This book seeks to both showcase and further develop innovative research and debates on contemporary Arab cultural production. Popular culture in the form of cinema, popular music, literature, visual media and cyber-cultures, both local and imported, enjoy a central role in Arab cultural life, and the contributors to this innovative collection showcase the tremendous cultural output emerging from the Arab world. They present sensitive, conceptual readings whilst remaining mindful of the place of this work within a wider framework that seeks to prevent isolationist readings of cultural phenomena. Making sense of the place of culture in the Arab world, and agreeing upon a broadly recognisable and commonly accepted set of terms within which to discuss this output, is a new and urgent challenge. Arab Cultural Studies aspires to understand, communicate and theorise these forms. This book was originally published as a special issue of the Journal for Cultural Research.

In this groundbreaking book, Tarik Sabry is seeking out the terrain for best understanding the experience of being modern in transitional societies. He adopts a dynamic, ethnographically based approach to the meanings of 'modernness' in the Arab context and, within a relational framework, focuses on structures of thought, everydayness and self-referentiality to explore the process of building a bridge that rejoins the 'modern' in Arab thought with the 'modern' in Arab lived experience. In bringing together modernity as a philosophical category with the bridging spaces of Arab everyday life, Sabry is offering fresh methods of comprehending the question of what it means to be modern in the Arab world today.

An Introduction to Modern Arab Culture exposes readers to fundamental characteristics of the Arab people, their culture, and their society. Over the course of 13 chapters, readers learn about the emergence and influence of Islam in Arab culture, religious and ethnic minorities within the Arab world, the critical role of family in Arab life, and the origin and evolution of the Arabic language. Dedicated chapters provide an introduction to the religion of Islam and the Qur'an, and an exploration of Islamic communities throughout the ages. Additional chapters explore Arab poetry, literature, music, values, and thought, revealing the impact of major artworks and their creators on Arab life and tradition. The final chapters address the Arab Spring, the ongoing Syrian refugee crisis, and contemporary challenges and opportunities. An Introduction to Modern Arab Culture introduces readers to aspects of Arab culture while demonstrating how these facets intertwine to create a unique tapestry of identity, experience, and history. The book is well suited to courses in Middle East culture and history, politics, thought, literature, religion, and language, and courses in sociology, anthropology, and cultural studies.

'Arab Cultural Studies: Mapping the Field' is the first attempt to explore ways of conceptualising and theorising the nascent field of Arab Cultural Studies. It reflects and engages in an interdisciplinary discussion on the different facets of Arab cultural studies, including gender, economy, history, epistemology, language, method, politics, literary and cultural criticism, institutionalization, popular culture, creativity and much more. The book presents a meta-narrative about how scholars have thus far thought and re-thought the field. It brings together prominent and emerging experts, writing from both Arab and Western academia, to engage with key complex, epistemic and methodological questions and to articulate in the meantime the new kinds of language and hermeneutics necessary for the appropriation of an historically conscious and coherent field of scientific enquiry into contemporary Arab media, culture and society.

With the accession of the Arab dynasty of the 'Abbasids to power and the foundation of Baghdad, a Graeco-Arabic translation movement was initiated, and by the end of the tenth century, almost all scientific and philosophical secular Greek works that were available in late antiquity had been translated into Arabic. This book explores the social, political and ideological factors operative in early 'Abbasid society that sustained the translation movement.

Translation is intercultural communication in its purest form. Its power in forming and/or deforming cultural identities has only recently been acknowledged, given the attention it deserves. The chapters in this unique volume assess translation from Arabic into other languages from different perspectives: the politics, economics, ethics, and poetics of translating from Arabic; a language often neglected in western mainstream translation studies.

The public image of Arabs in America has been radically affected by the 'war on terror'. But stereotypes of Arabs, manifested for instance in Orientalist representations of Sheherazade and the Arabian Nights in Hollywood, have prevailed for much longer. Here Somaya Sabry argues that the Arab-American experience has been powerfully shaped by racial discourse and Orientalism, and is further complicated today by hostility towards Arabs in post-9/11 America. She shows how Arab-American women writers and performers confront and subvert racial stereotypes in this charged context by recasting representations of Sheherazade. Shedding new light on Arab-American women's negotiations of identity, this book will be indispensable for all those interested in the Arab-American world, American ethnic studies and race, as well as diaspora studies, women's studies, literature, cultural studies and performance studies.

The collection of articles in this volume is dedicated to Ramzi Baalbaki of the American University of Beirut on the occasion of his 60th birthday. It provides an interesting glimpse into the early medieval and modern traditions related to the Arabic language, its grammar, historical development, and demonstrate its centrality to other fields of study such as qur’?nic studies, adab, folk literature, sufism, and poetry.

"An anthology of Arabic texts and English translations of works from the Arab Renaissance (Nahda) on modernity, language, gender, transnationalism, literary criticism, politics, travel, social justice, technology, history, and commerce. The edition is designed for the classroom, with an introduction, translator's note, and textual notes for students and teachers"--

Arab Modernities is a critical interrogation of some of the ideologies of so-called modernity and modernization in the post-colonial Arab world, with a specific focus on three political ideologies: liberalism, nationalism, and Islamism. By providing a critical analysis of the work of major Arab intellectuals/activists (namely, Abdallah Laroui, Mohamed Abed al-Jabri, and Abdessalam Yassine), Arab Modernities brings together three political ideologies that have hitherto been considered competing and even incompatible in the Arab world. This much-needed intervention is also best understood as an inquiry into one of the central paradoxes of post-colonial Arab societies (and Middle Eastern societies more generally): the rise of Islamism and Islamist fundamentalism at a time when global neo-liberalism has declared «the end of history». Arab Modernities is a sophisticated attempt to «name» contemporary Islamism and Arab nationalism and liberalism - to delineate the social, cultural, economic, and political conditions under which they first emerged, evolved, and ultimately failed, and thereby to shed light on Arab-Islamic societies at the current historical conjuncture. Arab Modernities argues against facile analyses that attribute the rise and subsequent decline of liberalism and nationalism, as well as the current rise of Islamism, to purely cultural, religious, or ideological factors and provides a rigorous, complex materialist critique, where Arab ideologies of modernity are placed in the context of the particular historical formation within which they have developed and to which they have responded.