May Sinclair's The Creators is a study of a group of writers and would-be writers and their struggles and/or accommodations withing the literary marketplace. It deals with the trials and tribulations of literary celebrity and with lack of recognition. It also focuses on the doubts and self-divisions of the artist and on his or her battles with conventional gender roles. The novel's subtitle - 'a comedy' - puzzled some of its first readers and reviewers, the TLS to speculate that the comedy must lie in that fact that the creators believe that they are geniuses. Sinclair does not take her characters as seriously as they take themselves, but her social comedy also exposes the limitations of the conventional middle-class world which either exploits or fails to understand them. First serialized in the Century Illustrated Monthly Magazine between November 1909 and October 1910, The Creators was first published in book form by John Constable in 1910. This edition restored the numerous and extensive cuts that were made to Sinclair's manuscript during the process of the novel's serialization.

This book gives a comprehensive overview of the ways in which the relation between German Idealism and feminist philosophy has been explored. It demonstrates the significance of German Idealism for feminist philosophy, and simultaneously brings out the relevance of feminist readings and interpretations for a critical understanding of German Idealism. Key Features: • Presents original work on the German Idealists and considers their legacy within feminist thought from different philosophical perspectives. • Incorporates perspectives from queer theory, new materialism and critical philosophy of race, and so explores German Idealism through the subversion and transformation of meanings and conceptual arrangements. • Challenges the epistemic boundaries of philosophy by engaging the thought of women contemporary with the German Idealists such as Bettina von Arnim and Karoline von Günderrode. • Places the work of the German Idealists on gender, sexuality, marriage and family within the wider contexts of colonialism and European nation building. • Considers how several key concepts of German Idealism (such as subject, reason, enlightenment, autonomy and the sublime) have been central targets of feminist theory. • Includes a Black feminist critique of Kantian universalism. Fully reflecting the diversity that characterizes feminist thinking today, The Palgrave Handbook of German Idealism and Feminist Philosophy is essential reading for scholars and graduate students of German idealism, feminist philosophy and feminist theory. Chapter(s) “The Taxonomy of ‘Race’ and the Anthropology of Sex: Conceptual Determination and Social Presumption in Kant” is/are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.