? Wherein Is Truth In Art? On the Significance of Science and Art Shakespeare and the Drama The Works of Guy De Maupassant A. Stockham'sTokology Amiel's Diary S. T. Seménov's Peasant Stories Stop and Think! Criticisms on Tolstoy: "Tolstoy and Dostoyevsky" by Maurice Baring My Literary Passions: "Tolstoy" by William Dean Howells Essays on Russian Novelists: "Tolstoi" by William Lyon Phelps "Tolstoy the Artist" and "Tolstoy the Preacher" by Ivan Panin "Tolstoy and the Cult of Simplicity" by G. K. Chesterton The Critical Game: "Tolstoy" by John Macy "Count Tolstoi and the Public Censor" by Isabel Hapgood Count Lev Nikolayevich Tolstoy or Leo Tolstoy (1828-1910) was a Russian writer who is regarded as one of the greatest authors of all time. Born to an aristocratic Russian family in 1828, he is best known for the novels War and Peace (1869) and Anna Karenina (1877) which are often cited as pinnacles of realist fiction. He also wrote plays and numerous philosophical essays.

Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology. Replete with references to Merleau-Ponty's reflections on Matisse, Cézanne, Proust and others, and featuring Kaushik's own original reflections on various artworks, this book is guided by the notion that art does not iterate the findings of phenomenology so much as it allows phenomenology to finally discover what, as a matter of principle, it seeks: the very foundation of experience that is not itself available to thought. Kaushik is thus concerned with the ways in which the work of art restores the principle of institution, prior to the intentional structures of consciousness, so that phenomenology may settle questions concerning ontological difference, the origination of significance, and the relationship between interiority and exteriority.

Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout

These essays examine the transformation and expansion of the field of painting in relation to the more general lines of development in culture and visuality. The book is divided into five parts, with each of them pursuing a distinct line of inquiry.