This is the first book in English to closely examine the life of Diego Maradona from socio-cultural perspectives, exploring how his status as an icon, a popular sporting hero, and a political figurehead has been culturally constructed, reproduced, and manipulated. The volume looks at representations of Maradona across a wide variety of media, including literature, cinema, popular music, printed and online press, and radio, and in different countries around the world, to cast new light on topics such as the instrumentality of sporting heroes and the links among sport, nationalism, and ideology. It shows how the life of Maradona – from his origins in the barrio through to his rise to god-like status in Naples and as a postcolonial symbol of courage and resistance against imperial powers across the global south, alongside scandal and his fall from grace – powerfully illustrates themes such as the dynamics of gender, justice, and affect that underpin the study of sport, culture, and society. This is essential reading for anybody with an interest in football, sport studies, media studies, cultural studies, or sociology.

In this book, Sara Monoson challenges the longstanding and widely held view that Plato is a virulent opponent of all things democratic. She does not, however, offer in its place the equally mistaken idea that he is somehow a partisan of democracy. Instead, she argues that we should attend more closely to Plato's suggestion that democracy is horrifying and exciting, and she seeks to explain why he found it morally and politically intriguing. Monoson focuses on Plato's engagement with democracy as he knew it: a cluster of cultural practices that reach into private and public life, as well as a set of governing institutions. She proposes that while Plato charts tensions between the claims of democratic legitimacy and philosophical truth, he also exhibits a striking attraction to four practices central to Athenian democratic politics: intense antityrantism, frank speaking, public funeral oratory, and theater-going. By juxtaposing detailed examination of these aspects of Athenian democracy with analysis of the figurative language, dramatic structure, and arguments of the dialogues, she shows that Plato systematically links democratic ideals and activities to philosophic labor. Monoson finds that Plato's political thought exposes intimate connections between Athenian democratic politics and the practice of philosophy. Situating Plato's political thought in the context of the Athenian democratic imaginary, Monoson develops a new, textured way of thinking of the relationship between Plato's thought and the politics of his city.

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The Blackwell Guide to Plato’s Republic consists ofthirteen new essays written by both established scholars andyounger researchers with the specific aim of helping readers tounderstand Plato’s masterwork. This guide to Plato’s Republic is designed to helpreaders understand this foundational work of the Westerncanon. Sheds new light on many central features and themes of theRepublic. Covers the literary and philosophical style of theRepublic; Plato’s theories of justice and knowledge;his educational theories; and his treatment of the divine. Will be of interest to readers who are new to theRepublic, and those who already have some familiarity withthe book.

For Martin Heidegger the "fall" of philosophy into metaphysics begins with Plato. Thus, the relationship between the two philosophers is crucial to an understanding of Heidegger--and, perhaps, even to the whole plausibility of postmodern critiques of metaphysics. It is also, as the essays in this volume attest, highly complex, and possibly founded on a questionable understanding of Plato. As editors Catalin Partenie and Tom Rockmore remark, a simple way to describe Heidegger's reading of Plato might be to say that what began as an attempt to appropriate Plato (and through him a large portion of Western philosophy) finally ended in an estrangement from both Plato and Western philosophy. The authors of this volume consider Heidegger's thought in relation to Plato before and after the "Kehre" or turn. In doing so, they take up various central issues in Heidegger's Being and Time (1927) and thereafter, and the questions of hermeneutics, truth, and language. The result is a subtle and multifaceted reinterpretation of Heidegger's position in the tradition of philosophy, and of Plato's role in determining that position.

Word and Light brings religious discourse back to its senses in this provocative examination of the importance of sight and sound to religious symbols, myths, rituals, and traditions. The book examines the unexpected implications of three theses. First, religious symbols, particularly the perceptual symbols of word and light, are grounded in the senses of hearing and seeing. Second, the senses of sight and hearing generate different ranges of symbolic association important to religious discourse. Finally, differing ranges of symbolic association often are fused in the combinations, mergers, and transfers of the senses known as synesthesia. Using a series of case studies in western religious discourse, David Chidester analyzes the importance of sight and hearing especially in the work of Augustine but also in that of Philo, Arius, Athanasius, Bonaventure, and Melanchthon. He examines the dynamics of seeing, hearing, and synesthetic mergers of the senses to suggest new ways of understanding religion.

Positively re-assesses the relationship between body and soul in Plato's later dialogues, focusing on the harmony between them.

Plato is a much more experimental philosopher, this book argues, than most commentators acknowledge. Supporting this position, Henry Teloh combines exegesis of particular passages with a synoptic view of Plato's philosophical development through his early, middle, and late dialogues. The result is a study of Plato's ideas with a more ambitious scope than any since W. D. Ross's in 1951, The book chronicles Plato's changing interests through a focus on his ontological commitments--that is, on the types of entities he addresses. It also traces many of the assumptions in Plato's thought back to their sources in pre-Socratic philosophy. By depicting the changes in Plato's thought from one period of dialogue composition to another, and by seeking to explain these changes from textual evidence, this book offers an appealing introduction to Plato for all humanists.

Disguise and Recognition in the Odyssey reveals the significance of the Odyssey's plot, in particular the many scenes of recognition that make up the hero's homecoming and dramatize the cardinal values of Homeric society, an aristocratic culture organized around recognition in the broader senses of honor, privilege, status, and fame. Odysseus' identity is seen to be rooted in his family relations, geographical origins, control of property, participation in the social institutions of hospitality and marriage, past actions, and ongoing reputation. At the same time, Odysseus' dependence on the acknowledgement of others ensures attention to multiple viewpoints, which makes the Odyssey more than a simple celebration of one man's preeminence and accounts in part for the poem's vigorous afterlife. The theme of disguise, which relies on plausible lies, highlights the nature of belief and the power of falsehood and creates the mixture of realism and fantasy that gives the Odyssey its distinctive texture. The book contains a pioneering analysis of the role of Penelope and the questions of female agency and human limitation raised by the critical debate about when exactly she recognizes that Odysseus has come home.