In ancient Greece, one of the twelve labours of Heracles was to bring back a golden apple from the Garden of Hesperides. To archaeologist Oriel Anderson, joining a team of Greek divers on the island of Helios seems like the golden apple of her dreams. Yet the dream becomes a nightmare when she meets the devilish owner of the island, Damian Lekkas. In shocked recognition, she is flooded with the memory of a romantic night in a stranger's arms, six summers ago. A very different man stands before her now, and Oriel senses that the sardonic Greek autocrat is hell-bent on playing a cat and mouse game with her. As they cross swords and passions mount, Oriel is aware that malevolent eyes watch her from the shadows. Dark rumours are whispered about the Lekkas family. What dangers lie in Helios, a bewitching land where ancient rituals are still enacted to appease the gods, young men risk their lives in the treacherous depths of the Ionian Sea, and the volatile earth can erupt at any moment? Will Oriel find the hidden treasures she seeks? Or will Damian's tragic past catch up with them, threatening to engulf them both?

Roland Tankowicz hates Venus. The last time he went there, he died. So, no one could really blame him if he never went back. Nevertheless, when a squad of Venusian assassins ruins date night, everybody’s least-favorite Army-surplus cyborg decides to take a trip to Earth’s sister planet and have a sit-down with an infamous group of terrorists. Perhaps it’s because he really likes date night. Maybe he just wants to keep the promise he once made to a troubled young man. It is even conceivable that he might still have a heap of unresolved issues with the separatists who blew his body apart years ago. For whatever reason, the big man and his motley crew of misfits strap on their guns and hurl themselves into murky world of interplanetary terrorism. To his dismay, Roland discovers that Venus has changed since his last visit. The black-and-white politics of the fanatics and governments he remembers have now merged into complicated shades of gray. Cyborg killers walk the halls without fear, and the soldiers stationed there seem no better than the thugs they fight. The sweltering underworld of Venus holds terrors and trials that will test the old soldier in ways he is not prepared for, while a crafty assassin stalks them all from shadows both real and imagined. The team must to walk a narrow path between terrorists, soldiers, and their own dark pasts if they expect to get out of this one alive. Is The Fixer strong enough to pull an entire population from the ashes of civil war? If he isn’t, they may all drown in a flood of: APHRODITE’S TEARS.

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.

This book describes the powers and actions of the goddess Aphrodite. Short paragraphs of easy-to-read text are paired with plenty of colorful photos to make reading engaging and accessible. The book also includes a table of contents, fun facts, sidebars, comprehension questions, a glossary, an index, and a list of resources for further reading.

An epic tale of a man searching for the answer to the eternal riddle of love while travelling through the Greek isles.

An important contribution to the growing interdisciplinary field of monster studies

The first complete commentary in English on Ovid's Metamorphoses, covering textual interpretation, poetics, imagination, and ideology.

Songs and Sonnets (1557), the first printed anthology of English poetry, was immensely influential in Tudor England, and inspired major Elizabethan writers including Shakespeare. Collected by pioneering publisher Richard Tottel, it brought poems of the aristocracy - verses of friendship, war, politics, death and above all of love - into wide common readership for the first time. The major poets of Henry VIII's court, Sir Thomas Wyatt and Henry Howard, Earl of Surrey, were first printed in the volume. Wyatt's intimate poem about lost love which begins 'They flee from me, that sometime did me seke', and Surrey's passionate sonnet 'Complaint of a lover rebuked' are joined in the miscellany by a large collection of diverse, intriguingly anonymous poems both moral and erotic, intimate and universal.

DIV For more than a decade, gardeners have been turning to a beautiful little hardcover book called Gardener's Latin, by Bill Neal. Neal understood that as Latin terms began appearing with increasing frequency on nursery tags and gardening catalogs, gardeners would need help. So he weeded through the Latin words that describe and distinguish among plants and flowers and compiled a volume of select, brief, clear definitions. Gardener's Latin leads us down the path from abbreviatus to zonatus, turning aside here and there along the way for little-known horticultural facts and fables and the wisdom of gardeners from Virgil to Vita Sackville-West.“/DIV>

The beautiful female streamer live broadcast flame war everyday, this was the real life palace battle game Studio! There's nothing good about me, I don't have a halo, I don't have a Golden Hand finger, all I have is a bunch of heartless spectators watching from the sidelines, if I can't pass then I have to die?! The only reason he could think of was that the NPC Small Brother was really good-looking. Other than the fox man, he had to file a complaint! After all, I'm a woman who wants to be a queen! Try picking me up again. I'll press the team and cover the team. Let's go!