An intimate look at the transformative power of women's sexual experiences. Based on the stories of ordinary American women, Aphrodite’s Daughters explores the central role of sexuality in women's spiritual journey. Witty, wise, entertaining, and compassionate, Aphrodite's Daughters quickly became an underground classic, and has changed the lives of thousands of women.

From villages in Crete to Carolina farms to San Francisco pavement, the women in these poems struggle to live by their own lights, despite pressure for them to serve as mere appendages to men. Aphrodite's Daughter tells stories of women in myth, history, art, and contemporary life. The goddess's daughter, fed up with her role in her mother's story, says to her: "i'm leaving--i'm walking out/of your myth finally--i need a mother not a love goddess. . . . " This volume springs from the sense that, as Adrienne Rich reminds us, under patriarchy women often feel "wildly unmothered."

Original publication and copyright date: 2011.

Published in conjunction with the exhibition organized by the Museum of Fine Arts, Boston and held at the Museum of Fine Arts, Boston, Oct. 26, 2011-Feb. 20, 2012, J. Paul Getty Museum at the Getty Villa, Malibu, Mar. 28-July 9, 212, and San Antonio Museum of Art, Sept. 15, 2012-Feb. 17, 2013.

Well-researched and true to the original myths, each volume in the Goddess Girls series addresses contemporary issues like friendships and relationships from a classically accurate—and entertaining—persepective. In Aphrodite the Beauty, Aphrodite, goddessgirl of love, must deal with jealousy after giving Athena a makeover. It doesn’t seem fair that the godboys pay more attention to her friend when Aphrodite is supposed to be destined for love! She also copes with a crush from an unlikely source—the nerdy Hephaestus (god of the smith)—and learns that love comes in many forms.

Atalanta, Andromeda, and Psyche, three female characters in Greek mythology, tell the stories of their marriages. Includes information on love and marriage in ancient Greece.

Brill's Companion to Aphrodite brings together an international and multidisciplinary team of experts in the study of Aphrodite—one of the best known, yet ambiguous and complex Graeco-Roman deities. The contributions, which reevaluate conventional approaches to this remarkable goddess, are thematically grouped in four parts according to aspects of the goddess: 'Aphrodite’s Identity’; ‘Aphrodite's Companions and Relations’; ‘The Spread of Aphrodite’s Cults’ and ‘The Reception of the Goddess.’ Each part draws on literary and visual sources, incorporates Greek, Roman, and later material, and ranges across places and periods—from prehistoric Cyprus and the Near East to the antiquities market in 19th century France. This book therefore crosses interdisciplinary boundaries, as well as the multiple aspects and characteristics of the goddess

A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting