The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.

Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

The Austrian writer Stefan Zweig (1881-1942) built up a large collection of autograph manuscripts. At first he concentrated principally on literature and historical documents, but increasingly turned his attention to music, particularly in his later years. Many of the items in the Zweig Collection at the British Library are acquisitions from this period.

This volume of Albi Rosenthal's work was originally conceived as a small selection in celebration of his 85th birthday. It rapidly expanded to a larger volume as the range and depth of his scholarship, and the fascination of his material, became apparent. This more comprehensive collection is presented here in the belief that it will now also be of interest to a much wider audience Obiter Scripta spans the author's output of over sixty years, touching on many subjects on which he is an expert. There are specific studies on Mozart--the field in which he is pre-eminent--and on Monteverdi, Paganini, Haydn, Liszt, and Kodály. He also writes on music collecting and bibliography, fakes and frauds, discoveries, the perils of auctions, the earliest depiction of a musical instrument in a printed book, and anecdotes and coincidences. He is a Trustee of the Paul Sacher Foundation in Basel and describes how many of the Foundation's major acquisitions were secured. There is a section of tributes, and a number of articles arising from his lifelong interest in Nietzsche. Finally, there are some interviews in which, among other things, Albi talks about himself, his family, and his life in Oxford. Forced by the political situation to leave Germany, Albi Rosenthal had to abandon his hopes of an academic career. He has combined a lifetime of study and business, and in the course of doing so, has become the foremost authority in the field of music manuscripts while simultaneously pursuing academic work--not from an ivory tower, but from the hectic environment of an international businessman, commuting almost daily from Boars Hill to Belsize Park Gardens, with frequent visits to all parts of the world where music manuscripts are appraised, bought or sold.

Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading, listening and viewing throughout, the new edition expands on the foundations of popular music culture, tracing the impact of digital technology and changes in the way in which music is created, manufactured, marketed and consumed. The concept of metagenres remains a central part of the book: these are historically, socially, and geographically situated umbrella musical categories, each embracing a wide range of associated genres and subgenres. New or expanded entries include: Charts, Digital music culture, Country music, Education, Ethnicity, Race, Gender, Grime, Heritage, History, Indie, Synth pop, Policy, Punk rock and Streaming. Popular Music Culture: The Key Concepts is an essential reference tool for students studying the social and cultural dimensions of popular music.

Now in an updated fourth edition, this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and subgenres, the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital music revolution and changes in the way that music is manufactured, marketed and delivered. New and updated entries include: Age and youth Black music Digital music culture K-Pop Mash-ups Philadelphia Soul Pub music Religion and spirituality Remix Southern Soul Streaming Vinyl With further reading and listening included throughout, Popular Music: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music.