In this thought-provoking study of nineteenth-century America, J. Samaine Lockwood offers an important new interpretation of the literary movement known as American regionalism. Lockwood argues that regionalism in New England was part of a widespread woman-dominated effort to rewrite history. Lockwood demonstrates that New England regionalism was an intellectual endeavor that overlapped with colonial revivalism and included fiction and history writing, antique collecting, colonial home restoration, and photography. The cohort of writers and artists leading this movement included Sarah Orne Jewett, Alice Morse Earle, and C. Alice Baker, and their project was taken up by women of a younger generation, such as Charlotte Perkins Gilman and Pauline Elizabeth Hopkins, who extended regionalism through the modernist moment. Lockwood draws on a diverse archive that includes fiction, material culture, collecting guides, and more. Showing how these women intellectuals aligned themselves with a powerful legacy of social and cultural dissent, Lockwood reveals that New England regionalism performed queer historical work, placing unmarried women and their myriad desires at the center of both regional and national history.

Delving into the uncharted territory of women's sexual imaginations, acclaimed sex expert Wendy Maltz and journalist Suzie Boss expand the boundaries of what we know about female desire and satisfaction. Drawing on intimate interviews with women of all ages and lifestyles, Maltz and Boss take readers on a journey of passion, pleasure, and self-discovery as they: Describe the origins of women's sexual fantasies Identify the six most common fantasy roles--the Pretty Maiden, the Victim, the Wild Woman, the Dominatrix, the Beloved, and the Voyeur Illuminate the diverse functions of sexual fantasies from stimulating orgasm to improving one's self-image Help women discover their own fantasy style and change unwanted fantasies Offer advice on how and when to talk about one's fantasies with one's partner In this candid and inspiring book, women--and their lovers--will learn how to use the power of their imaginations to heighten sexual expression and self-awareness and achieve new levels of intimacy.

Polly Young-Eisendrath´s Women and Desire: Beyond Wanting to Be Wanted was first published by Harmony Books in 1999. Since then, it has become a classic read for those readers– to use a cinematographic expression – who want to use analytical psychology to shed light on what women want. This book, when first published, was described (and still is) as “provocative and vital.” More than 20 years after its publication, this book still shows effectively “how to break out of this double bind so that” women “can encounter the challenges of choice and responsibility for our own desires.” The author “wisely uses mythological and personal stories to help us take control of our sexual, relational, material, and spiritual lives.” Therefore, “If you feel confused, resentful, or trapped in a life that does not seem to be fully yours, then you can find a clear path to your true self, once and for all, with the help of Women and Desire.” This book is the second of the series titled Jungianeum: Re-Covered Classics in Analytical Psychology curated by Stefano Carpani.

The time is the fourth century AD, the golden age of Indian history. The locale: an ashram in the woods a little outside Varanasi. Every morning, Vatsyayana, author of the Kamasutra, recounts stories from his childhood and youth to a young pupil who plans to write the great sage's biography. Little is known of Vatsyayana's life, and the young scholar puts the pieces together in his mind along with relevant slokas of erotic wisdom from the Kamasutra, which he has learnt by heart. The story that unfolds is fascinating. Vatsyayana's mother Avantika and her sister Chandrika are famous courtesans in a brothel at Kausambi. From them and their various lovers Vatsyayana gains his first indelible impressions of sexual artifice. With characteristic insight, Kakar plumbs the psychological depths of a plethora of characters who are at various stages of discovering their sexual identities. What emerges is a powerful narrative of lust and sensuality imbued with an old-world charm and a surprising sense of irony.

Documenting Rebellions is a study of four archives that were constituted with a common desire to preserve the memory and evidence of lesbian and gay people. They are The Lesbian Herstory Archives (New York), The ONE National Gay and Lesbian Archives (Los Angeles), the June L. Mazer Lesbian Archives (West Hollywood), and the ArQuives: Canada's LGBTQ2+ Archives (Toronto). Using a narrative approach that draws from first-person accounts and archival research, each chapter tells a story about how these organizations came to exist, who has supported them over time, and how they have survived for more than forty years. This book is the result of a five-year project that began in 2012 and builds on the author's own experience working with lesbian and gay archives. In Documenting Rebellions, Sheffield places lesbian and gay archives in the context of changing political opportunity structures that have afforded a liberal lesbian and gay rights movement some successes while continuing to marginalize intersectional, queer and trans people. The goal of this study is not to critique these organizations, but to show how this cohort of community archives has been affected by the very same combination of socio-political and economic factors that shape the cultural histories that they preserve. Documenting Rebellions consider the material needs of archives - space, money, and expertise - that are sometimes rendered invisible by the idiosyncratically subjective cultural theory model of 'the archive' that has emerged from within interdisciplinary studies. By tracing the emergence and development of these organizations, Sheffield uncovers representational politics, institutional pluralism, generational divides, shifting national politics, interpersonal relationships, and challenges with sustainability, both financial and otherwise. Rebecka Taves Sheffield is an archivist and archival educator based in Hamilton, Ontario. She has taught in graduate programs at Simmons University School of Library and Information Science, for the University of Toronto iSchool, and for Library Juice Academy. Presently, she is a senior policy advisor for the Archives of Ontario and works on digital recordkeeping strategies. Rebecka previously served as the Executive Director for the ArQuives (formerly the Canadian Lesbian and Gay Archives), where she spent the better part of a decade learning as much as possible about Canada's LGBTQ2+ histories. She has studied sociology, gender studies, publishing, and archives. She completed a PhD in information studies and sexual diversity studies at the University of Toronto.

