Arabic Notes When trying to learn a new language - there is an "EASY" way and a "Hard" way. Using a study notebook IS THE EASY WAY! Here is some of what you are getting: This 8 x 10 "Arabic Notes" notebook is perfect for recording new Arabic vocabulary words and taking notes in class. OR, just use it at home for personal study. Split Page for Vocabulary Practice - Each new word and phrase that you discover can simply be written down in this notebook - right next to its' English translation. This makes learning - and remembering - the words a "snap"! PLUS, there's plenty of space available to practice using the new words and phrases you've learned! (It's the practicing and actually USING your new vocabulary that will make you speak and write Arabic like a native in no time!) The glossy cover is made to industry standards and designed to last. LARGE 8 x10 size - Plenty of room for notes, yet fits in any backpack or other school book-bag. Take it wherever you go. Not only is this notebook larger than all the others, it is a full 120 pages. This composition book makes a great gift for any Arabic language student. Scroll up and grab YOUR copy of "Arabic Notes" RIGHT NOW!

How to play Arabic music. Maqam structures with traditional quarter-tone intervals presented in easy-to-read formats. This book has become a widely-used standard for instrumentalists and singers who wish to enter the magical world of Arabic music.

'Notes on the Flesh' is a collection of short stories that unravel the intricacies of identity, love, and illness in the Middle East. Unreliably narrated, these are the stories of women and men who have lost the war against patriarchy. Adolescent love, intimacy and familial sacrifices are the shadows that accentuate the unhealable rift between tradition and modernity.

What is the relationship between thought and practice in the domains of language, literature and politics? Is thought the only standard by which to measure intellectual history? How did Arab intellectuals change and affect political, social, cultural and economic developments from the eighteenth to the twentieth centuries? This volume offers a fundamental overhaul and revival of modern Arab intellectual history. Using Hourani's Arabic Thought in the Liberal Age, 1798–1939 (Cambridge, 1962) as a starting point, it reassesses Arabic cultural production and political thought in the light of current scholarship and extends the analysis beyond Napoleon's invasion of Egypt and the outbreak of World War II. The chapters offer a mixture of broad-stroke history on the construction of 'the Muslim world', and the emergence of the rule of law and constitutionalism in the Ottoman empire, as well as case studies on individual Arab intellectuals that illuminate the transformation of modern Arabic thought.

This volume provides an analysis of a famous medieval Arabic grammatical text, al-Ājurrūmiya (c. 1300), as commented on by aš-Šhirbīnī (d. 1570). This edition includes the original text and a translation into English, as well as extensive comments and annotations, with the aim of making accessible both to Arabists and non-Arabists the main elements of indigenous Arabic linguistics, and thereby at least partially filling a large blank in the history of linguistics.

What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.

The first introduction to the field of Arabic sociolinguistics, this book discusses major trends in research on diglossia, code-switching, gendered discourse, language variation and change, and language policies in relation to Arabic. In doing so, it introduces and evaluates the various theoretical approaches, and illustrates the usefulness and the limitations of these approaches with empirical data. The book shows how sociolinguistic theories can be applied to Arabic and, conversely, what the study of Arabic can contribute to our understanding of the function of language in society. Key features:*Introduces current theories and methods of sociolinguistics, with a special focus on Arabic*Topics include: language variation and change, gender, religion and politics*Aimed at students and scholars of Arabic with an interest in linguistics and students and scholars of linguistics with an interest in Arabic