Anticipations H. G. Wells - Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought, or as it is generally known "Anticipations" was written by H.G. Wells in 1900, at the age of 34. The book became a bestseller, and he personally deemed it "the keystone to the main arch of my work."Wells looks at the changes due to occur, because of various technologies. In both a social and material superstructural sense. He starts with the changes caused by the steam engine and the mechanical revolution that occurred. Wells believed that humans were living through a great reorganisation of society, which would ultimately effect every single aspect of life. The accuracy of Wells' predictions are stunning.

This volume of essays examines early, primarily nineteenth-century, examples of science. fiction. The essays focus particularly on how this fiction engages with such contemporary issues as exploration, the development of science and social planning. Several of the writers discussed (Mary Shelley, Poe, Verne, Wells) have been proposed by literary historians as the founders of science fiction. The aim in these essays, however, is not to privilege one individual, but rather to look at the gradual convergence of a number of different genres and at the process of continuing influence of one writer on his/her successor. The collection strikes a balance between a discussion of the established names within the field and less well known works such as Symzonia and The Battle of Darking. The volume concludes with a consideration of the utopias and dystopias of the late nineteenth and early twentieth centuries.

Great social critic predicted the future in this fascinating 1901 volume, a mix of shrewd, accurate speculations, and wild misses, full of stimulating ideas. Includes Wells' introduction to the 1914 edition.

This book examines the much-debated question of whether John Maynard Keynes' greatest work—The General Theory of Employment Interest and Money—was an instance of Mertonian simultaneous scientific discovery. In part I of this study, Don Patinkin argues for Keynes' originality, rejecting the claims of the Stockholm school and the Polish economist Michal Kalecki. Patinkin shows that the theoretical problems to which the Stockholm school and Kalecki devoted their attention largely differed from those of the General Theory and that, even when the problem addressed was similar, the treatment they accorded it was not part of their central messages. In the remaining parts of the book Patinkin presents a critique of Keynes' theory of effective demand and discusses Keynes' monetary theory and policy thinking, as well as the relationship between the respective developments of Keynesian theory and national income accounting in the 1930s.

Kant, in the Critique of pure reason, only dedicates a few pages to the principle of Anticipations of Perception and only a few critical studies are outspokenly dedicated to this issue in recent critical literature. But if one considers the history of post-Kantian philosophy, one can immediately perceive the great importance of the new definition of the relationship between reality and negation, which Kant’s principle proposes. Critical philosophy is here radically opposed to the pre-critical metaphysical tradition: "Reality" no longer appears as absolutely positive being, which excludes all negativity from itself, and "negation" is not reduced to being a simple removal, the mere absence of being. Instead, reality and negation behave as an equally positive something in respect to one another such that negation is itself a reality that is actively opposed to another reality. Such a definition of the relation between reality and negation became indispensible for post-Kantian Philosophy and represents a central aspect of Kantian-inspired philosophy in respect to Leibnizian metaphysics. The present work therefore departs from the hypothesis that the essential philosophical importance of the Anticipations of Perception can only be fully measured by exploring its impact in the Post-Kantian debate.

Superbly designed by Irma Boom, this book debut of Margiela's art exemplifies his fascination with corporeality Published for his first solo show as an artist at Lafayette Anticipations in Paris, this book presents, for the first time, more than 40 artworks by Belgian fashion designer Martin Margiela (born 1957). Reproducing images of installations, sculptures, collages, paintings and films, the book also advances the thesis that Martin Margiela has always been an artist. Internationally renowned in the fashion world since the late 1980s, throughout his career as a designer Margiela has deliberately upended the conventions of fashion through his materials and his runway shows. The works at the Lafayette Anticipations exhibition, most of which were made in the Foundation's studio, return to the artist's obsessions. The body is very much in evidence here, from anatomies inspired by the academic tradition to hair and skin in almost abstract form. The catalog was designed by Irma Boom in close collaboration with Margiela as a "making of" the show, presenting both final and in-progress pictures of the works.