Apocalyptic Bodies traces the biblical notions of the end of the world as represented in ancient and modern texts, art, music and popular culture, for example the paintings of Bosch. Tina Pippin addresses the question of how far we, in the late twentieth century, are capable of reading and responding to the 'signs of the times'. It will appeal not only to those studying religion, but also to those fascinated with interpretations of the end of the world.

***FANS OF HORROR...THE END IS HERE! AND IT'S ON SALE FOR A LIMITED TIME!*** Praise For Zach Bohannon and Empty Bodies: "Zach comes out swinging with suspense that will haunt you, and you won't be able to look away." - J. Thorn, Amazon Top 100 Horror Author "Few horror writers work as hard as Zach Bohannon. Turn the lights low, and don't let the blood splatter hit you." - Dan Padavona, Author of Storberry "Bohannon's Empty Bodies is dark, enthralling, and offers an impressive look into a terrifying post-apocalyptic world." - Taylor Krauss, Horror Blogger "Zach Bohannon takes dark thriller and suspense to a terrifying new level, with spine tingling tales of the macabre that will keep you turning the page deep into the night." - David J. Delaney, Author of The Vanishing Overview: In a single moment, everything changes... Hundreds of thousands of people suddenly collapse, leaving their friends and loved ones behind, terrified and confused. Moments later, the fallen rise, and the survivors become the hunted. Perfect for any fan of post-apocalyptic horror, dystopian science fiction, or zombies! Do you like "The Walking Dead", "The Stand", "I Am Legend", "Dawn of the Dead", or "World War Z"? Then you'll love Empty Bodies! Empty Bodies, book one of the Empty Bodies Series ***WARNING*** Empty Bodies is meant for mature audiences only. It features foul language and graphic descriptions of violence and death. Please purchase at your own discretion.

The primary argument that Russell Samolsky makes in this book is that certain modern literary texts have apocalyptic futures. His contention, however, is not, as many eminent thinkers have claimed, that great writers have clairvoyant powers; rather he examines the ways in which a text might be written so as to incorporate an apocalyptic event into the orbit of its future reception. He is thus concerned with the way in which apocalyptic works might be said to solicit their future receptions. In analyzing this dialectic between an apocalyptic book and a future catastrophic event, Apocalyptic Futures also sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment. Deploying the double register of marksto display the means by which a text both codes as well as targets mutilated bodies, his specific focus is on the way in which these bodies are incorporated into the field of texts by Franz Kafka, Joseph Conrad and J.M. Coetzee. Situating In the Penal Colony in relation to the Holocaust, Heart of Darkness to the Rwandan genocide and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, he argues for the ethical and political importance of reading these literary works' apocalyptic futures now in our own urgent and perilous situation. To this end, he draws on contemporary messianic discourse to establish the ethical and political resistance of the marked body to its apocalyptic incorporation. In this regard, what is finally at stake in his analysis is his hope of finding the possibility of a hidden countervailing redemptive force at work in these and other texts.

Apocalyptic AI, the hope that we might one day upload our minds into machines and live forever in cyberspace, is a surprisingly wide-spread and influential idea. Robert Geraci points out that the rhetoric of 'Apocalyptic AI' is strikingly similar to that of the apocalyptic traditions of Judaism and Christianity.

The female body has been an object of oppression and control throughout history. 'Gender and Apocalyptic Desire' exposes the often-hidden links between the struggles of women and the conflict of good versus evil. The essays examine the collisions between feminist and apocalyptic thought, the ways in which apocalyptic belief functions as bodily discipline and cultural practice, and how some currents of apocalyptic desire can enable women's equality. A wide range of issues are examined, from anti-abortion terrorism to the stigmata of Christ and visions of Mary.

Ernst Kasemann famously claimed that apocalyptic is the mother of Christian theology. J. Louis Martyn's radical interpretation of the overarching significance of apocalyptic in Paul's theology has pushed Kasemann's claim further and deeper. Still, despite the recognition that apocalyptic is at the core of New Testament and Pauline theology, modern theology has often dismissed, domesticated, or demythologized early Christian apocalyptic. A renewed interest in taking apocalyptic seriously is one of the most exciting developments in recent theology. The essays in this volume, taking their point of departure from the work of Martyn (and Kasemann), wrestle critically with the promise (and possible peril) of the apocalyptic transformation of Christian theology. With original contributions from established scholars (including Beverly Gaventa, Stanley Hauerwas, Robert Jenson, Walter Lowe, Joseph Mangina, Christopher Morse, and Fleming Rutledge) as well as younger voices, this volume makes a substantial contribution to the discussion of apocalyptic and theology today. A unique feature of the book is a personal reflection on Ernst Kasemann by J. Louis Martyn himself.

Zombies are everywhere these days. We are consuming zombies as much as they are said to be consuming us in mediated apocalyptic scenarios on popular television shows, video game franchises and movies. The “zombie industry” generates billions a year through media texts and other cultural manifestations (zombie races and zombie-themed parks, to name a few). Zombies, like vampires, werewolves, witches and wizards, have become both big dollars for cultural producers and the subject of audience fascination and fetishization. With popular television shows such as AMC’s The Walking Dead (based on the popular graphic novel) and movie franchises such as the ones pioneered by George Romero, global fascination with zombies does not show signs of diminishing. In The Thinking Dead: What the Zombie Apocalypse Means, edited by Murali Balaji, scholars ask why our culture has becomes so fascinated by the zombie apocalypse. Essays address this question from a range of theoretical perspectives that tie our consumption of zombies to larger narratives of race, gender, sexuality, politics, economics and the end of the world. Thinking Dead brings together an array of media and cultural studies scholars whose contributions to understanding our obsession with zombies will far outlast the current trends of zombie popularity.

Apocalyptic AI, the hope that we might one day upload our minds into machines or cyberspace and live forever, is a surprisingly wide-spread and influential idea, affecting everything from the world view of online gamers to government research funding and philosophical thought. In Apocalyptic AI, Robert Geraci offers the first serious account of this "cyber-theology" and the people who promote it. Drawing on interviews with roboticists and AI researchers and with devotees of the online game Second Life, among others, Geraci illuminates the ideas of such advocates of Apocalyptic AI as Hans Moravec and Ray Kurzweil. He reveals that the rhetoric of Apocalyptic AI is strikingly similar to that of the apocalyptic traditions of Judaism and Christianity. In both systems, the believer is trapped in a dualistic universe and expects a resolution in which he or she will be translated to a transcendent new world and live forever in a glorified new body. Equally important, Geraci shows how this worldview shapes our culture. Apocalyptic AI has become a powerful force in modern culture. In this superb volume, he shines a light on this belief system, revealing what it is and how it is changing society.

This book deals with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from peoples and cultures around the world. It reflects an increasingly popular leitmotif in literature and visual arts of the 21st century: humanity’s fear of extinction and its quest for survival -- in revenant, supernatural, or living human form. It is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The third, The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016), focused on a range of supernatural beings in literature, film, and other forms of popular culture.