The water's edge, whether shore or riverbank, is a marginal territory that becomes invested with layers of meaning. The essays in this collection present intriguing perspectives on how the water's edge has been imagined and represented in different places at various times and how this process contributed to the formation of social identities. Art and Identity at the Water's Edge focuses upon national coastlines and maritime heritage; on rivers and seashore as regions of liminality and sites of conflicting identities; and on the edge as a tourist setting. Such themes are related to diverse forms of art, including painting, architecture, maps, photography, and film. Topics range from the South African seaside resort of Durban to the French Riviera. The essays explore successive ideological mappings of the Jordan River, and how Czech cubist architecture and painting shaped a new nationalist reading of the Vltava riverbanks. They examine post-Hurricane Katrina New Orleans as a filmic spectacle that questions assumptions about American identity, and the coast depicted as a site of patriotism in nineteenth-century British painting. The collection demonstrates how waterside structures such as maritime museums and lighthouses, and visual images of the water's edge, have contributed to the construction of cultural and national identities.

The water's edge, whether shore or riverbank, is a marginal territory that becomes invested with layers of meaning. The essays in this collection present intriguing perspectives on how the water's edge has been imagined and represented in different places at various times and how this process contributed to the formation of social identities. Art and Identity at the Water's Edge focuses upon national coastlines and maritime heritage; on rivers and seashore as regions of liminality and sites of conflicting identities; and on the edge as a tourist setting. Such themes are related to diverse forms of art, including painting, architecture, maps, photography, and film. Topics range from the South African seaside resort of Durban to the French Riviera. The essays explore successive ideological mappings of the Jordan River, and how Czech cubist architecture and painting shaped a new nationalist reading of the Vltava riverbanks. They examine post-Hurricane Katrina New Orleans as a filmic spectacle that questions assumptions about American identity, and the coast depicted as a site of patriotism in nineteenth-century British painting. The collection demonstrates how waterside structures such as maritime museums and lighthouses, and visual images of the water's edge, have contributed to the construction of cultural and national identities.

Everybody Out of the Pond At the Water's Edge will change the way you think about your place in the world. The awesome journey of life's transformation from the first microbes 4 billion years ago to Homo sapiens today is an epic that we are only now beginning to grasp. Magnificent and bizarre, it is the story of how we got here, what we left behind, and what we brought with us. We all know about evolution, but it still seems absurd that our ancestors were fish. Darwin's idea of natural selection was the key to solving generation-to-generation evolution -- microevolution -- but it could only point us toward a complete explanation, still to come, of the engines of macroevolution, the transformation of body shapes across millions of years. Now, drawing on the latest fossil discoveries and breakthrough scientific analysis, Carl Zimmer reveals how macroevolution works. Escorting us along the trail of discovery up to the current dramatic research in paleontology, ecology, genetics, and embryology, Zimmer shows how scientists today are unveiling the secrets of life that biologists struggled with two centuries ago. In this book, you will find a dazzling, brash literary talent and a rigorous scientific sensibility gracefully brought together. Carl Zimmer provides a comprehensive, lucid, and authoritative answer to the mystery of how nature actually made itself.

This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a ‘cultural turn’ in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors’ individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.

Though known as the Danish Golden Age, nineteenth-century Denmark was one of the most tumultuous periods in the nation's history—from the disastrous siege of Copenhagen and the collapse of Denmark's monarchy to the swelling tide of nationalism that eventually engulfed all of Europe. This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe.

‘What an emotional, twisty, rollercoaster of a novel! It kept me guessing all the way through.’ Alice Hunter, author of The Serial Killer’s Wife Sometimes the past is best left buried Since the birth of baby Joe five weeks ago, Ali Baker has been struggling to cope. Starved of sleep and haunted by painful memories from the past, she’s a million miles away from the polished, professional barrister she has worked so hard to become. Then her mother tragically and unexpectedly dies, leaving Ali an orphan. Haunted by her loss, Ali can’t forget her mother’s last words to her: There is something I really need to tell you... Heading back to the Norfolk Broads to sort her mother’s things, Ali is plunged into memories of her family’s picture-perfect summers on the river. But as she starts to uncover secrets hidden within the isolated house, Ali is drawn into a dark web that threatens to destroy everything she believed about her childhood – and her very sanity. Ali may finally discover her mother’s secrets... but at what cost? A gripping, captivating psychological thriller, perfect for fans of Samantha Hayes and S.E. Lynes. Perfect for book group reading - includes discussion questions. Readers are loving The House on the Water’s Edge: ‘A novel that gradually creeps under your skin... suffocatingly claustrophobic with an ‘oh my goodness’ finale!’ Carla Kovach, author of The Next Girl ‘Absorbing from start to finish. The climax is incendiary. It set my day on fire.’ Amanda Robson, author of Obsession ‘The creeping sense of doom reached its crescendo and did not disappoint. The twists and revelations left me reeling!’ Ruby Speechley, author of The Face at the Window ‘As I finished the last page, I nearly dropped my eReader! WHAT?!?! Definitely a book you’ll want to pick up!’ ☆☆☆☆☆ Reader Review ‘This gripping, twisty tale of family secrets and ancient lies coming home to roost is a real rollercoaster of emotion. I couldn’t put it down... What a fantastic read!’ Judi Daykin, author of Under Violent Skies ‘A sharp, twisty thriller filled with secrets... fantastic.’ Chris George, author of Guess Who ‘A completely engrossing story, full of intrigue and mystery, and with a dash of romance too. Brilliant!’ C.J. Cooper, author of The Book Club ‘Loved how the secrets started to unfold...With one final unexpected revelation at the end, this left me open mouthed.’ ☆☆☆☆☆ Reader Review ‘Loved this one!... Lots of twists and turns along the way. Definitely one I recommend.’ ☆☆☆☆☆ Reader Review ‘This psychological thriller was a never-ending journey of twists and turns... the author had you hanging onto her every word.’ ‘A really exciting and thrilling read... with lots of twists and turns.’ ☆☆☆☆☆ Reader Review ‘I wasn’t expecting the twist... I didn’t see it coming at all.’ ☆☆☆☆☆ Reader Review ‘Hard to put down... filled with secrets, childhood drama, and a lot of tragedy.’ Reader Review ‘I am definitely going to be looking for more from this author, highly recommend.’ Reader Review ‘I loved it. Well-written, fun to read, quick to finish.’ Reader Review ‘This was such a fast paced read! The plot was fabulous and I had no idea what to expect next... Which kept me on my toes.’ Reader Review ‘Isolation, lonely and creepy! It really opened up the more I read.’ Reader Review

Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Follow Lisa as she makes the change from male to female, her travels to various countries, failures, and success as a business owner. She travels to Hawaii and falls in love with Dana, but is Dana male or female?

How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.