A modern user's guide to the Argus A/A2 camera. Everything you wanted to know about the Argus A-style camera but were afraid to ask! That includes the Argus A, AF, A2, A2B, A2F, AA, and FA. This book includes information on the camera's history, models, accessories, instructions for use, and repair. The book also has a section on modifications, conversions (pinhole, etc.) and special effects with the Argus A.

Tiré du site Internet de l'auteur: "Corporate Mentality documents the emergence of recent practices within a cultural sphere occupied by both business and art. Based on an archive (1995-2001) maintained by Aleksandra Mir, it presents a diverse spectrum of artists who take on business as site, as material, and as subject of their work. Calling for a reassessment of the function of art in late-capitalist society, Corporate Mentality focuses on the complex and ambiguous ways artistic production inhabits corporate processes, abandoning the autonomy of the artwork, in order to elaborate resistant approaches to a world increasingly determined by commercial strategies and market concerns."

81/2 x 10Since publication this title has proved to be very popular for both the serious lens user wishing to understand more about his lenses, as well as the Leica enthusiast considering which lens would be suitable to add to his outfit.Do you know your "Coma from your Aberrations"? If "Yes," then part 2 of Erwin Puts' new book will be of considerable interest to you. Either way you may find this section easier to understand than you expect; the illustrations and diagrams do help.Part 1 goes into the optical history of E. Leitz, Wetzlar and the Leica Camera of Solms in detail with all the personalities involved. This section is well illustrated with some new pictures. The commercial demands are always battling with the perfectionists at Leica who created some of the world's most famous lenses.Part 2 is an optical digression explaining the lens and glass design features, problems and terms and the continual battle to ensure that Leica users end up with the highest possible standard of lens.Part 3 is the largest part of the book. Puts has tested Leica lenses from 1925 to date; each lens, in most cases with diagram, is detailed with its performances at the critical apertures.

“The story of what Dakota did . . . will be told for generations.”—President Barack Obama, from remarks given at Meyer’s Medal of Honor ceremony In the fall of 2009, Taliban insurgents ambushed a patrol of Afghan soldiers and Marine advisors in a mountain village called Ganjigal. Firing from entrenched positions, the enemy was positioned to wipe out one hundred men who were pinned down and were repeatedly refused artillery support. Ordered to remain behind with the vehicles, twenty-one year-old Marine corporal Dakota Meyer disobeyed orders and attacked to rescue his comrades. With a brave driver at the wheel, Meyer stood in the gun turret exposed to withering fire, rallying Afghan troops to follow. Over the course of the five hours, he charged into the valley time and again. Employing a variety of machine guns, rifles, grenade launchers, and even a rock, Meyer repeatedly repulsed enemy attackers, carried wounded Afghan soldiers to safety, and provided cover for dozens of others to escape—supreme acts of valor and determination. In the end, Meyer and four stalwart comrades—an Army captain, an Afghan sergeant major, and two Marines—cleared the battlefield and came to grips with a tragedy they knew could have been avoided. For his actions on that day, Meyer became the first living Marine in three decades to be awarded the Medal of Honor. Into the Fire tells the full story of the chaotic battle of Ganjigal for the first time, in a compelling, human way that reveals it as a microcosm of our recent wars. Meyer takes us from his upbringing on a farm in Kentucky, through his Marine and sniper training, onto the battlefield, and into the vexed aftermath of his harrowing exploits in a battle that has become the stuff of legend. Investigations ensued, even as he was pitched back into battle alongside U.S. Army soldiers who embraced him as a fellow grunt. When it was over, he returned to the States to confront living with the loss of his closest friends. This is a tale of American values and upbringing, of stunning heroism, and of adjusting to loss and to civilian life. We see it all through Meyer’s eyes, bullet by bullet, with raw honesty in telling of both the errors that resulted in tragedy and the resolve of American soldiers, U.S. Marines, and Afghan soldiers who’d been abandoned and faced certain death. Meticulously researched and thrillingly told, with nonstop pace and vivid detail, Into the Fire is the unvarnished story of a modern American hero. Praise for Into the Fire “A story of men at their best and at their worst . . . leaves you gaping in admiration at Medal of Honor winner Dakota Meyer’s courage.”—National Review “Meyer’s dazzling bravery wasn’t momentary or impulsive but deliberate and sustained.”—The Wall Street Journal “[A] cathartic, heartfelt account . . . Combat memoirs don’t get any more personal.”—Kirkus Reviews “A great contribution to the discussion of an agonizingly complex subject.”—The Virginian-Pilot “Black Hawk Down meets Lone Survivor.”—Library Journal

