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Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.

Situated on the southwest coast of modern Turkey, Miletos stood for centuries as one of the paramount cities in the Hellenic world, a gateway between the East and West. It became especially famous as the most prolific mother city in Greek history, sending out at least forty-five known primary and secondary settlements into the Sea of Marmara and the Black Sea, while at home developing into an intellectual and artistic center and one of the birthplaces of Western science and philosophy. A history of Miletos is long overdue. Despite the significance of this city in antiquity and the important results of ongoing excavations there, the last full-scale discussion of Miletos was written in 1915. In Miletos, the Ornament of Ionia, Vanessa B. Gorman provides the first and only modern, integrated history of the city, collecting and scrutinizing sources about Miletos for the period stretching from the first signs of habitation until 400 B.C.E. This book reviews the archaeological evidence for the physical city, demonstrates the likelihood of both Minoan and Mycenaean settlements there, and substantiates the fact of the Persian destruction and refoundation of Miletos along orthogonal lines. With insight and diligence, Gorman surveys the cults known to have existed during this period; traces the political progress of the city through monarchy, oligarchy, tyranny, and democracy; and sketches the terms of its subjugation under the Persians and later the Athenians. Providing a detailed and up-to-date account of the development of one of the major urban centers of Asia Minor, Gorman's book will engage classicists, historians, and Near Eastern specialists. Vanessa B. Gorman is Associate Professor of History, University of Nebraska, Lincoln.

"Antiquity on Display" offers an insight into the history of the imaginative reproductions of architecture housed in Berlin's Pergamon Museum and the shifting regimes of the authentic in museum displays from the 19th century to the present.