Join little Aphrodite for a sweet adventure in this third Little Goddess Girls story—part of the Aladdin QUIX line! Aphrodite is excited to be on an adventure to Sparkle City with her new friends, Athena, Persephone, and Artemis. After being rescued from her magical sea shell, Aphrodite hopes the super-duper powerful Zeus can give her the gift of likeability. Aphrodite knows that will make her be a better friend, especially to the girls she met on the Hello Brick Road. But when she finds a magical, gold apple along the way, something makes her keep it a big secret from the others. Will those magical powers help Aphrodite with her big ask for Zeus? Or will Aphrodite discover a very different kind of magic—the magic of friendship—is most important of all?

Little Athena finds herself on a Wizard of Oz inspired adventure in this first Little Goddess Girls story—part of the Aladdin QUIX line! After a strange and sparkly storm carries her away from home, Athena finds herself in a land filled with magic, talking animals, and incredible objects with magical powers—the land of Mount Olympus! When Athena arrives, she’s greeted by the talking Owlies and is paired with very special magical sandals—sandals with powers that Medusa, a green, snake-haired girl, wants for herself! A glowing goddess (of hearth and home) named Hestia appears and warns Athena that if Medusa gets her snakes on those sandals, she’ll surely use its powers to make trouble for Mount Olympus! But Athena has more important things on her mind—like going back home! Determined to find her way back, Athena heads off on an adventure through the magical landscape of Mount Olympus to try and elude Medusa—and find her way back to the mortal world once and for all with the help of the great and powerful Zeus!

A Greek princess, raised by bears in the forest and then returned to her rightful place in the kingdom, refuses to marry unless the man can outrun her in a footrace.

For Greek myth fans, those who can’t get enough of the D'Aulaires' Book of Greek Myths, and readers who have aged out of Rick Riordan, this classroom staple and mythology classic is perfect for learning about the ancient myths! As the gods and goddesses of Olympus scheme, the ancient world is thrown into turmoil when Helen, the most beautiful woman in all of Greece, is stolen away by her Trojan love. Inflamed by jealousy, the Greek king seeks lethal vengeance and sends his black war ships to descend on the city of Troy. In the siege that follows, history’s greatest heroes, from Ajax to Achilles to Odysseus, are forged in combat, and the brutal costs of passion, pride, and revenge must be paid. In the end, the whims of the gods, the cunning of the warriors, and a great wooden horse will decide who emerges victorious. Homer's epic poem, The Iliad, is one of the greatest adventure stories of all time and Rosemary Sutcliff's retelling of the classic saga embodies all of the astonishing drama, romance, and intrigue of ancient Greece. Don’t miss The Wanderings of Odysseus, the companion to Black Ships Before Troy, and follow Odysseus on his adventure home. This book has been selected as a Common Core State Standards Text Exemplar (Grades 6-8, Stories) in Appendix B.

Join little Aphrodite for a sweet adventure in this third Little Goddess Girls story—part of the Aladdin QUIX line! Aphrodite is excited to be on an adventure to Sparkle City with her new friends, Athena, Persephone, and Artemis. After being rescued from her magical sea shell, Aphrodite hopes the super-duper powerful Zeus can give her the gift of likeability. Aphrodite knows that will make her be a better friend, especially to the girls she met on the Hello Brick Road. But when she finds a magical, gold apple along the way, something makes her keep it a big secret from the others. Will those magical powers help Aphrodite with her big ask for Zeus? Or will Aphrodite discover a very different kind of magic—the magic of friendship—is most important of all?

"The first half of the volume is devoted to the exposition of the ancient evidence, literary and iconographic, for the traditions of Heracles' life and deeds. After a chapter each on the hero's childhood and his madness, the canonical cause of his Twelve Labors, each of the Labors themselves receives detailed treatment in a dedicated chapter. The 'Parerga' or 'Side-Labors' are then treated in a similar level of detail in seven further chapters. In the second half of the book the Heracles tradition is analysed from a range of thematic perspectives. After consideration of the contrasting projections of the figure across the major literary genres, Epic, Tragedy, Comedy, Philosophy, and in the iconographic register, a number of his myth-cycle's diverse fils rouges are pursued: Heracles' fashioning as a folkloric quest-hero; his relationships with the two great goddesses, the Hera that persecutes him and the Athena that protects him; and the rationalisation and allegorisation of his cycle's constituent myths. The ways are investigated in which Greek communities and indeed Alexander the Great exploited the figure both in the fashioning of their own identities and for political advantage. The cult of Heracles is considered in its Greek manifestation, in its syncretism with that of the Phoenician Melqart, and in its presence at Rome, the last study leading into discussion of the use made of Heracles by the Roman emperors themselves and then by early Christian writers. A final chapter offers an authoritative perspective on the limitless subject of Heracles' reception in the western tradition"--

Three Greek goddesses, Athena, Aphrodite, and Hera, tell their own stories. Includes information about Greek society and religion.

This book attempts to come to grips with a set of widely ranging but connected problems concerning myths: their relation to folktales on the one hand, to rituals on the other; the validity and scope of the structuralist theory of myth; the range of possible mythical functions; the effects of developed social institutions and literacy; the character and meaning of ancient Near-Eastern myths and their influence on Greece; the special forms taken by Greek myths and their involvement with rational modes of thought; the status of myths as expressions of the unconscious, as allied with dreams, as universal symbols, or as accidents of primarily narrative aims. Almost none of these problems has been convincingly handled, even in a provisional way, up to the present, and this failure has vitiated not only such few general discussions as exist of the nature, meanings and functions of myths but also, in many cases, the detailed assessment of individual myths of different cultures. The need for a coherent treatment of these and related problems, and one that is not concerned simply to propagate a particular universalistic theory, seems undeniable. How far the present book will satisfactorily fill such a need remains to be seen. At least it makes a beginning, even if in doing so it risks the criticism of being neither fish nor fowl. Sociologists and folklorists may find it, from their specialized viewpoints, a little simplistic in places; and a few classical colleagues will not forgive me for straying far beyond Greek myths, even though these can hardly be understood in isolation or solely in the light of studies in cult and ritual. Others may find it less easy than anthropologists, sociologists, historians of thought or students of French and English literature to accept the relevance of Levi-Strauss to some of these matters; but his theory contains the one important new idea in this field since Freud, it is complicated and largely untested, and it demands careful attention from anyone attempting a broad understanding of the subject. The beliefs of Freud and Jung, on the other hand, are a more familiar element in the situation and have given rise to an enormous secondary literature, much of it arbitrary and some of it absurd. The author has tried to isolate the crucial ideas and subject them to a pointed, if too brief, critique; so too with those of Ernst Cassirer.

After a giant carrot named Prometheus steals a flame and torch from Zeus, the goddess girls must try to catch the carrot! But when a mysterious box named Pandora hits all the buttons in a magical elevator, they must battle through three lands in order to get closer to the stolen flame. Can everyone work together to bring the torch back to Mount Olympus?--Back cover.