Letters on Art: Art Criticism and Art Education. "Modern Painters;" a Reply. 1843 Art Criticism. 1843 The Arts as a Branch of Education. 1857 Art-Teaching by Correspondence. 1860 Public Institutions and the National Gallery. Danger to the National Gallery. 1847 The National Gallery. 1852 The British Museum. 1866 On the Purchase of Pictures. 1880 Pre-raphaelitism. The Pre-Raphaelite Brethren. 1851 (May 13) The Pre-Raphaelite Brethren. 1851 (May 30) "The Light of the World," Holman Hunt. 1854{vi} "The Awakening Conscience," Holman Hunt. 1854 Pre-Raphaelitism in Liverpool. 1858 Generalization and the Scotch Pre-Raphaelites. 1858 Turner. The Turner Bequest. 1856 [Turner's Sketch Book. 1858 The Turner Bequest and the National Gallery. 1857 The Turner Sketches and Drawings. 1858 [The Liber Studiorum. 1858 The Turner Gallery at Kensington. 1859 Turner's Drawings. 1876 (July 5) Turner's Drawings. 1876 (July 19) Copies of Turner's Drawings. 1876 [Copies of Turner's Drawings—Extract. 1857 [Copy of Turner's Fluelen "Turners," False and True. 1871. The Character of Turner. 1857. [Thornbury's Life of Turner. 1861. Pictures and Artists. John Leech's Outlines. 1872. Ernest George's Etchings. 1873. The Frederick Walker Exhibition. 1876. Architecture and Restoration. Gothic Architecture and the Oxford Museum. 1858. Gothic Architecture and the Oxford Museum. 1859. The Castle Rock (Edinburgh). 1857 (Sept. 14) Edinburgh Castle. 1857 (Sept. 27) Castles and Kennels. 1871 (Dec. 22) Verona v. Warwick. 1871 (Dec. 24){vii} Notre Dame de Paris. 1871 Mr. Ruskin's Influence—A Defence. 1872 (March 15) Mr. Ruskin's Influence—A Rejoinder. 1872 (March 21) Modern Restorations. 1877 Ribbesford Church. 1877 Circular relating to St. Mark's, Venice. 1879. [Letters relating to St. Mark's, Venice. 1879. Letters on Science: Geological. The Conformation of the Alps, 1864 Concerning Glaciers. 1864. English versus Alpine Geology. 1864 Concerning Hydrostatics. 1864 James David Forbes: His Real Greatness. 1874.

A journal devoted to the practice, theory, history, and archaeology of art.

Ruskin's letters to Norton reflect and express, often more vividly than his own public prose, the spiritual, amatory, artistic, and cultural preoccupations of Ruskin's life. This 1987 volume presents a complete and accurate record of the exchanges, which comprise 333 from Ruskin to Norton and 63 in return.