Ariel kept her grotto a secret for a long time, but eventually her father learned about her special place. But Ariel has another secret–she was seen by a human on the surface long ago! Ariel reveals the exciting story of her best-kept secret in this padded, glittered hardcover.

From the National Book Critics Circle Award-winning author comes the gripping true story of a sensational religious forgery and the scandal that shook Harvard. In 2012, Dr. Karen King, a star religion professor at Harvard, announced a breathtaking discovery just steps from the Vatican: she’d found an ancient scrap of papyrus in which Jesus calls Mary Magdalene “my wife.” The mysterious manuscript, which King provocatively titled “The Gospel of Jesus’s Wife,” had the power to topple the Roman Catholic Church. It threatened not just the all-male priesthood, but centuries of sacred teachings on marriage, sex, and women’s leadership, much of it premised on the hallowed tradition of a celibate Jesus. Award-winning journalist Ariel Sabar covered King’s announcement in Rome but left with a question that no one seemed able to answer: Where in the world did this history-making papyrus come from? Sabar’s dogged sleuthing led from the halls of Harvard Divinity School to the former headquarters of the East German Stasi before landing on the trail of a Florida man with an unbelievable past. Could a motorcycle-riding pornographer with a fake Egyptology degree and a prophetess wife have set in motion one of the greatest hoaxes of the century? A propulsive tale laced with twists and trapdoors, Veritas is an exhilarating, globe-straddling detective story about an Ivy League historian and a college dropout—and how they worked together to pass off an audacious forgery as a long-lost piece of the Bible.

When Ariel the mermaid finds a gold coin, a telescope, a harp, and other objects of human origin in the ocean, she decides to begin a collection. On board pages.

After his wife is lost to a pirate ship, King Triton of the merpeople outlaws music in the kingdom, but his youngest daughter Ariel finds joy in music at an underground nightclub and sings against her father's wishes.

Musical.ly megastar and recording artist Baby Ariel tells the inspiring story behind her empire of more than 35 million fans. Full of revealing personal anecdotes, advice, doodles, and never-before-seen photos! Ariel is all about opening up and being goofy, funny, and completely herself. In her debut book, she talks about every step of her amazing journey: from the good (like being on the cover of Billboard, filming music videos for her original songs, and meeting her amazing fans) to the bad (like overcoming anxiety, handling breakups, and dealing with haters and bullies). Through it all, Ariel has learned one important lesson that she wants her fans to learn, too: You gotta be you, babies. Fierce, funny, and real, Dreaming Out Loud goes behind the scenes in the life of one of today’s most popular influencers, giving you Baby Ariel like you’ve never seen her before.

Alana is afraid her new friend Hummer, whose scales turn all the colors of the rainbow when he hums, may be taken captive if anyone else sees him. Will she be able to keep him a secret?

What happens if we abandon the assumption that a person is a discrete, world-making agent who acts on and creates place? This, Monique Allewaert contends, is precisely what occurred on eighteenth-century American plantations, where labor practices and ecological particularities threatened the literal and conceptual boundaries that separated persons from the natural world. Integrating political philosophy and ecocriticism with literary analysis, Ariel’s Ecology explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. Allewaert’s examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar. This in turn gave rise to modes of personhood explicitly attuned to human beings’ interrelation with nonhuman forces in a process we might call ecological. Certainly the possibility that colonial life revokes human agency haunts works from Shakespeare’s Tempest and Montesquieu’s Spirit of the Laws to Spivak’s theories of subalternity. In Allewaert’s interpretation, the transformation of colonial subjectivity into ecological personhood is not a nightmare; it is, rather, a mode of existence until now only glimmering in Che Guevara’s dictum that postcolonial resistance is synonymous with “perfect knowledge of the ground.”

When her young friend, Laurel, mysteriously goes missing, Ariel reads Laurel's diary entry about a secret new friend and is accompanied by Sebastian, Flounder and Scuttle while following clues.

Ariel does not know who he is, where he is from, or what is his purpose in life. The chance to get the answers comes in the form of a strange experiment, in which Ariel receives the ability to fly.