"Let a thousand verses bloom. Anthems of Resistance is about the iconoclastic tradition of poetry nurtured by Ali Sardar Jafri, Faiz Ahmad Faiz, Javed Akhtar, Fehmida Riyaz and all those who have been part of the progressive writers' movement in the Indian subcontinent. It documents the rise of the Progressive Writers' Association, its period of ascendancy, its crucial role in the struggle for independence, and its unflagging spirit of resistance against injustice. In the process, the book highlights various aspects of the PWA's aesthetics and politics such as its internationalist ethos, its romance with modernity, its engagement with feminism, its relationship to Hindi cinema and film lyrics, and the vision of a radically new world which its members articulated with passion. Part history, part literary analysis, part poetic translation, and part unabashed celebration of the PWA era, this book is truly a unique resource. This is a lucidly written account of a glorious chapter in the history of Indian literature. The powerful verses of the PWA poets are wonderfully translated and, along with the highly accessible transliteration, offer the general reader a rare opportunity to appreciate the writings that helped shape a nation. Anthems of Resistance is truly an inspiring and pleasurable read." - Professor Mushirul Hasan, Vice Chancellor, Jamia Millia Islamia, New Delhi "Such a gift from the Brothers Mir! Lyrical and thoughtful, this introduction to the vast swathe of progressive Urdu poetry belongs on all our shelves, and in all our hearts. It is a companion worthy of the poetry itself. A singular achievement." - Professor Vijay Prashad, Director of International Studies, Trinity College, Connecticut, US "Like the many poets they celebrate, the authors write with passion and conviction ... Their book makes for a joyous and exhilarating read." -Professor C.M. Naim, Professor Emeritus, University of Chicago

This anthology contains English translations of 42 "nazms", chosen from the works of 19 famous poets, including such master-poets as Mir Taqi Mir, Nazir Akbarabadi, Shauq Lucknavi, Iqbal, Josh, Hafeez, Akhtar Sheerani, Majaz, Faiz and Sahir. The poets are presented in chronological order, and each poet is introduced with an authentic portrait, and a biographical-cum-critical note.

Have you ever been enchanted by the spoken cadence of an Urdu couplet but wished you could fully understand its nuances? Have you wanted to engage with a ghazal more deeply but were daunted by its mystifying conventions? Are you confused between a qataa and a rubaai, or a musadda and a marsiya? In Urdu Poetry, Raza Mir offers a fresh, quirky and accessible entry point for neophytes seeking to enhance their enjoyment of this vibrant canon—from the poems of legends like Mir Taqi Mir and Mirza Ghalib to the lyrics of contemporary game changers like Javed Akhtar and Gulzar. Raza Mir’s translation not only draws out the zest and pathos of these timeless verses, but also provides pithy insights and colourful trivia that will enable readers to fully embrace this world.

Teasing, provocative, and very funny, Mohammed Hanif’s debut novel takes one of the subcontinent’s enduring mysteries and out if it spins a tale as rich and colourful as a beggar’s dream. Why did a Hercules C130, the world’s sturdiest plane, carrying Pakistan’s military dictator General Zia ul Haq, go down on 17 August, 1988? Was it because of: 1. Mechanical failure 2. Human error 3. The CIA’s impatience 4. A blind woman’s curse 5. Generals not happy with their pension plans 6. The mango season Or could it be your narrator, Ali Shigri? Here are the facts: • A military dictator reads the Quran every morning as if it was his daily horoscope. • Under Officer Ali Shigri carries a deadly message on the tip of his sword. • His friend Obaid answers all life’s questions with a splash of eau de cologne and a quote from Rilke. • A crow has crossed the Pakistani border illegally. As young Shigri moves from a mosque hall to his military barracks before ending up in a Mughal dungeon, there are questions that haunt him: What does it mean to betray someone and still love them? How many names does Allah really have? Who killed his father, Colonel Shigri? Who will kill his killers? And where the hell has Obaid disappeared to?

Die Reihe Studies on Modern Orient wurde als Studien zum Modernen Orient im Klaus Schwarz Verlag begründet. Die Bände sind religiösen, politischen und sozialen Phänomenen in muslimischen Gesellschaften der Moderne und Gegenwart gewidmet. Das Spektrum der Reihe ist dabei nicht auf den Nahen und Mittleren Osten beschränkt, sondern berücksichtigt auch relevante Themen in mehrheitlich nicht-muslmischen Regionen, beispielsweise in Europa oder Amerika.

