The military sci-fi classic of courage on a dangerous alien planet The planet is called Banshee. The air is unbreathable, the water is poisonous. It is home to the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Body armor has been devised for the commando forces that are to be dropped on Banshee—the culmination of ten thousand years of the armorers’ craft. A trooper in this armor is a one-man, atomic powered battle fortress. But he will have to fight a nearly endless horde of berserk, hard-shelled monsters—the fighting arm of a species which uses biological technology to design perfect, mindless war minions. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected, not only by his custom-fitted body armor, but by an odd being which seems to live within him, a cold killing machine he calls “The Engine.” This is Felix’s story—a story of the horror, the courage, and the aftermath of combat, and the story, too, of how strength of spirit can be the greatest armor of all.

Put on the entire armor of God and be able to effectively survive and thrive during conflict.

Putting on the Armor is an excellent 7-session study for new and growing believers seeking practical application of personal spiritual disciplines in order to defeat the enemy in times of temptation.

There is no shortage of iconic masculine imagery of the soldier in American film and literature—one only has to think of George C. Scott as Patton in front of a giant American flag, Sylvester Stallone as Rambo, or Burt Lancaster rolling around in the surf in From Here to Eternity. In Male Armor, Jon Robert Adams examines the ways in which novels, plays, and films about America’s late-twentieth-century wars reflect altering perceptions of masculinity in the culture at large. He highlights the gap between the cultural conception of masculinity and the individual experience of it, and exposes the myth of war as an experience that verifies manhood. Drawing on a wide range of work, from the war novels of Ernest Hemingway, Norman Mailer, James Jones, and Joseph Heller to David Rabe’s play Streamers and Anthony Swofford’s Jarhead, Adams examines the evolving image of the soldier from World War I to Operation Desert Storm. In discussing these changing perceptions of masculinity, he reveals how works about war in the late twentieth century attempt to eradicate inconsistencies among American civilian conceptions of war, the military’s expectations of the soldier, and the soldier’s experience of combat. Adams argues that these inconsistencies are largely responsible not only for continuing support of the war enterprise but also for the soldiers’ difficulty in reintegration to civilian society upon their return. He intends Male Armor to provide a corrective to the public’s continued investment in the war enterprise as a guarantor both of masculinity and, by extension, of the nation.

He's the most feared and successful bounty hunter in the galaxy. He is Boba Fett, and even the most hardened criminals tremble at his name. Now he faces the deadliest challenge of his infamous career--an all-out war against his most dangerous enemies. As the Rebellion gathers force, Prince Xizor proposes a cunning plan to the Emperor and Darth Vader: smash the power of the Bounty Hunters Guild by turning its members against each other. Only the strongest and most ruthless will survive, and they can be used against the Rebellion. It's a job for the fiercely independent Boba Fett, who jumps at the chance to destroy his rivals. But Fett soon realizes the game is rigged, as he finds himself the target of murderous factions, criminal conspiracies, and the evil at the Empire's dark heart. Boba Fett has always finished first. And in this game, anything less is death.

This extraordinary publication presents, for the first time, the samurai armor collection of the Ann and Gabriel Barbier-Mueller Museum in Dallas. The Barbier-Mueller has selectively amassed these pieces of armor over the past twenty-five years, ultimately forming one of the largest and most important collections of its kind in the world. It is composed of nearly three hundred objects, several of which are considered masterpieces, including suits of armor, helmets, masks, horse armor, and weaponry. The objects date from the 12th to the 19th century, with a particularly strong focus on Edo-period armor. Offering an exciting look into the world of the samurai warrior, the book begins with an introduction by Morihiro Ogawa. Essays by prominent scholars in the field highlight topics such as the phenomenon of the warrior in Japan, the development of the samurai helmet, castle architecture, women in samurai culture, and Japanese horse armor. The book's final section consists of an extensive catalogue of objects, concentrating on 120 significant works in the collection. Lavishly illustrated in full color, each object is accompanied by an entry written by a scholar of Japanese armor.

A thorough and original study of the linothorax, the linen armor worn by Alexander the Great. Alexander the Great led one of the most successful armies in history and conquered nearly the entirety of the known world while wearing armor made of cloth. How is that possible? In Reconstructing Ancient Linen Body Armor, Gregory S. Aldrete, Scott Bartell, and Alicia Aldrete provide the answer. An extensive multiyear project in experimental archaeology, this pioneering study presents a thorough investigation of the linothorax, linen armor worn by the Greeks, Macedonians, and other ancient Mediterranean warriors. Because the linothorax was made of cloth, no examples of it have survived. As a result, even though there are dozens of references to the linothorax in ancient literature and nearly a thousand images of it in ancient art, this linen armor remains relatively ignored and misunderstood by scholars. Combining traditional textual and archaeological analysis with hands-on reconstruction and experimentation, the authors unravel the mysteries surrounding the linothorax. They have collected and examined all of the literary, visual, historical, and archaeological evidence for the armor and detail their efforts to replicate the armor using materials and techniques that are as close as possible to those employed in antiquity. By reconstructing actual examples using authentic materials, the authors were able to scientifically assess the true qualities of linen armor for the first time in 1,500 years. The tests reveal that the linothorax provided surprisingly effective protection for ancient warriors, that it had several advantages over bronze armor, and that it even shared qualities with modern-day Kevlar. Previously featured in documentaries on the Discovery Channel and the Canadian History Channel, as well as in U.S. News and World Report, MSNBC Online, and other international venues, this groundbreaking work will be a landmark in the study of ancient warfare.

On Armor tells three important and interconnected stories. The first is a tale of a technology, in particular, the rise and fall of the main battle tank—a type of armored vehicle that came to dominate land warfare in the middle of the 20th century but is now obsolete. The second is a history of ideas. The problem that armored vehicles created for 20th-century armies was as much about concepts of operation as it was about technology. Those who got the philosophy right did well. Those who lacked either the imagination or the intellectual capital to understand the rapidly evolving potential of the armored vehicle failed miserably. The third story is one of organization. Gudmundsson pays particular attention to how armored vehicles were combined with other forces to form an extraordinarily rich variety of units and formations. He also comments on the current and future roles various types of armor will play on the battlefield. The main battle tank is probably the single most important fighting vehicle of the 20th century. At the same time, as Gudmundsson makes clear, it is only one of the many different types of armored vehicle that have played an important role in recent warfare. Neither the past glory nor the current obsolescence of the main battle tank can be understood without reference to vehicles such as the armored car, assault guns of various kinds, armored engineer vehicles, and armored personnel carriers. This text also explores the role that mobile operations in World War I played in fostering the development of armored warfare; the rapid decline of the French Army from its highpoint as the leading tank army in the world; the role that weapons other than the tank played in the rise of the German armored force; and the relationship between British ideas of armored warfare and the growth of the American armored force in World War I.

An illustrated history of the evolution of body armor, from ancient Egypt to the dawn of the twenty-first century

The magazine of mobile warfare.