Children's book about a boy, a great tree, and a village, and how one small boy can make a difference in saving a village.

Discover this "evocative celebration of the life, career, friendships, concerns, and vision" of Ansel Adams, America's greatest photographer (New York Times) "No lover of Ansel Adams' photographs can afford to miss this book." - Wallace Stegner In this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer.Illustrated with eight pages of Adams' gorgeous black-and-white photographs, this book brings readers behind the images into the stories and circumstances of their creation. Written with characteristic warmth, vigor, and wit, this fascinating account brings to life the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original. "A warm, discursive, and salty document." - New Yorker

Stories behind some of Canada's great trees, including the petrified forests of Axel Heiberg Island in Canada's Arctic, and the petrified forests in the Bay of Fundy at Joggins, bearing trees that lived before the Atlantic Ocean was born.

Despite his significance, little scholarly attention has been paid to Adams's contributions as an artist or his place in photographic history. This handsome book addresses this gap by looking beyond his reputation as a Sierra Club environmentalist and examining in depth his life as an artist, and the complexities of his creative vision. 80 illustrations.

"From his early days in San Francisco to the height of his glory nationwide, this book chronicles a restless boy's path to becoming an iconic nature photographer"--

America's greatest photographer on his greatest subject--featuring the Yosemite Special Edition Prints, a collectible collection of photographs selected by Ansel Adams during his lifetime, yet never before published in book form. The photographs of Ansel Adams are among America's finest artistic treasures, and form the basis of his tremendous legacy of environmental activism. In the late 1950s, Adams selected eight photographs of Yosemite National Park to offer exclusively to park visitors as affordable souvenirs. He hoped that these images might inspire tourists to become activists by transmitting to them the same awe and respect for nature that Yosemite had instilled in him. Over the following decades, Adams added to this collection to create a stunning view of Yosemite in all its majesty. These photographs, the Yosemite Special Edition Prints, form the core of this essential volume. Adams' luminous images of Yosemite's unique rock formations, waterfalls, meadows, trees, and nature details are among the most distinctive of his career. Today, with America's public lands increasingly under threat, his creative vision remains as relevant and convincing as ever. Introduced by bestselling photographer Pete Souza, with an essay by Adams' darkroom assistant Alan Ross, Ansel Adams' Yosemite is a powerful continuation of Adams' artistic and environmental legacies, and a compelling statement during a precarious time for the American earth.

Spaulding provides a full biography and a critical analysis of the work of the man who introduced the general public to photography as art.

Award-winning photographer Dorothy Monnelly captures the yet-unspoiled beauty of one of the last natural ecosystems in the Northeast. In this collection of 57 large format, black and white photographs, the salt marsh is a solemn force rendered dramatically with crisp scans of Monnelly's original gelatin silver prints. As a native of Ipswich, Massachusetts, Monnelly executes her work with a familiarity and grace evocative of Ansel Adams. Her work is described in the forward by Jeanne Adams, director of the Ansel Adams Trust as capturing the marsh's "amazing sculptural quality." "Between Land and Sea" is grounded with an essay by journalist Doug Stewart, a regular contributor to "Smithsonian" and other magazines. Stewart's words provide a rich context for the images, as well as a strong case for preserving the marshlands. "Standing in an upland clearing overlooking a vast prairie of marsh grass, you can easily believe that a salt marsh is the closest thing a landscape comes to eternity. Even the Grand Canyon is eroding, after all, but a healthy salt marsh is renewed with each rising tide." Monnelly's book is indispensable to those who are conscious of the threat to our planet's sustainability. 57 black and white illustrations.