Concerned with the fate of the minority in the age of the nation-state, Muslim political thought in modern South Asia has often been associated with religious nationalism and the creation of Pakistan. The Muslim Secular complicates that story by reconstructing the ideas of three prominent thinker-actors of the Indian freedom struggle: the Indian National Congress leader Abul Kalam Azad, the popular Kashmiri politician Sheikh Abdullah, and the nonviolent Pashtun activist Abdul Ghaffar Khan. Revising the common view that they were mere acolytes of their celebrated Hindu colleagues M.K. Gandhi and Jawaharlal Nehru, this book argues that these three men collectively produced a distinct Muslim secularity from within the grander family of secular Indian nationalism; an intellectual tradition that has retained religion within the public space while nevertheless preventing it from defining either national membership or the state. At a time when many across the decolonising world believed that identity-based majorities and minorities were incompatible and had to be separated out into sovereign equals, Azad, Abdullah, and Ghaffar Khan thought differently about the problem of religious pluralism in a postcolonial democracy. The minority, they contended, could conceive of the majority not just as an antagonistic entity that is set against it, but to which it can belong and uniquely complete. Premising its claim to a single, united India upon the universalism of Islam, champions of the Muslim secular mobilised notions of federation and popular sovereignty to replace older monarchical and communitarian forms of power. But to finally jettison the demographic inequality between Hindus and Muslims, these thinkers redefined equality itself. Rejecting its liberal definition for being too abstract and thus prone to majoritarian assimilation, they replaced it with their own rendition of Indian parity to simultaneously evoke commonality and distinction between Hindu and Muslim peers. Azad, Abdullah, and Ghaffar Khan achieved this by deploying a range of concepts from profane inheritance and theological autonomy to linguistic diversity and ethical pledges. Retaining their Muslimness and Indian nationality in full, this crowning notion of equality-as-parity challenged both Gandhi and Nehru's abstractions and Mohammad Ali Jinnah's supposedly dangerous demand for Pakistan.

A timely examination of the role of progressive Muslim intellectuals in the Pakistan movement. In Hidden Histories of Pakistan, Sarah Waheed offers deeper understanding of India and Pakistan's complex and intertwined history through explorations of censorship, Urdu literature and progressive secular nationalisms in colonial India and Pakistan.

Opening Credits "Akira Kurosawa" : a retrospective prologue -- Introduction : "Romance, comedy, and somewhat jazzy music" -- Problems of translation : world cinema as distribution history -- moving toward the "City of love": Hindustani lyrical genealogies -- Homosocialist co-productions : Pardesi (1957) contra Singapore (1960) -- Comedic crossovers and Madras money-spinners : Padosan's (1968) audiovisual apparatus -- Foreign Exchanges : transregional trafficking through Subah-O-Sham (1972) -- Special features.

This book interrogates representations – fiction, literary motifs and narratives – of the Partition of India. Delving into the writings of Khushwant Singh, Balachandra Rajan, Attia Hosain, Abdullah Hussein, Rahi Masoom Raza and Anita Desai, among many others, it highlights the modes of ‘fictive’ testimony that sought to articulate the inarticulate – the experiences of trauma and violence, of loss and longing, and of diaspora and displacement. The author discusses representational techniques and formal innovations in writing across three generations of twentieth-century writers in India and Pakistan, invoking theoretical debates on history, memory, witnessing and trauma. With a new afterword, the second edition of this volume draws attention to recent developments in Partition studies and sheds new light as regards ongoing debates about an event that still casts a shadow on contemporary South Asian society and culture. A key text, this is essential reading for scholars, researchers and students of literary criticism, South Asian studies, cultural studies and modern history.

Global and cosmopolitan since the late nineteenth century, anglophone South Asian women's writing has flourished in many genres and locations, encompassing diverse works linked by issues of language, geography, history, culture, gender, and literary tradition. Whether writing in the homeland or in the diaspora, authors offer representations of social struggle and inequality while articulating possibilities for resistance. In this volume experienced instructors attend to the style and aesthetics of the texts as well as provide necessary background for students. Essays address historical and political contexts, including colonialism, partition, migration, ecological concerns, and evolving gender roles, and consider both traditional and contemporary genres such as graphic novels, chick lit, and Instapoetry. Presenting ideas for courses in Asian studies, women's studies, postcolonial literature, and world literature, this book asks broadly what it means to study anglophone South Asian women's writing in the United States, in Asia, and around the world.