During her lifetime, the gifted writer Marie le Jars de Gournay (1565-1645) was celebrated as one of the "seventy most famous women of all time" in Jean de la Forge's Circle of Learned Women (1663). The adopted daughter of Montaigne, as well as his editor, Gournay was a major literary force and a pioneering feminist voice during a tumultuous period in France. This volume presents translations of four of Gournay's works that address feminist issues. Two of these appear here in English for the first time—The Promenade of Monsieur de Montaigne and The Apology for the Woman Writing. One of the first modern psychological novels, the best-selling Promenade was also the first to explore female sexual feeling. With the autobiographical Apology, Gournay defended every aspect of her life, from her moral conduct to her household management. The book also includes Gournay's last revisions (1641) of her two best-known feminist treatises, The Equality of Men and Women and The Ladies' Complaint. The editors provide a general overview of Gournay's career, as well as individual introductions and extensive annotations for each work.

Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of their story is about absence of the people they love. In Jenny Diski's hands it becomes a fascinating tale.

From the bestselling author of The Vagina Monologues-a powerful, life-changing examination of abuse and atonement. “A triumph of artistry and empathy.” -Naomi Klein “A crucial step forward . . . This is an urgently needed book right now.” -Jane Fonda “Courageous, transformative, and yes-healing.” -Anne Lamott Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father's point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology Eve has set out to provide a new way for herself and a possible road for others, so that survivors of abuse may finally envision how to be free. She grapples with questions she has sought answers to since she first realized the impact of her father's abuse on her life: How do we offer a doorway rather than a locked cell? How do we move from humiliation to revelation, from curtailing behavior to changing it, from condemning perpetrators to calling them to reckoning? What will it take for abusers to genuinely apologize? Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to re-emerge and heal. It is revolutionary, asking everything of each of us: courage, honesty, and forgiveness.

Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of their story is about absence of the people they love. In Jenny Diski's hands it becomes a fascinating tale.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

'Any girl who boxes,' writes Leah Hager Cohen, 'challenges, wittingly or not, the idea of what it means to be a girl in our culture. Through the prism of what she does with her fists, she brings a fiercely contrarian light to our most fundamental notions about femininity and power and appetite and shame and desire.'Originally intending simply to research the subject, Leah met four adolescent girls from a Boston housing project who were training under a female coach at the Somerville Boxing Club. In the course of a year, she grew close to them, learning about their families, where they grew up, their explosive friendships and experience of each other as 'intimate adversaries', and especially the damage that had turned each of them into a fighter. Drawn into the ring herself, Leah sparred with the girls and was astounded by the strength and authority of her body. 'I was beginning to get a feel for my own reach.'Spirited and provocative, Without Apology is Leah Cohen's account of what she discovered in that gym about herself, about girls who box, and ultimately about the buried connections between femininity and aggression.

Argues that abortion is a common part of a woman's reproductive life and should not be vilified, but instead accepted as a moral right that can be a force for social good.

Dear (almost) everyone: Can we be friends again? Life is about to get complicated for Amelia Montgomery, a prominent litigator in Chicago. She's been fired for not compromising her principles in a high-profile case and then punching her partner in the nose for the misogynistic comment he made in retort (not her finest moment). Leaving a career that gave her purpose, Amelia can only ask, What next? Let it be better than her epic failure of a fortieth birthday party: an open bar full of no-shows except for John Ellis, a total stranger and the new associate at her ex-firm. As it turns out, though, he's very good company--and a wake-up call. With the help of John and a lot of champagne, Amelia considers the people she's wronged, from old besties to former boyfriends to coworkers. Amelia resolves to make amends--to those who really deserve it. One apology at a time, Amelia's looking at the choices she's made in the past, the new ones she's making with John, and those she's making for herself. What next? Maybe a second chance she never expected.

How Apologies Can Help You Move Forward With Your Life “To err is human; to forgive divine.” But what if the person who hurt you most refuses to apologize or express any regret? That’s the question haunting Manhattan journalist Susan Shapiro when her trusted advisor of fifteen years repeatedly lies to her. Stunned by the betrayal, she can barely eat or sleep. She’s always seen herself as big-hearted and benevolent, someone who will forgive anyone anything - as long as they’re remorseful. Yet the addiction specialist who helped her quit smoking, drinking and drugs after decades of self-destruction won’t explain – or stop - his ongoing deceit, leaving her blindsided. Her crisis management strategy is becoming her crisis. To protect her sanity and sobriety, Shapiro ends their relationship and vows they’ll never speak again. Yet ghosting him doesn’t end her distress. She has screaming arguments with him in her mind, relives their fallout in panicked nightmares and even lights a candle, chanting a secret Yiddish curse to exact revenge. In her entrancing, heartfelt new memoir The Forgiveness Tour: How to Find the Perfect Apology, Shapiro wrestles with how to exonerate someone who can’t cough up a measly “my bad” or mumble “mea culpa.” Seeking wisdom, she explores the billion-dollar Forgiveness Industry touting the personal benefits of absolution, where the only choice on every channel is: radical forgiveness. She fears it’s all bullshit. Desperate for enlightenment, she surveys her old rabbis, as well as religious leaders from every denomination. Unable to reconcile all the confusing abstractions, she embarks on a cross country journey where she interviews people who suffered unforgivable wrongs that were never atoned: victims of genocides, sexual assault, infidelity, cruelty and racism. A Holocaust survivor in D.C. admits he’s thrived from spite. A Michigan man meets with the drunk driver who killed his wife and children. A daughter in Seattle grapples with her mother - who stayed married to the father who raped her. Knowing their estrangement isn’t her fault, a Florida mom spends eight years apologizing to her son anyway -with surprising results. Does love mean forever having to say you’re sorry? Critics praised Shapiro’s previous memoir Lighting Up: How I Stopped Smoking, Drinking and Everything Else I Loved in Life Except Sex as fiercely honest, fascinating, funny and “a mind-bendingly good read.” Now the bestselling author and popular writing professor returns with a darker, wiser follow up, addressing the universal enigma of blind forgiving. Shapiro’s brilliant new gurus sooth her broken psyche and answer her burning mystery: How can you forgive someone without an apology? Does she? Should you?

With massive social media followings and a loyal fan base, Jeanty is poised for great success for his sixth poetry collection entitled Apologies That Never Came. In this series of prose and poetry, both the words and sentiment are simple, uninterrupted by excess flair or complexity. Apologies That Never Came dissects the agony of heartbreak and loss through the unexpressed words and feelings; what is left over at the end. While his poems and prose delve into pain, they ultimately transcend that heartbreak, awakening everyone's preexisting strength and capacity for growth. Much like in his previous collections, Jeanty has successfully created a tool for unity and healing out of the torment of his experiences.