Colorful guide to Armenia including information about the geography, history and people of the nation.

This book investigates the historical evolution of 'humanitarian photography' - the mobilization of photography in the service of humanitarian initiatives across state boundaries.

Originally published in 1970, this book is the result of many years of study and research in the field. It begins with a geographic and ethnic survey of the land and Armenian people and traces the land’s prehistory back to the Old Stone Age. The origins of the wine-making and bronze-working industries are discussed, in which Armenia played a pioneering role. The outstanding Armenian contribution to Church art and architecture is also explored as is the contribution of Armenia to painting, philosophy, and science. The final section is devoted to an account of Soviet Armenia.

This portrait, in words and pictures, explores Amenia during the devastating years after the 1988 earthquake, the collapse of the Soviet Union, and the ensuing violence over boundaries and ethnic differences.

At the beginning of the twentieth century, millions of immigrants came to the United States in search of a better life and greater opportunities for their families. However, the Armenians who came to Worcester between 1894 and 1930 were escaping a devastating genocide that tore their country apart. What they found and how they became an integral part of Worcester culture and history is the story found in Armenians of Worcester. Worcester was a mecca for many Armenians, who had escaped with little more than their lives. There were mills that provided work, and there was a growing number of Armenians who were struggling to make sense of what had happened in their homeland. The first Armenian Apostolic church and the first Armenian Protestant church in America were both in this city, and both helped to build new foundations for a community that was to enrich the city and slowly resurrect the art, theater, music, and food that celebrates the Armenian culture. The Armenian picnics that were an integrating influence in the early years continue even today as a gathering of clans and all who join in on these days of celebration.

Illustrated guide to Historic Western Armenia, the ancient homeland of the Armenian nation. Illustrated with more than 125 color photographs and maps, as well as with historic photographs from 100 years ago. This is the first-ever guide to the Western Armenian homeland of the Armenian nation, and is published on the 100th anniversary of the Armenian Genocide.

In a culture that often understands formal experimentation or theoretical argument to be antithetical to pleasure, Atom Egoyan has nevertheless consistently appealed to wide audiences around the world. If films like The Adjuster, Calendar, Exotica, and The Sweet Hereafter have ensured him international cult status as one of the most revered of all contemporary directors, Egoyan's forays into installation art and opera have provided evidence of his versatility and confirmed his talents. Throughout his career, Atom Egoyan has shown himself to possess the rarest kind of singularity. As Jonathan Romney puts it, Egoyanþs 2preoccupations and tropes have been so consistent that he's practically created his own genre3 (1995, 8). Hrag Vartanian adds, 2Egoyanesque has become a word to film aficionados, commonly understood to mean a cinematic moment that examines sexuality, technology and alienation in the modern world3 (2004). For this singularity, Egoyan is widely hailed as a true auteur, ƯƯsomeone carrying on the legacy of the European art-house traditions of Bergman, Godard, and Truffaut. Certainly, his work bears a most recognizable signatureƯƯthere is no confusing an Egoyan work with anyone elseþs. Like his art-house predecessors, Egoyan clearly intends that his work be, as Dudley Andrew puts it, 2read rather than consumed,3 that is, viewed meditatively, reflected upon, and discussed (2000, 24). And indeed, in this world in which filmmaking has become commonplacewhere, as Egoyan has said, 2what used to be a rarified activity is now available to anyone with a digital camera and a computer3 (2001b, 18) he intends through much of his work to recall an earlier image culture in which artists had an ability to produce something that gained its power precisely through its rarity.

This volume focuses on the impact of the Armenian Genocide on different academic disciplines at the crossroads of the centennial commemorations of the Genocide. Its interdisciplinary nature offers the opportunity to analyze the Genocide from different angles using the lens of several fields of study.

From the Biblical heights of Mount Ararat to the crystal-clear waters of Lake Sevan, passing monasteries and gorges, with helpful tips and honest insights, Bradt s Armenia leads the way."