Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE--the period associated with China's first dynasties and East Asia's first "states." With a focus on early China's great metropolitan centers in the Central Plains and their hinterlands, this work attempts to contextualize them within their wider zones of interaction from the Yangtze to the edge of the Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture history, and the variety and development of its urban formations, Roderick Campbell explores East Asia's divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China's Early Bronze Age.

The violence of war and sacrifice were not the antithesis of civilization at Shang Anyang, but rather its foundation.

“Style” in Chinese art and archaeology encompass complex meanings that beyond studies of decorative motifs, design and traditional sense on artistic style. This anthology considers function, behavior, manufacture, usage, design, material and context are expanded definition of “style”. Examine style in a larger context assists in investigating the aspects of life-style, gender, social structure, labor division, and craft specialization in a society, explains the social strata, rituals, and technical traditions. Scholars of this volume come from varied backgrounds, intends to achieve an understanding of the concept of material and style of Bronze Age while current excavated data are updated everyday in this particular field.

A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.

Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.

An Integrated Picture of Prehistory as an Active Process of Discovery World Prehistory and Archaeology: Pathways through Time, fourth edition, provides an integrated discussion of world prehistory and archaeological methods. This text emphasizes the relevance of how we know and what we know about our human prehistory. A cornerstone of World Prehistory and Archaeology is the discussion of prehistory as an active process of discovery. Methodological issues are addressed throughout the text to engage readers. Archaeological methods are introduced in the first two chapters. Succeeding chapters then address the question of how we know the past to provide an integrated presentation of prehistory. The fourth edition involves readers in the current state of archaeological research, revealing how archaeologists work and interpret what they find. Through the coverage of various new research, author Michael Chazan shows how archaeology is truly a global discipline. Learning Goals Upon completing this book, readers will be able to: * Gain new perspectives and insights into who we are and how our world came into being. * Think about humanity from the perspective of archaeology. * Appreciate the importance of the archaeological record for contemporary society.

A Companion to Chinese Archaeology is an unprecedented, new resource on the current state of archaeological research in one of the world’s oldest civilizations. It presents a collection of readings from leading archaeologists in China and elsewhere that provide diverse interpretations about social and economic organization during the Neolithic period and early Bronze Age. An unprecedented collection of original contributions from international scholars and collaborative archaeological teams conducting research on the Chinese mainland and Taiwan Makes available for the first time in English the work of leading archaeologists in China Provides a comprehensive view of research in key geographic regions of China Offers diverse methodological and theoretical approaches to understanding China’s past, beginning with the era of established agricultural villages from c. 7000 B.C. through to the end of the Shang dynastic period in c. 1045 B.C.

Max Loehr (1903-1988), the most distinguished historian of Chinese art of his generation, is celebrated above all for a 1953 art historical study of Chinese bronzes that effectively predicted discoveries Chinese archaeologists were about to make. Those discoveries in turn overthrew the theories of Loehr's great rival Bernhard Karlgren (1889-1978), a Swedish sinologue whose apparently scientific use of classification and statistics had long dominated Western studies of the bronzes. Revisiting a controversy that was ended by archaeology before the issues at stake were fully understood, Robert Bagley shows its methodological implications to be profound. Starting with a close reading of the work of Karlgren, he uses an analogy with biological taxonomy to clarify questions of method and to distinguish between science and the appearance of science. Then, turning to Loehr, he provides the rationale for an art history that is concerned above all with constructing a meaningful history of creative events, one that sees the intentionality of designers and patrons as the driving force behind stylistic change. In a concluding chapter he analyzes the concept of style, arguing that many classic confusions in art historical theorizing arise from a failure to recognize that style is not a property of objects. Addressed not just to ancient China specialists or historians of Chinese art, this book uses Loehr's work on bronzes as a case study for exploring central issues of art history. It will be of interest to anyone concerned with the analysis of visual materials.

Crossroads and Cultures: A History of the World’s Peoples incorporates the best current cultural history into a fresh and original narrative that connects global patterns of development with life on the ground. As the title, “Crossroads,” suggests, this new synthesis highlights the places and times where people exchanged goods and commodities, shared innovations and ideas, waged war and spread disease, and in doing so joined their lives to the broad sweep of global history. Students benefit from a strong pedagogical design, abundant maps and images, and special features that heighten the narrative’s attention to the lives and voices of the world’s peoples. Test drive a chapter today. Find out how.