At once memoir, theory, poetic prose, and fragment, No Archive Will Restore You is a feverish meditation on the body. Departing from Antonio Gramsci's summons to compile an inventory of the historical traces left in each of us, Singh engages with both the impossibility and urgent necessity of crafting an archive of the body. Through reveries on the enduring legacies of pain, desire, sexuality, race, and identity, she asks us to sense and feel what we have been trained to disavow, to re-member the body as more than itself. Why this desire for a body archive, for an assembly of history's traces deposited in me? (I worry over how to describe it, how to frame it without sounding banal or bafflingly idiosyncratic.) The body archive is an attunement, a hopeful gathering, an act of love against the foreclosures of reason. It is a way of knowing the body-self as a becoming and unbecoming thing, of scrambling time and matter, of turning toward rather than against oneself. And vitally, it is a way of thinking-feeling the body's unbounded relation to other bodies. I begin then to compile an archive of my body, an activity that from the start feels discomfortingly intimate. Too intimate and too bewildering an undertaking, because like all other bodies mine has become so many things over time, has changed dramatically through forces both natural and social. I am also, it must be noted, a person whose body has been broken and maimed many times over--a fact that I cannot yet entirely account for.

The first book to focus on the experience of LGBT archival research. Out of the Closet, Into the Archives takes readers inside the experience of how it feels to do queer archival research and queer research in the archive. The archive, much like the closet, exposes various levels of public and privateness—recognition, awareness, refusal, impulse, disclosure, framing, silence, cultural intelligibility—each mediated and determined through subjective insider/outsider ways of knowing. The contributors draw on their experiences conducting research in disciplines such as sociology, African American studies, English, communications, performance studies, anthropology, and women’s and gender studies. These essays challenge scholars to engage with their affective experience of being in the archive, illuminating how the space of the archive requires a different kind of deeply personal, embodied research.

Anjali Arondekar considers the relationship between sexuality and the colonial archive by posing the following questions: Why does sexuality (still) seek its truth in the historical archive? What are the spatial and temporal logics that compel such a return? And conversely, what kind of “archive” does such a recuperative hermeneutics produce? Rather than render sexuality’s relationship to the colonial archive through the preferred lens of historical invisibility (which would presume that there is something about sexuality that is lost or silent and needs to “come out”), Arondekar engages sexuality’s recursive traces within the colonial archive against and through our very desire for access. The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.

Michel Foucault's History of Sexuality has been one of the most influential books of the last two decades. It has had an enormous impact on cultural studies and work across many disciplines on gender, sexuality, and the body. Bringing a new set of questions to this key work, Ann Laura Stoler examines volume one of History of Sexuality in an unexplored light. She asks why there has been such a muted engagement with this work among students of colonialism for whom issues of sexuality and power are so essential. Why is the colonial context absent from Foucault's history of a European sexual discourse that for him defined the bourgeois self? In Race and the Education of Desire, Stoler challenges Foucault's tunnel vision of the West and his marginalization of empire. She also argues that this first volume of History of Sexuality contains a suggestive if not studied treatment of race. Drawing on Foucault's little-known 1976 College de France lectures, Stoler addresses his treatment of the relationship between biopower, bourgeois sexuality, and what he identified as "racisms of the state." In this critical and historically grounded analysis based on cultural theory and her own extensive research in Dutch and French colonial archives, Stoler suggests how Foucault's insights have in the past constrained--and in the future may help shape--the ways we trace the genealogies of race. Race and the Education of Desire will revise current notions of the connections between European and colonial historiography and between the European bourgeois order and the colonial treatment of sexuality. Arguing that a history of European nineteenth-century sexuality must also be a history of race, it will change the way we think about Foucault.

The Roots of Desire is a witty and entertaining investigation into the power, myth and meaning of red hair. Redheads have been worshiped, idealized, fetishized, feared, and condemned, leaving their mark on us and our culture. Such is the power of what is actually a genetic mutation, and in The Roots of Desire, Marion Roach takes a fascinating look at the science behind hair color and the roles redheads have played over time. A redhead herself, Roach brings candor and brilliant insight to the complicated and revealing history of redheads, making this a stand-out narrative and an essential tool in understanding the mechanics and phenomenon of red hair. A must-have for every redhead.