The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. In Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States. The golden age of the American 35mm camera coincided with three tumultuous decades in United States History. Born in the Depression years of the 1930s, the American 35mm reached its maturity during World War II. In the span of only three decades, a toy of the rich became a household gadget. Glass, Brass, and Chrome Kalton C. Lahue and Joseph Bailey present an absorbing, nostalgic account of American 35mm hardware, its evolution, and the role it played in making photography the number-one hobby in the United States.

“This isn’t a story about black people—it’s a story about the Left’s agenda to patronize blacks and lie to everyone else.” For decades, the Left has been putting on a play with themselves as heroes in an ongoing civil rights move­ment—which they were mostly absent from at the time. Long after pervasive racial discrimination ended, they kept pretending America was being run by the Klan and that liberals were black America’s only protectors. It took the O. J. Simpson verdict—the race-based acquittal of a spectacularly guilty black celebrity as blacks across America erupted in cheers—to shut down the white guilt bank. But now, fewer than two decades later, our “pos­tracial” president has returned us to the pre-OJ era of nonstop racial posturing. A half-black, half-white Democrat, not descended from American slaves, has brought racial unrest back with a whoop. The Obama candidacy allowed liberals to engage in self-righteousness about race and get a hard-core Leftie in the White House at the same time. In 2008, we were told the only way for the nation to move past race was to elect him as president. And 53 percent of voters fell for it. Now, Ann Coulter fearlessly explains the real his­tory of race relations in this country, including how white liberals twist that history to spring the guilty, accuse the innocent, and engender racial hatreds, all in order to win politically. You’ll learn, for instance, how A U.S. congressman and a New York mayor con­spired to protect cop killers who ambushed four police officers in the Rev. Louis Farrakhan’s mosque. The entire Democratic elite, up to the Carter White House, coddled a black cult in San Francisco as hun­dreds of the cult members marched to their deaths in Guyana. New York City became a maelstrom of racial hatred, with black neighborhoods abandoned to crimi­nals who were ferociously defended by a press that assessed guilt on the basis of race. Preposterous hoax hate crimes were always believed, never questioned. And when they turned out to be frauds the stories would simply disappear from the news. Liberals quickly switched the focus of civil rights laws from the heirs of slavery and Jim Crow to white feminists, illegal immigrants, and gays. Subway vigilante Bernhard Goetz was surprisingly popular in black neighborhoods, despite hysterical denunciations of him by the New York Times. Liberals slander Republicans by endlessly repeating a bizarro-world history in which Democrats defended black America and Republicans appealed to segregationists. The truth has always been exactly the opposite. Going where few authors would dare, Coulter explores the racial demagoguery that has mugged America since the early seventies. She shines the light of truth on cases ranging from Tawana Brawley, Lemrick Nelson, and Howard Beach, NY, to the LA riots and the Duke lacrosse scandal. And she shows how the 2012 Obama campaign is going to inspire the greatest racial guilt mongering of all time.

This comprehensive guide to photography covers everything from the basics of camera operation to advanced techniques for processing and printing photos. Neblette provides detailed explanations of the chemical and physical processes involved in photography, and offers practical advice for achieving the best possible results. Whether you're a professional photographer or a hobbyist, this book is an essential resource for mastering the art and science of photography. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.