Patrick West’s Architectures of Occupation in the Australian Short Story cultivates the potential for literary representations of architectural space to contribute to the development of a contemporary politics of Australian post-colonialism. West argues that the predominance of tropes of place within cultural and critical expressions of Australian post-colonialism should be re-balanced through attention to spatial strategies of anti-colonial power. To elaborate the raw material of such strategies, West develops interdisciplinary close readings of keynote stories within three female-authored, pan-twentieth century, Australian short-story collections: Bush Studies by Barbara Baynton (1902); Kiss on the Lips and Other Stories by Katharine Susannah Prichard (1932); and White Turtle: A Collection of Short Stories by Merlinda Bobis (1999). The capacity of the short-story form to prompt creative and politically germinal engagements with species of space associated with architecture and buildings is underscored. Relatedly, West argues that the recent resurgence of binary thought—on local, national, and international scales—occasions an approach to the short-story collections shaped by binary relationships like a dichotomy of inside and outside. Concluding his argument, West connects the literary and architectural critiques of the story collections to the wicked problem, linked to ongoing colonial violences, of improving Australian Indigenous housing outcomes. Innovative and interdisciplinary, this book will be of interest to scholars and students of Literary, Architectural, and Postcolonial Studies. .

To understand how architecture is both built and practiced today, we often think of drawings and plans, digital visualisations and 3D models. Or, perhaps the tired 'napkin sketch' and its romantic progenitor, the architect's hand. However, these processes represent only a small portion of the full story.Better together: 33 documents of contemporary Australian architecture & their associated short stories does just that-examines 33 artefacts surrounding the design and construction of contemporary Australian buildings. The book's definition of architectural documents is expansive, encompassing not just working drawings, but correspondence, mock-ups and contracts, 1:1 models and conceptual sculptures, journalism, photography and other formats that expose the unique processes of contemporary architectural production.Through short stories, authors Guillermo Fernández-Abascal, Kate Finning, Urtzi Grau and Anna Tonkin contextualise documents from practitioners including Andrew Power, Edition Office, panovscott, Parlour, Richard Stampton, Sibling, Studio Bright, Trias, Vokes and Peters to unravel the artefacts' inner lives. Contributions by Giovanna Borasi, Bruther (Stephanie Bru), Sarah Hearne, Adam Jasper and Emma Letizia Jones, Erika Nakagawa, and Jesús Vassallo explore the potent conventions of gallery display, the value of big models and mock-ups, the multilayered relationships between photography and architecture, and the theatrics of the architect's studio. Originally presented as an exhibition at Monash University's MADA Gallery, this cross-section of the work of Australian architects highlights the best and most innovative in the field. It also presents a new blueprint for how we structure, document and understand contemporary Australian architecture.

This thesis examines the literary career of Judah Waten (1911-1985) in order to focus on a series of issues in Australian cultural history and theory. The purpose is not to discover a single key to Waten's writing across the oeuvre but rather to plot the specific occasions of this writing in the context of the structure of a career and the cultural institutions within which it was formed.

The story of Australian architecture might be said to parallel the endeavours of Australians to adapt & reconcile themselves with their home & neighbours. It is the story of 200 years of coming to terms with the land: of adaptation, insight & making do. Early settlers were poorly provisioned, profoundly ignorant of the land & richly prejudiced towards its peoples. They pursued many paths over many terrains. From the moist temperate region of Tasmania with heavy Palladian villas to the monsoonal north with open, lightweight stilt houses, the continent has induced most different regional building styles.

Architects and fiction writers share the same ambition: to imagine new worlds into being. Every architectural proposition is a kind of fiction before it becomes a built fact; likewise, every written fiction relies on the construction of a context in which a story can take place. This collection of essays explores what happens when fiction, experimental writing and criticism are combined and applied to architectural projects and problems. It begins with ficto-criticism – an experimental and often feminist mode of writing which fuses the forms and genres of essay, critique, and story – and extends it into the domain of architecture, challenging assumptions about our contemporary social and political realities, and placing architecture in contact with such disciplines as cultural studies, literary theory and ethnography. These sixteen newly-written pieces have been selected for this volume to show how ficto-critical writing can be a powerful vehicle for creative architectural practice, providing new opportunities to explore modes of writing about architecture both within and beyond the discipline. The collection represents a broad range of geographical and cultural positions including indigenous and non-Western contexts, and includes a foreword and afterword by important thinkers in the domains of architectural criticism (Jane Rendell) and cultural studies/ethnography (Stephen Muecke).

Over 5,500 detailed biographies of the most eminent, talented and distinguished women in the world today.

Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia’s distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice – one not lost to the churning of global markets, but in fact given new life by it. Contrary to the despairing of the critics, Australian literary identity continues to flourish. And as Birns finds, it is not one thing, but many. "In this remarkable, bold and fearless book, Nicholas Birns contests how literary cultures are read, how they are constituted and what they stand for … In examining the nature of the barriers between public and private utterance, and looking outside the absurdity of the rules of genre, Birns has produced a redemptive analysis that leaves hope for revivifying a world not yet dead." - John Kinsella

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.