Dan Barker, ex-preacher and co-founder of the Freedom From Religion Foundation, travels widely, arguing in debates and speaking on his beliefs that Christianity is false, God does not exist, and the Bible is filled with errors and mythology. He has been touted as one of America’s leading atheists. Yet close examination of his arguments shows that Barker’s reasons for disbelief are poorly reasoned and miss the mark as they are aimed at a mistaken caricature of Christian theism. Answering the Music Man exposes Barker’s misunderstandings of Christianity and provides compelling answers to Barker’s arguments.

Dan Barker, ex-preacher and co-founder of the Freedom From Religion Foundation, travels widely, arguing in debates and speaking on his beliefs that Christianity is false, God does not exist, and the Bible is filled with errors and mythology. He has been touted as one of America's leading atheists. Yet close examination of his arguments shows that Barker's reasons for disbelief are poorly reasoned and miss the mark as they are aimed at a mistaken caricature of Christian theism. Answering the Music Man exposes Barker's misunderstandings of Christianity and provides compelling answers to Barker's arguments.

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.

Viewed through the eyes of entomologists and scientists who believe in a Creator God, the chapters discuss the design, nature, and purpose of insects in the world while at the same time showing the beauty and diversity of insects.

For half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.

This fantasy novel is about an epic adventure, where a young boy, named Jimmy, meets someone extraordinary, Cornelius, who shares the same love for music as him. Cornelius introduces Jimmy to the piano that's in his attic. And from there, they go on to a magical parallel universe. Enjoy this work of mystery, fantasy, adventure, and science fiction.Without further delay, Enjoy......The Music Man

The problem of animal suffering is the atheistic argument that an all-knowing, all-powerful, and all-good God would not use millions of years of animal suffering, disease, and death to form a planet for human beings. This argument has not received as much attention in the philosophical literature as other forms of the problem of evil, yet it has been increasingly touted by atheists since Charles Darwin. While several theists have attempted to provide answers to the problem, they disagree with each other as to which answer is correct. Also, some of these theists have given in to the problem and believe it entails that God is limited in certain ways. B. Kyle Keltz seeks to provide a classical answer to the problem of animal suffering inspired by the medieval philosopher/theologian Thomas Aquinas. In doing so, Keltz not only utilizes the wisdom of Aquinas, but also contemporary insights into non-human animal minds from contemporary philosophy and science. Keltz provides a compelling neo-Thomistic answer to the problem of animal suffering and explains why the classical God of theism would create a world that includes animal death.

In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950's and '60's who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents. In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.

A 14 year old girl with extreme musical talent is dying of cancer. Her father (a special government agent), a strange visitor from another planet simply calling himself the Music Man and four powerful beings who accompany him converge on Earth to thwart a pending attack in our future. But can they do it in time? Who can be trusted? Will the young girl realize her destiny in time before she dies? What will happen to Earth if she fails? Why is all this related to only music? What did a fifth airplane on 9/11 have to do with the young girl? The Music Man has been sent to Earth by four special beings. But why was he sent here and what does he know about Earth? How can a 14-year-old girl save our planet? A genius inventor, a radical doctor and a NASA video surveillance specialist all become part of the now complex countdown. And we just have a little over 677 years to become prepared for the inevitable.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?