1656: A Boston court sentences a ship's captain to sit in the stocks for two hours for 'lewd and unseemly behaviour' on the Sabbath. His offence? Arriving home that Sunday after three years at sea, he had kissed his wife. 1889: The chief justice of England debates with fellow judges whether a man can have 'sexual connection with a duck.' 1968: J. Edgar Hoover tries to ban the recording 'Two Virgins' because the cover depicts John Lennon and Yoko Ono stark naked from both directions. 2000: A stripper sues her plastic surgeon because her bottom looks like her top after he stitches breast implants into her buttocks. Spanning all legal history, from the Bible onward, these and other sex-charged legal cases are covered when sex meets the law in "Ardor in the Court."

In 1986, the Supreme Court's leading conservative, William H. Rehnquist, labeled by Newsweek as "The Court's Mr. Right," was made Chief Justice. Almost immediately, legal scholars, practitioners, and pundits began questioning what his influence would be, and whether he would remake our constitutional corpus in his own image. Would the center hold, or fold? This collected volume, edited by Martin H. Belsky, is the third in a series which includes The Warren Court and The Burger Court, both edited by Bernard Schwartz. It gathers together a distinguished group of scholars, journalists, judges, and practitioners to reflect on the fifteen-year impact of the Rehnquist Court. The work provides an overview of the Rehnquist Court's influence to date, examines in detail the seminal issues confronted by the Court, and places the Court in broad historical perspective. Subjects discussed include First Amendment rights and cyberspace, criminal justice reform, the Court's pattern of constitutional interpretation, the international impact of the Rehnquist Court, and the Supreme Court's increasing interaction with state constitutional law. A comprehensive look at the significant shifts in constitutional jurisprudence under Rehnquist's leadership, this volume illustrates how the Rehnquist Court has brought us almost full-circle from the judge-made revolution of the Warren Court. A must-have for all students of the Court and legal history, this book contains fascinating insights into one of the century's most controversial courts and a legacy still in the making.

“Scottoline is a master.”—Philadelphia Inquirer Murder, intrigue, and romance collide in New York Times bestselling author Lisa Scottoline’s clever and fast-paced legal thriller. Starting over again after her divorce, Philadelphia lawyer Grace Rossi works part time for handsome Judge Armen Gregorian in the federal appeals court. Assigned to an explosive death penalty appeal, a long day of work unexpectedly leads to a night of passion with the chief judge. But when Gregorian is found dead the next morning, an apparent suicide, Grace knows she must uncover the truth. Suddenly this working mother finds herself investigating a murder, unearthing a secret bank account, and following a trail of bribery and judicial corruption hidden even from the FBI. In no time at all, Grace under fire takes on a whole new meaning. With the help of an undercover federal agent, she will risk everything to see justice done.

Duchessa Anastasia sneaks away from the family mansion at night in 18th Century Venezia during Carnevale. Giorgio, her cavalier servente, has feelings for her. Anastasia accepts the esteemed courtier, Leandro’s marriage proposal though he fails to disclose an important detail about himself. The royal guards seize Giorgio at the d’Alessi manor. The Crown accuses Giorgio of treason. Capriana, a servant, knows how Giorgio was framed. A conspirator intends to murder her. Anastasia and Leandro investigate Giorgio’s allegations before they are wed. The duchessa is surprised as to whom it leads.

A discussion of current trends in the constitutional protection of economic liberties. Other topics dealt with include the current trends in (and relevance of) constitutional law for welfare rights, labor unions, and labor law. Recent Supreme Court decisions on property rights also receive much attention. --From publisher description.

The soul of a military doctor in the Secret Service enters the body of the daughter of the Prime Minister's first wife, persecuted by her father and his concubine, married off to the Prince Regent. Tormented by all sorts of traps and countless set-ups, she uses her medical skills to skilfully manoeuvre through the struggles in the mansion and the political intrigue of the inner court. From killing the Crown Prince, saving the Prince of Liang to curing plagues, she sheds her skin as a flinching little maiden and evolves into a strong lady, capable of standing by his side. "If you sneak off again, I will cut off your short little legs. What Princess Consort would run about wildly with a child in her belly?""Jiangdong is infested with a plague. Naturally, as a government physician, I have to go. If you stop me, the epidemic will make its way to the capital." The Prince Regent scooped the long-winded woman into his strong arms and carried her back home. Hmph, there are plenty of government physicians. Why would they need a pregnant woman like you tagging along? Have you confused yourself with the Buddha? Don't you remember how vicious your methods were that year?

This biography of the court scholar Xun Xu explores central areas of intellectual life in third-century China — court lyrics, music, metrology, pitch systems, archeology, and historiography. It clarifies the relevant source texts in order to reveal fierce debates. Besides solving technical puzzles about the material details of court rites, the book unfolds factional struggles that developed into scholarly ones. Xun’s opponents were major figures like Zhang Hua and Zhi Yu. Xun Xu’s overall approach to antiquity and the derivation of truth made appeals to an idealized Zhou for authority. Ultimately, Xun’s precision and methods cost him both reputation and court status. The events mark a turning point in which ideals were moving away from such court constructs toward a relatively more philosophical antiquarianism and towards new terms and genres of self-expression.