This is the story of Arnie Duffield, who arrived at Thursday Island, in Torres Strait, the Northern tip of Australia, aged ten, in 1936 - beginning a life-time of adventure. His father worked on the famous sailing luggers, diving boats that harvested pearl shells and pearls for over 100 years up to 1980. Arnie with his father and brother, with their own hands would build their own flotilla of luggers, to operate as a family company over eventful decades: seeing the Great Depression, war and the immediate threat of invasion, a post-war boom in the region, the loss of divers and constant striving for safety at sea, failures of an industry, mounting threats to the environment. For ten years he managed an innovative project cultivating pearls for jewellery, a change from selling shells, the `mother of pearl' used for buttons and ornamentation. The tropical life provided excitement, stimulus, dangers; material for yarns, about crocodiles or sharks, drunks, bad weather at sea, a near-drowning, a mercy dash in a fast boat to save a downed pilot, and a few close shaves on bush air-strips. Arnie became a leading personality in this world, a humourist and practitioner of the wisecrack, always quick with a come-back. From childhood days observing the hectic life of the far-away little port at Thursday Island, Waiben under its traditional name; then working as a young man, repairing warships, and operating the family-owned boats, he became, he would proudly state, a master mariner and proficient ship engineer. He would revel in the island life, enjoying great freedom, getting successes and hard blows; in private life, marrying, starting a family, experiencing the stresses and joys. At 95 he is known as the “last man standing” from days when the fleet would depart under sail.

The role of Aboriginal servicemen and women has only recently been brought to the forefront of conversation about Australia’s war history. This important book makes a key contribution to recording the role played by Indigenous Australians in our recent military history. Written by two respected historians and based on a substantial number of interviews with Indigenous war veterans who have hitherto been without a voice, it combines the best of social and military history in one book. This will be the first book to focus on this previously neglected part of Australian social history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book paints Sydney between the depressions of the 1890s and the 1930s as a prosperous city riding an international wave of modernism. In the pub, parlour and pulpit, people clashed over the significance of moving pictures, jazz, new dance crazes, the radio, gramophone records and cheap magazines. Conventional accounts of the Australian film industry at the beginning of the twentieth century focus on the impact of Hollywood on local production. But in this vibrant history, the author shows how moving pictures captured the imagination of Sydneys people and transformed how they thought about the world. Jill Julius Matthews describes how in Sydney, as elsewhere, young flappers came to embody both glamour and decadence in modern city life. She uncovers entrepreneurs bribing politicians as they aggressively pursued profits for their American patrons and reveals the innovative marketing techniques that provoked cultural elites to deplore commercialisation.

"Multi-Domain Battle in the Southwest Pacific Theater of World War II" provides a historical account of how US forces used synchronized operations in the air, maritime, information, and land domains to defeat the Japanese Empire. This work offers a historical case that illuminates current thinking about future campaigns in which coordination among all domains will be critical for success.

'He was in the best sense a fighter for equal rights, a rebel, a free-thinker, a restless spirit, a reformer who saw far into the future and far into the past.' Dr Bryan Keon-Cohen, plaintiffs' barrister in the Mabo litigation Here, largely in his own words, is the incredible story of Edward Koiki Mabo, from his childhood on the Island of Mer through to his struggle within the union cause and the black rights movement. Tragically, Mabo died just months before the historic High Court native-title decision that destroyed forever the concept of terra nullius. Originally published by UQP in 1996, this new edition has been updated by Mabo's long-time friend historian Noel Loos. New photographs and a preface by esteemed film director Rachel Perkins give this book the new life it deserves.

P.101-104; Early missionary activities in Queensland; p.114; Poisoning of flour left to be stolen by Aborigines; p.151; Details of white men who have lived with natives; p.117; Account of the Aborigines - ecology, food - gathering economy, inventive ability; Early references to natives; Contact and conflict; Black War - Bunya festival described; Reasons for attacks from 1842 onwards; Specific incidents described; Native Mounted Police Force; Mestons report; p.188-9; Islanders of Torres Straits - early contacts; p.189; Government policy on Aborigines; Laws.