Saudi Arabia - a desert oil camp during the Gulf War and genesis of the War on Terror. Fighter jets screech overhead, air raid sirens blare over the call of the muezzin, and duels between Scud and Patriot missiles illuminate the night sky. In the tradition of Graham Greene and John Le Carr , this political thriller explores the conflicting perspectives and loyalties of Westerners and Arabs under the pressures of war and threat of terrorism. 'The Middle East is a snake pit, ' says Rick, the camp's security boss. 'We can't be Boy Scouts in this war.'

Now as sumptuously packaged as they are critically acclaimed—a new deluxe trade paperback edition of the beloved stories. The stories of The Arabian Nights (and stories within stories, and stories within stories within stories) are famously told by the Princess Shahrazad, under the threat of death should the king lose interest in her tale. Collected over the centuries from India, Persia, and Arabia, and ranging from adventure fantasies, vivacious erotica, and animal fables, to pointed Sufi tales, these stories provided the daily entertainment of the medieval Islamic world at the height of its glory. No one knows exactly when a given story originated, and many circulated orally for centuries before being written down; but in the process of telling and retelling, they were modified to reflect the general life and customs of the Arab society that adapted them—a distinctive synthesis that marks the cultural and artistic history of Islam. This translation is of the complete text of the Mahdi edition, the definitive Arabic edition of a fourteenth-century Syrian manuscript, which is the oldest surviving version of the tales and considered to be the most authentic.

A translation based on a reconstruction of the earliest extant manuscript version of the famous tales offers the stories told by the Princess Shahrazad under the threat of death if she ceases to amuse.

Americans have always shown a fascination with the people, customs, and legends of the "East--witness the popularity of the stories of the Arabian Nights, the performances of Arab belly dancers and acrobats, the feats of turban-wearing vaudeville magicians, and even the antics of fez-topped Shriners. In this captivating volume, Susan Nance provides a social and cultural history of this highly popular genre of Easternized performance in America up to the Great Depression. According to Nance, these traditions reveal how a broad spectrum of Americans, including recent immigrants and impersonators, behaved as producers and consumers in a rapidly developing capitalist economy. In admiration of the Arabian Nights, people creatively reenacted Eastern life, but these performances were also demonstrations of Americans' own identities, Nance argues. The story of Aladdin, made suddenly rich by rubbing an old lamp, stood as a particularly apt metaphor for how consumer capitalism might benefit each person. The leisure, abundance, and contentment that many imagined were typical of Eastern life were the same characteristics used to define "the American dream." The recent success of Disney's Aladdin movies suggests that many Americans still welcome an interpretation of the East as a site of incredible riches, romance, and happy endings. This abundantly illustrated account is the first by a historian to explain why and how so many Americans sought out such cultural engagement with the Eastern world long before geopolitical concerns became paramount.

A United States Foreign Service couple renews an official presence in Yemen. Set only eight years after the Republican Revolution had ousted a thousand-year-old dynasty of Shiite (Zaydi) Muslim imams, the memoir describes with both humor and respect the country's struggles in the early throes of becoming a modern, viable state.

Notorious for the delight he took in tweaking the sexual taboos of the Victorian age-as well as the delight he took in the resulting shock of his bashful peers-British adventurer, linguist, and author CAPTAIN SIR RICHARD FRANCIS BURTON (1821-1890) is perhaps best remembered for his unexpurgated translation of the Eastern classic The One Thousand and One Nights, more famously known today as The Arabian Nights. Originating in Persian, Indian, and Arabic sources as far back as the ninth century AD, this collection of bawdy tales-which Burton was the first to bring to English readers in uncensored form-has exerted incalculable influence on modern literature. It represents one of the earliest examples of a framing story, as young Shahrazad, under threat of execution by the King, postpones her death by regaling him with these wildly entertaining stories over the course of 1,001 nights. The stories themselves feature early instances of sexual humor, satire and parody, murder mystery, horror, and even science fiction. Burton's annotated 16-volume collection, as infamous as it is important, was first published between 1885 and 1888, and remains an entertainingly naughty read. Volume XVI-the sixth and final volume of Burton's Supplemental Nights-includes: [ "The History of Al-Bundukani or, the Caliph Harun Al-Rashid and the Daughter of King Kisra" [ "The Linguist-Dame, The Duenna and the King's Son" [ "The Tale of the Warlock and the Young Cook of Baghdad" [ "The Pleasant History of the Cock and the Fox" [ appendices, notes, and indexes [ and more.