Now in paperback, a 2009 Los Angeles Times Book Award finalist. “She is a daring act as a poet/athlete . . . but she can also travel the backwoods, pointing out herons, ivy vines and creek water with a kind of divining rod rightness. . . . Her wild lyrics shudder and shine, jubilant and threatening, exuberant.”—Carol Muske-Dukes, Huffington Post

Finalist for the 2009 Los Angeles Times Book Prize in Poetry. Rarely has a first book of poems been more exalted than Gabrielle Calvocoressi’s The Last Time I Saw Amelia Earhart, which the Times Literary Supplement called “an excoriation of present-day America by a new and lethal commentator.” Now, in this extraordinary follow-up, Calvocoressi continues her mission to document the particular hardships of derelict American small towns. These, though, are different poems, their lens cracked and turned on a narrator seeking her own deliverance from abandonment and violence. Battered but never beaten, this narrator finds salvation in ecstatic communion with the gods of jazz and especially boxing: “O Tommy Hearns, O blood come down,” she prays. “Find your way to Hungerford where my/father glowers over me. Show him/how the bag does penance.” In such prayers she finds the strength to survive the home she has to leave and, once she does, the strength to face the fires she finds flaring the country over, from Los Angeles to Laramie. Apocalyptic Swing is a work of unbelievable force, a devastating and glorious testimony about America—its lore, disappointments, and promise.

Apocalyptic Transformation explores how one the oldest sense-making paradigms, the apocalyptic myth, is altered when postmodern authors and filmmakers adopt it. It examines how postmodern writers adapt a fundamentally religious story for a secular audience and it proposes that even as these writers use the myth in traditional ways, they simultaneously undermine and criticize the grand narrative of apocalypse itself.

"Gabrielle Calvocoressi is a wonderfully talented poet."—Eavan Boland Whether in the title poem, spoken by those who lived longingly and vicariously through the famous missing aviator, or in "Circus Fire, 1944," which intimately recounts a haunting New England tragedy, Gabrielle Calvocoressi uses her prodigious gifts of imagination and empathy to give voice to the hope and heartbreak of small-town America. In painstaking, vernacular verse, she conveys the ambitions and failings of a distraught populacein the edgy jazz portrait, "Suite Billy Strayhorn," for example, or the enthralling, interwoven sequence, "At the Adult Drive-In," which conveys, at once, a personal and communal corruption. Penetrating and compassionate, The Last Time I Saw Amelia Earhart portrays, with a storyteller's arc, the troubled landscape of the left-behind.

Now in paperback, a spellbinding reinvention and exploration of self, gender, and family. Like nothing before it, in Rocket Fantastic explores the landscape and language of the body in interconnected poems that entwine a fabular past with an iridescent future by blurring, with disarming vulnerability, the real and the imaginary. Sorcerous, jazz-tinged, erotic, and wide-eyed, this is a pioneering work by a space-age balladeer. “A dance of self-discovery, subverting our assumptions of gender and the body. . . Both innovative and sensual, Rocket Fantastic is a vital book for our time.”—Diana Whitney, San Francisco Chronicle

One was her fiance, the other was her most beloved younger sister. When the apocalypse arrived, Lin Lin fell into a group of zombies and smiled at the two of them. His heart gradually turned cold as he clenched his teeth and swore. They had to pay any price to be at the top, at the happiest moment. Falling from heaven to hell!

DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers. In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing. You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States. Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Jack Winter and his girlfriend Pete Caldecott have encountered a lot of strange creatures in the Black, including Belial - the Prince of Hell. When Belial asks Jack for one last favor to help him keep his throne, Jack may have finally met his match because Belial's rival is something no one - human or demon - has seen before.

In this YA novel in verse from bestselling authors Kwame Alexander and Mary Rand Hess (Solo), which Kirkus called “lively, moving, and heartfelt” in a starred review, Noah and Walt just want to leave their geek days behind and find “cool,” but in the process discover a lot about first loves, friendship, and embracing life . . . as well as why Black Lives Matter is so important for all. Best friends Noah and Walt are far from popular, but Walt is convinced junior year is their year, and he has a plan that includes wooing the girls of their dreams and becoming amazing athletes. Never mind he and Noah failed to make their baseball team yet again, and Noah’s crush since third grade, Sam, has him firmly in the friend zone. While Walt focuses on his program of jazz, podcasts, batting cages, and a “Hug Life” mentality, Noah feels stuck in status quo … until he stumbles on a stash of old love letters. Each one contains words Noah’s always wanted to say to Sam, and he begins secretly creating artwork using the lines that speak his heart. But when his art becomes public, Noah has a decision to make: continue his life in the dugout and possibly lose the girl forever, or take a swing and finally speak out. At the same time, American flags are being left around town. While some think it’s a harmless prank and others see it as a form of protest, Noah can’t shake the feeling something bigger is happening to his community. Especially after he witnesses events that hint divides and prejudices run deeper than he realized. As the personal and social tensions increase around them, Noah and Walt must decide what is really important when it comes to love, friendship, sacrifice, and fate. Swing: is written by New York Times bestselling author and Newbery Medal and Coretta Scott King Award-winner Kwame Alexander Features a diverse array of characters and perspectives tackles the biggest social issues of today, including racial prejudice and Black Lives Matter is perfect reading for the classroom or community-wide discussions is a 2020 YALSA Quick Pick for Reluctant Young Adult Readers contains original artwork tied to the story If you enjoy Swing, check out Solo by Kwame Alexander and Mary Rand Hess.