No matter which side of the nature/nurture debate you're on, Amy Lincoln's prospects do not look good. Her mother abandoned her when she was ten months old (just a couple of months after Amy's father went off to serve his first prison term), leaving her in the care of Grandma Lil, who shoplifts dinner on the way home from her job as a leg waxer to the rich and refined. When Amy is fourteen, she gets a scholarship to a New England boarding school -- her exposure to the moneyed class. After Harvard and the Columbia School of Journalism, Amy becomes a political reporter for the prestigious weekly In Depth. While covering a political fund-raiser, Amy meets a college student who claims to be the son of one of the presidential candidates. It's precisely the sort of story that In Depth wouldn't deign to cover, but the idea of tracking down a lost parent and demanding recognition intrigues Amy. As she begins a search of her own past as well as the candidate's, she discovers a new and unimpeachable grandmother and a mother who is much more than she bargained for. Most important, she finally comes to understand the stuff she's made of and finds the perfect place to hang her hat in the world. Bold, insightful, witty, and exhilarating, Any Place I Hang My Hat is a novel about one extraordinary young woman looking for a place to belong -- by one of the most compelling and beloved voices in contemporary fiction.

Now in paperback, Isaacs's humorous and poignant "New York Times" bestseller about a young woman whose search for her mother becomes a search for a place to belong. RWell-written, very funny, and incredibly smart.S--"O, The Oprah Magazine."

A major collection of poems from one of our most accomplished poets, the prominent man of letters behind The Best American Poetry series. Drawing from a wealth of material produced over the course of more than forty years, David Lehman’s New and Selected Poems displays the remarkable range of his poetic genius. A gathering of stunning new poems, prose poems, and translations from modern French masters ushers in the book. Selections from each of Lehman’s seven full-length books of poetry follow and are capped off by a coda of important early and previously uncollected works. Lehman writes poems that captivate as they stimulate thought, poems that capture the romance, irony, and pathos of love, and poems that are lyrical and lovely in unexpected, sometimes even comic ways. This is David Lehman at his best.

This is an evocative and richly comic memoir of Jewish Dublin.

Writing Wrongs is a concise and thoughtful guide to common errors in English. It covers frequently confused and misused words along with problems of grammar, punctuation, and style, and offers a brief and up-to-date guide to major citation styles. Though it provides guidelines and recommendations for usage, Writing Wrongs acknowledges the evolution of language over time and the fact that different contexts have different rules—it is not narrowly prescriptive. A friendly, flexible, and easy-to-read reference, Writing Wrongs will be useful to students and general readers alike.

While there is considerable literature on social inequality and education, there is little recent work which explores notions of difference and diversity in relation to "race," class and gender. This edited text aims to bring together researchers in the field of education located across many international contexts such as the UK, Australia, USA, New Zealand and Europe. Contributors investigate the ways in which dominant perspectives on "difference," intersectionality and institutional structures underpin and reinforce educational inequality in schools and higher education. They emphasize the importance of international perspectives and innovative methodological approaches to examining these areas, and seek to locate the dimensions of difference within recent theoretical discourses, with an emphasis on "race," class and gender as key categories of analysis.

A pseudo-autobiographical novel about an amnesiac whose only memory is that of a childhood vision of an angelic woman and a mystical book. He embarks upon a quest to find the book and to acquire an identity, in doing so meeting many interesting people and engaging in a variety of professions in a world that may not be real.

This eagerly awaited new edition has been significantly revised after extensive user feedback to meet current teaching requirements. The first major textbook to be published since the rejuvenation of the Lisbon Treaty, it retains the best elements of the first edition – the engaging, easily understandable writing style, extracts from a variety of sources showing the creation, interpretation and application of the law and comprehensive coverage. In addition it has separate chapters on EU law in national courts, governance and external relations reflecting the new directions in which the field is moving. The examination of the free movement of goods and competition law has been restructured. Chapter introductions clearly set out what will be covered in each section allowing students to approach complex material with confidence and detailed further reading sections encourage further study. Put simply, it is required reading for all serious students of EU law.

Like millions of other women, HLN anchor Christi Paul blamed herself for the emotional abuse heaped on her by her first husband, whose violent, profanity-laced tirades left her feeling as though she had no value, no self-worth, and nowhere to turn for help. Then one day, when Christi was taking refuge in a church parking lot, the verse “Trust in the Lord with all your heart and lean not on your own understanding” popped into her head. In that moment, she realized she did have someplace to turn after all. Holding fast to her Christian faith, Christi began the arduous process of rebuilding her self-image and regaining control of her life. Now happily remarried and the mother of three girls, Christi feels called to share her story in the hope that other victims will find courage to seek the help they desperately need and deserve. Written with candor and poignancy, Love Isn’t Supposed to Hurt chronicles Christi’s personal experience with emotional abuse and shows how—with God’s help, some unconventional therapy, and faith—she was able to break the cycle and regain her sense of self-worth.

"Over the Rainbow," "Stormy Weather," and "One for My Baby" are just a few of Harold Arlen's well-loved compositions. Yet his name is hardly known--except to the musicians who venerate him. At a gathering of songwriters George Gershwin called him "the best of us." Irving Berlin agreed. Paul McCartney sent him a fan letter and became his publisher. Bob Dylan wrote of his fascination with Arlen's "bittersweet, lonely world." A cantor's son, Arlen believed his music was from a place outside himself, a place that also sent tragedy. When his wife became mentally ill and was institutionalized he turned to alcohol. It nearly killed him. But the beautiful songs kept coming: "Blues in the Night," "My Shining Hour," "Come Rain or Come Shine," and "The Man That Got Away." Walter Rimler drew on interviews with friends and associates of Arlen and on newly available archives to write this intimate portrait of a genius whose work is a pillar of the Great American Songbook.