This study is concerned with Giordano Bruno's ars memoriae and the relation between his works on mnemonics and philosophy in the first phase of his reflection (1582–1585). The hermeneutic hypothesis that will be explored is that it is Giordano Bruno's De umbris idearum that first reveals his new elaboration of the notion of order, which will then be further unfolded in the philosophical works published in London, especially in the notions of nature, language, and praxis developed therein. The research statement is explored into more detail on a methodological level, through a discussion of Hans Blumenberg's interpretation of Giordano Bruno, and on an analytical level, through a metaphorological interpretation of the inward writing and the shadow metaphors in the De umbris idearum.

48 page graphic novel by Menton J. Matthews IIICould you confront the darkest part in your own psyche ? Go to the hidden places where only the most terrifying things you can imagine exist ? Would you do it for your brother ? Augustus Lubert Das has been searching for his brother since he was stolen in the night by something horrible. At long last he thinks he has a lead, someone who knows his brothers whereabouts. What he finds instead changes his perception of reality forever and sends him to a place he doesn't want to go. His memory. If he wants answers he must remember.

This unique and brilliant book is a history of human knowledge. Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance. Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.

First Published in 1999. This title is the third volume in the ten-volume set titled the Selected Works of Frances Yates. Greyscale illustrations and figures are included throughout - alongside the related descriptive work where applicable. The art in this volume seeks to memorise through a technique of impressing 'places' and 'images' on memory. It has usually been classed as 'mnemotechnics', which appears an unimportant branch of human activity. However, the author discusses in this title that the manipulation of images in memory must always, to some extent, involve the psyche.

This book is an analysis of thinking, remembering and reminiscing according to ancient authors, and their medieval readers. The author argues that behind the various medieval methods in interpreting texts of the past lie two apparently incompatible theories of human knowledge and remembering, as well as two differing attitudes to matter and intellect. The book comprises a series of studies which take ancient texts as evidence of the past, and show how medieval readers and writers understood them. The studies confirm that medieval and renaissance interpretations and uses of the past differ greatly from modern interpretation and yet betray many startling continuities between modern and ancient and medieval theories.

A comprehensive illustrated reference guide with more than 400 entries on the subjects of magic and alchemy.

Ars Memoria, or the art of memory is a technique used much in classical rhetoric for "storing" information within places both real and imagined, as well as in the generation of new texts. As an Appalachian writer in diaspora, I am constantly navigating the liminal space between real, remembered, and imaginary space-between memory and creation. The cycle of poems here were written in dialogue with an alchemical text, The Twelve Keys of Basilius Valentinus, whose images were used as the "memory palace" from which the poems were drawn, and the book of Psalms-particularly when used as a folk-magical or hoodoo text, a practice once common in Appalachia.

Glenn Alexander Magee's pathbreaking book argues that Hegel was decisively influenced by the Hermetic tradition, a body of thought with roots in Greco-Roman Egypt. Magee traces the influence on Hegel of such Hermetic thinkers as Baader, Böhme, Bruno, and Paracelsus, and fascination with occult and paranormal phenomena. Hegel and the Hermetic Tradition covers Hegel's philosophical corpus and shows that his engagement with Hermeticism lasted throughout his career and intensified during his final years in Berlin. Viewing Hegel as a Hermetic thinker has implications for a more complete understanding of the modern philosophical tradition, and German idealism in particular.

Anthology of a selection of early modern works on memory.

First Published in 1999. This title is the third volume in the ten-volume set titled the Selected Works of Frances Yates. Greyscale illustrations and figures are included throughout - alongside the related descriptive work where applicable. The art in this volume seeks to memorise through a technique of impressing 'places' and 'images' on memory. It has usually been classed as 'mnemotechnics', which appears an unimportant branch of human activity. However, the author discusses in this title that the manipulation of images in memory must always, to some extent, involve the psyche.