Putting China into the context of general anthropology offers novel insights into its history, culture and society. Studies in the anthropology of China need to look outwards, to other anthropological areas, while at the same time, anthropologists specialised elsewhere cannot afford to ignore contributions from China. This book introduces a number of key themes and in each case describes how the anthropology and ethnography of China relates to the surrounding theories and issues. The themes chosen include the anthropology of intimacy, of morality, of food and of feasting, as well as the anthropology of civilisation, modernity and the state.The Anthropology of China covers both long historical perspectives and ethnographies of the twenty-first century. For the first time, ethnographic perspectives on China are contextualised in comparison with general anthropological debates. Readers are invited to engage in and rethink China's place within the wider world, making it perfect for professional researchers and teachers of anthropology and Chinese history and society, and for advanced undergraduate and graduate study.

Chinese citizens make themselves at home despite economic transformation, political rupture, and domestic dislocation in the contemporary countryside. By mobilizing labor and kinship to make claims over homes, people, and things, rural residents withstand devaluation and confront dispossession. As a particular configuration of red capitalism and socialist sovereignty takes root, this process challenges the relationship between the politics of place and the location of class in China and beyond.

Everyday life in contemporary rural China is characterized by an increased sense of moral challenge and uncertainty. Ordinary people often find themselves caught between the moral frameworks of capitalism, Maoism and the Chinese tradition. This ethnographic study of the village of Zhongba (in Hubei Province, central China) is an attempt to grasp the ethical reflexivity of everyday life in rural China. Drawing on descriptions of village life, interspersed with targeted theoretical analyses, the author examines how ordinary people construct their own senses of their lives and their futures in everyday activities: building houses, working, celebrating marriages and funerals, gambling and dealing with local government. The villagers confront moral uncertainty; they creatively harmonize public discourse and local practice; and sometimes they resolve incoherence and unease through the use of irony. In so doing, they perform everyday ethics and re-create transient moral communities at a time of massive social dislocation.

Emily Martin’s Lewis Henry Morgan Lectures, The meaning of money in China and the United States, inaugurates the Hau-Morgan Lectures Initiative with the University of Rochester. Martin’s lectures—hitherto unedited—are an instant classic, not only for scholars of China and the United States, but for those working in the history and anthropology of money. As relevant and timely now as it was twenty-eight years ago, this lecture series highlights the vicissitudes of money beyond tired theoretical divides between global political economy and local symbolic relativism. In a time when economic forecasts show that China will soon pass the US as the world’s leading economic power, Martin’s lectures could not be more germane, more insightful, and more poised for an ethnographic critique of the economic present.

China Urban is an ethnographic account of China’s cities and the place that urban space holds in China’s imagination. In addition to investigating this nation’s rapidly changing urban landscape, its contributors emphasize the need to rethink the very meaning of the “urban” and the utility of urban-focused anthropological critiques during a period of unprecedented change on local, regional, national, and global levels. Through close attention to everyday lives and narratives and with a particular focus on gender, market, and spatial practices, this collection stresses that, in the case of China, rural life and the impact of socialism must be considered in order to fully comprehend the urban. Individual essays note the impact of legal barriers to geographic mobility in China, the proliferation of different urban centers, the different distribution of resources among various regions, and the pervasive appeal of the urban, both in terms of living in cities and in acquiring products and conventions signaling urbanity. Others focus on the direct sales industry, the Chinese rock music market, the discursive production of femininity and motherhood in urban hospitals, and the transformations in access to healthcare. China Urban will interest anthropologists, sociologists, political scientists, and those studying urban planning, China, East Asia, and globalization. Contributors. Tad Ballew, Susan Brownell, Nancy N. Chen, Constance D. Clark, Robert Efird, Suzanne Z. Gottschang, Ellen Hertz, Lisa Hoffman, Sandra Hyde, Lyn Jeffery, Lida Junghans, Louisa Schein, Li Zhang

The Saga of Anthropology in China traces the development of and turmoil surrounding the discipline of anthropology during the tumultuous events of twentieth-century Chinese history. Narrating the growth of anthropology and its allied sciences, this book provides the reader with insights into the construction of national academic structures and the all too frequent reliance of Third World nations on foreign models and money. Against this sweeping historical background the author humanizes the saga by pausing repeatedly to consider the effect national and international trends had on the life and care of a single scholar, Liang Zhaotao of Zhongshan University. His is a story of relevance for all who are concerned not only with China or anthropology, but with the development of independent structures of knowledge outside the great intellectual centers of the West.

First published in 1998. This is Volume X of the fifteen in the Sociology of Gender and the Family series and offers a sociological study of Chinese familism. The Golden Wing written in 1948 is a sociological study written in the form of a novel. Its theme is refreshingly simple in conception but like the painting of a bamboo leaf, its austere form conceals a high degree of art. The story sets out to examine why, of two families living side by side in a Fukien village in South China, and related by kinship and business interests, one should continue to prosper through adversity and the other should first flourish and then decline.

Collaborative Damage is an experimental ethnography of Chinese globalization that compares data from two frontlines of China's global intervention—sub-Saharan Africa and Inner/Central Asia. Based on their fieldwork on Chinese infrastructure and resource-extraction projects in Mozambique and Mongolia, Mikkel Bunkenborg, Morten Nielsen, and Morten Axel Pedersen provide new empirical insights into neocolonialism and Sinophobia in the Global South. The core argument in Collaborative Damage is that the different participants studied in the globalization processes—local workers and cadres; Chinese managers and entrepreneurs; and the authors themselves, three Danish anthropologists—are intimately linked in paradoxical partnerships of mutual incomprehension. The authors call this "collaborative damage," which crucially refers not only to the misunderstandings and conflicts they observed in the field, but also to their own failure to agree about how to interpret the data. Via in-depth case studies and tragicomical tales of friendship, antagonism, irresolvable differences, and carefully maintained indifferences across disparate Sino-local worlds in Africa and Asia, Collaborative Damage tells a wide-ranging story of Chinese globalization in the twenty-first century.

DIVEthnographies of urban China informed by current theoretical concerns./div