These folk-tales were told by simple people--vine-dressers, farm-laborers, millers--and were preserved by word of mouth, to be repeated for entertainment in the coffee-house, or at home during the long, hard winters. There are fables here, too, selected from the collections of medieval scholars and philosophers, while the expressive and often humorous proverbs show the ways of the world through shrewd Armenian eyes.

Myths, legends, heroes, and gods of Armenia and Africa.

Armenian written literature originated almost 16 centuries ago with the invention of the Armenian alphabet. This anthology, translated into English, takes a comprehensive approach to capturing the essence of of the literature of the entire period covered.

Armenian mythology was strongly influenced by Zoroastrianism, with deities such as Aramazd, Mihr or Anahit, as well as Assyrian traditions, such as Barsamin, but there are fragmentary traces of native traditions, such as Hayk or Vahagn and Astghik. According to De Morgan there are signs which indicate that the Armenians were initially nature worshipers and that this faith in time was transformed to the worship of national gods, of which many were the equivalents of the gods in the Roman, Greek and Persian cultures. Georg Brandes described the Armenian gods in his book: "When Armenia accepted Christianity, it was not only the temples which were destroyed, but also the songs and poems about the old gods and heroes that the people sang. We have only rare segments of these songs and poems, segments which bear witness of a great spiritual wealth and the power of creation of this people and these alone are sufficient reason enough for recreating the temples of the old Armenian gods. These gods were neither the Asian heavenly demons nor the precious and the delicate Greek gods, but something that reflected the characteristics of the Armenian people which they have been polishing through the ages, namely ambitious, wise and good-hearted."

There is a great deal of interest in the history of Armenia since its renewed independence in the 1990s and the ongoing debate about the genocide - an interest that informs the strong desire of a new generation of Armenian Americans to learn more about their heritage and has led to greater solidarity in the community. By integrating themes such as war, geopolitics, and great leaders, with the less familiar cultural themes and personal stories, this book will appeal to general readers and travellers interested in the region.

Few writers had to confront so many of the last century's mass tragedies as Vasily Grossman. He is likely to be remembered, above all, for the terrifying clarity with which he writes about the Shoah, the Battle of Stalingrad and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman; it is notable for its warmth, its sense of fun and for the benign humility that is always to be found in his writing. After the 'arrest' - as Grossman always put it - of Life and Fate, Grossman took on the task of editing a literal Russian translation of a lengthy Armenian novel. The novel was of little interest to him, but he was glad of an excuse to travel to Armenia. This is his account of the two months he spent there. It is by far the most personal and intimate of Grossman's works, with an air of absolute spontaneity, as though Grossman is simply chatting to the reader about his impressions of Armenia - its mountains, its ancient churches and its people.

Originally published in 1970, this book is the result of many years of study and research in the field. It begins with a geographic and ethnic survey of the land and Armenian people and traces the land’s prehistory back to the Old Stone Age. The origins of the wine-making and bronze-working industries are discussed, in which Armenia played a pioneering role. The outstanding Armenian contribution to Church art and architecture is also explored as is the contribution of Armenia to painting, philosophy, and science. The final section is devoted to an account of Soviet Armenia.