An encouraging guide to helping parents find more happiness in their day-to-day family life, from the former lead editor of the New York Times' Motherlode blog. In all the writing and reporting KJ Dell'Antonia has done on families over the years, one topic keeps coming up again and again: parents crave a greater sense of happiness in their daily lives. In this optimistic, solution-packed book, KJ asks: How can we change our family life so that it is full of the joy we'd always hoped for? Drawing from the latest research and interviews with families, KJ discovers that it's possible to do more by doing less, and make our family life a refuge and pleasure, rather than another stress point in a hectic day. She focuses on nine common problem spots that cause parents the most grief, explores why they are hard, and offers small, doable, sometimes surprising steps you can take to make them better. Whether it's getting everyone out the door on time in the morning or making sure chores and homework get done without another battle, How to Be a Happier Parent shows that having a family isn't just about raising great kids and churning them out at destination: success. It's about experiencing joy--real joy, the kind you look back on, look forward to, and live for--along the way.

If you could test your son for a gene that predicts violence, would you do it? From the author of Curfew comes a suspenseful, heart-wrenching novel about the consequences of your answer. Antonia and Bea are sisters, and doting mothers to their sons. But that is where their similarities end. Antonia had her son tested to make sure he didn’t possess the "violent" M gene. Bea refuses to let her son take the test. She believes his life should not be determined by a positive or negative result. These women will go to any length to protect their sons. But one of them is hiding a monster. And there will be fatal consequences for everybody....

Since the suicide of his first wife, Gideon Harcourt has avoided emotional interactions with women in favor of more physical liaisons with men. But when he unmasks “Anthony” Maxwell and finds he is, in fact, Antonia, he is drawn into a complex and powerful sexual relationship that will challenge everything he knows about himself. Can he agree to Antonia’s marriage terms—her wealth in return for a husband-free bed—or will he help her face her fears and discover whether love might be the best solution for them both? Warning: Includes extremely spicy sexual situations.

The Monk is a tale of ambition, murder, and incest. The struggle between maintaining monastic vows and fulfilling personal ambitions leads its main character, the monk Ambrosio, to temptation and the breaking of his vows.

For readers of On Trails, this is an incisive, utterly engaging exploration of walking: how it is fundamental to our being human, how we've designed it out of our lives, and how it is essential that we reembrace it. "I'm going for a walk." How often has this phrase been uttered by someone with a heart full of anger or sorrow? Or as an invitation, a precursor to a declaration of love? Our species and its predecessors have been bipedal walkers for at least six million years; by now, we take this seemingly arbitrary motion for granted. Yet how many of us still really walk in our everyday lives? Driven by a combination of a car-centric culture and an insatiable thirst for productivity and efficiency, we're spending more time sedentary and alone than we ever have before. If bipedal walking is truly what makes our species human, as paleoanthropologists claim, what does it mean that we are designing walking right out of our lives? Antonia Malchik asks essential questions at the center of humanity's evolution and social structures: Who gets to walk, and where? How did we lose the right to walk, and what implications does that have for the strength of our communities, the future of democracy, and the pervasive loneliness of individual lives? The loss of walking as an individual and a community act has the potential to destroy our deepest spiritual connections, our democratic society, our neighborhoods, and our freedom. But we can change the course of our mobility. And we need to. Delving into a wealth of science, history, and anecdote -- from our deepest origins as hominins to our first steps as babies, to universal design and social infrastructure, A Walking Life shows exactly how walking is essential, how deeply reliant our brains and bodies are on this simple pedestrian act -- and how we can reclaim it.

A frog delays the animal's picnic while she fills the holes in her boat so she can arrive with a big surprise.

Lewis claimed to have written The Monk in just ten weeks, when he was twenty-one years of age. He published the first edition anonymously, sensing that the controversial and then-pornographic nature of the novel would stun society. And so it did—the book was so sensational, so salacious, and so scandalous, that after he put his full name (and title, as a member of Parliament) on the second edition, his reputation hardly recovered for the rest of his life. The Monk is a Gothic horror novel marked by an intricate plot, melodramatic characters, and scenes of shocking terror. It follows two plots: in the first, the celebrated monk Ambrosio meets a mysterious novice at the abbey—a woman, Matilda, posing as a man, who seems to have a powerful, irresistible charisma. Matilda seduces Ambrosio not just in body but in mind, and leads him down a path of darkness and brutal violence. In the other plot, Raymond, the son of a marquis, falls in love with a nun, and the two scheme to live together; but their plans lead to encounters with evil spirits, exorcisms, riots, dungeons, and more. The novel was shocking for its time in its frank depiction of sexuality and sexual violence, demons, spirits, and scenes of raw horror; but just as shocking was its anti-religious sentiment and thesis that evil often triumphs over good. It sold so well and offended so many that just two years after its publication Lewis was forced to issue a bowdlerized fourth edition, in which any offensive passages were either muted or expunged. Despite this attempt at satisfying society, and despite at least one written apology, Lewis spent the rest of his days in a constant struggle to escape the shadow of The Monk’s reputation, which he never quite did—even posthumous assessments of him as a person sometimes concluded that the debauched excess depicted The Monk reflected a failing of his own personal morals. This Standard Ebooks edition follows the full, unexpurgated second edition of the novel.

2023 Spur Award Winner * Historical Novel Society Editor's Pick "Appealing characters match satisfying puzzles. Historical fans will be delighted." —Publishers Weekly Sometimes you can't keep your gown out of the gutter... Inez Stannert has reinvented herself—again. Fleeing the comfort and wealth of her East Coast upbringing, she became a saloon owner and card sharp in the rough silver boomtown of Leadville, Colorado, always favoring the unconventional path—a difficult road for a woman in the late 1800s. Then the teenaged daughter of a local prostitute is orphaned by her mother's murder, and Inez steps up to raise the troubled girl as her own. Inez works hard to keep a respectable, loving home for Antonia, carefully crafting their new life in San Francisco. But risk is a seductive friend, difficult to resist. When a skeleton tumbles from the wall of her latest business investment, the police only seem interested in the bag of Civil War-era gold coins that fell out with it. With her trusty derringer tucked in the folds of her gown, Inez uses her street smarts and sheer will to unearth a secret that someone has already killed to keep buried. The more she digs, the muddier and more dangerous things become. She enlists the help of Walter de Brujin, a local private investigator with whom she shares some history. Though she wants to trust him, she fears that his knowledge of her past, along with her growing attraction to him, may well blow her veneer of respectability to bits—that is, if her dogged pursuit of the truth doesn't kill her first.