Ariel (1965) contains many of Sylvia Plath's best-known poems written in an extraordinary burst of creativity just before her death in 1963, including 'Lady Lazarus', 'Edge', 'Daddy' and 'Paralytic'. The first of four collections to be published by Faber & Faber, Ariel is the volume on which Sylvia Plath's reputation as one of the most original, daring and gifted poets of the twentieth century rests. This beautiful hardback reproduces the classic design of the first edition of a volume now recognised to be one of the most shocking and iconic collections of poetry of the twentieth century. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer

Sylvia Plath's famous collection, as she intended it. When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript -- including handwritten notes -- and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

A brilliant collection of poetry by Sylvia Plath, one of America’s most famous and significant female authors. It is characterized by deep, psychological introspection paired with ambiguous scenes and narratives. This edition restores Plath’s selection and order of poems, eschewing her husband’s revisions in favour of the author’s pure, unmodified vision. Random House of Canada is proud to bring you classic works of literature in ebook form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

Sylvia Plath (1932-1963) was one of the writers that defined the course of twentieth-century poetry. Her vivid, daring and complex poetry continues to captivate new generations of readers and writers. In the Letters, we discover the art of Plath's correspondence. Most has never before been published, and it is here presented unabridged, without revision, so that she speaks directly in her own words. Refreshingly candid and offering intimate details of her personal life, Plath is playful, too, entertaining a wide range of addressees, including family, friends and professional contacts, with inimitable wit and verve. The letters document Plath's extraordinary literary development: the genesis of many poems, short and long fiction, and journalism. Her endeavour to publish in a variety of genres had mixed receptions, but she was never dissuaded. Through acceptance of her work, and rejection, Plath strove to stay true to her creative vision. Well-read and curious, she simultaneously offers a fascinating commentary on contemporary culture. Leading Plath scholar Peter K. Steinberg and Karen V. Kukil, editor of The Journals of Sylvia Plath 1950-1962, provide comprehensive footnotes and an extensive index informed by their meticulous research. Alongside a selection of photographs and Plath's own drawings, they masterfully contextualise what the pages disclose. This selection of later correspondence witnesses Plath and Hughes becoming major, influential contemporary writers, as it happened. Experiences recorded include first books and other publications; teaching; committing to writing full-time; travels; making professional acquaintances; settling in England; building a family; and buying a house. Throughout, Plath's voice is completely, uniquely her own.

A collection of published and previously non-published essays about poet Sylvia Plath. These writings illuminate the importance of Plath's art as well as her significance as a cultural phenomenon.

A major literary event: the first volume in the definitive, complete collection of the letters of Sylvia Plath—most never before seen. One of the most beloved poets of the modern age, Sylvia Plath continues to inspire and fascinate the literary world. While her renown as one of the twentieth century’s most influential poets is beyond dispute, Plath was also one of its most captivating correspondents. The Letters of Sylvia Plath is the breathtaking compendium of this prolific writer’s correspondence with more than 120 people, including family, friends, contemporaries, and colleagues. The Letters of Sylvia Plath includes her correspondence from her years at Smith, her summer editorial internship in New York City, her time at Cambridge, her experiences touring Europe, and the early days of her marriage to Ted Hughes in 1956. Most of the letters are previously unseen, including sixteen letters written by Plath to Hughes when they were apart after their honeymoon. This magnificent compendium also includes twenty-seven of Plath’s own elegant line drawings taken from the letters she sent to her friends and family, as well as twenty-two previously unpublished photographs. This remarkable, collected edition of Plath’s letters is a work of immense scholarship and care, presenting a comprehensive and historically accurate text of the known and extant letters that she wrote. Intimate and revealing, this masterful compilation offers fans and scholars generous and unprecedented insight into the life of one of our most significant poets.

The author shows how Plath's remarkable lyric dramas define a private ritual process. The book deals with the emotional material from which Plath's poetry arises and the specific ritual transformations she dramatizes. It covers all phases of Plath's poetry, closely following the development of image and idea from the apprentice work through the last lyrics of Ariel. The critical method stays close to the language of the poems and defines Plath's struggle toward maturity. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction

"Crossing the Water, a collection of poems written just prior to those in Ariel, . . . is of immense importance in recording [Plath's] extraordinary development. One senses on every page a voice coming into its own, the chaos of a lifetime at last getting ready to assume its final, triumphant shape." — Kirkus Reviews Sylvia Plath's extraordinary collection pushes the envelope between dark and light, between our deep passions and desires that are often in tension with our duty to family and society. Water becomes a metaphor for the surface veneer that many of us carry, but Plath explores how easily this surface can be shaken and disturbed.

“[Plath’s] story is stirring, in sneaky, unexpected ways. . . . Look carefully and there’s a new angle here — on how, and why, we read Plath today.”— Parul Sehgal, New York Times Never before published, this newly discovered story by literary legend Sylvia Plath stands on its own and is remarkable for its symbolic, allegorical approach to a young woman’s rebellion against convention and forceful taking control of her own life. Written while Sylvia Plath was a student at Smith College in 1952, Mary Ventura and The Ninth Kingdom tells the story of a young woman’s fateful train journey. Lips the color of blood, the sun an unprecedented orange, train wheels that sound like “guilt, and guilt, and guilt”: these are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom. “But what is the ninth kingdom?” she asks a kind-seeming lady in her carriage. “It is the kingdom of the frozen will,” comes the reply. “There is no going back.” Sylvia Plath’s strange, dark tale of female agency and independence, written not long after she herself left home, grapples with mortality in motion.