This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.

Driftwood is a poetic look at the world, covering the span of a lifetime from birth in war torn London to retirement on a small island in Moreton Bay, on Queensland’s east coast and the influences of nature upon its author. Robert has enjoyed an interesting broadcasting career in Australia and New Zealand but all through it, he\has been followed by poetry that both stimulates and exhilarates. “Driftwood-Another Voice” is about whispers we all hear in our minds, that urge us to do and see things in a different light. It is about being able to listen to your ‘positive voice’ and value it because, like driftwood, it can be washed up on a beach one day and gone on the next high tide. Like driftwood, Robert’s poems take us to places around the world and we end up on some unusual beaches. We dance with sparkling streams and even meet some of his unusual spectres but always there are the trees and birds, beaches and mountains. Driftwood is a unique book for people who have a passion for the natural world. Driftwood-The Other Voice, reveals something within all of us, if only we can learn to listen.

This is A Lone Voice from the retired medical doctor who was a faculty member. Geopolitics play a very important role. Korean historian could raise a voice against China. Westerners have not heard any other voice from the Korean scholars. The winners write history. Generalissimo Chiang knew that Korea has been an independent country for millennia of years and raised a voice to provide Joseon as an independent country at the secret Yalta Meeting. The US didn't know Korean history and drew the western front not including the Korean peninsula. After the Korean war, the US invited Korean scholars to learn about the hermit kingdom. One of Korean historians who were educated in Japan came to the US and compiled Korean history in English within a year. He simply translated the text written by the Chinese and Japanese about Korea. His book is the eye opening for the American and sets the mainstream. During the cultural revolution under Chairman Mao, Zhou Enlai realized that one of his compatriots could be in danger. By the time Zhou arrived in Manchuria, his friend had been killed by the Red Guards. Zhou gave an emotional speech stating that Manchuria has been the homeland of Joseon People. Korea has a unique group of historians namely hermit historians. It started during the Mongol invasion and resurrected under the Japanese invasion. Hwandan Gogi is a text on ancient Korean history originally emerged from the Manchuria. This is a sister copy of the author’s last one. It explored the Gojoseon diaspora who remained under the southerners. They ran away to the south. Elders went up to the eastern slope of the Himalaya Mountains and implanted the ancient faith, Taoism. It became the primitive Buddhism. As came back to the homeland, adapted ancient faith, it became Maitreyan Buddhism. As ancient History of Judaism remained in the Old Testament, Hwandan Gogi and Buddhist scriptures include ancient Korean History.

Words awaiting another voice tells the story of Sneha, the aspiring writer’s ‘enigma of self’ when her beautiful world of dreams comes crashing down with all sorts of rejection-slips as she encounters some of the harsh realities of our consumerist, self-centered culture and society. The narrative is marked by a writerly stream of consciousness-technique, metafictional and intertextual tropes which rip apart the hypocritical and attractive façade of our society. Ironically enough, Sneha is advised to strategise her way to success. In other words, the novel aesthetically offers a criticism of our present times where, in place of ‘self-realisation’ and ‘self-recognition’ the relentless and shameless ‘self-promotion’ is offered as the goal of life in this media-mediated, lit-fest-infested world. The novel also foregrounds Sneha’s firm belief in the ‘shabda-shakti’ or the power of the word. Expressing oneself through written word can give one a tremendous and unimaginable sense of power. Throughout the narrative, the intertextual and contextual appearances of the episodes from Sneha’s first (unpublished) novel Chameleon add interesting dimensions as it finally allows Sneha’s voice to find space and freedom to reach a wider audience…

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

“A beautifully touching story of true love and triumph over heartbreaking situations.”​ — People.com From New York Times bestselling author Mia Sheridan comes an emotional, slow burn romance about a woman desperate to hide and the man who sees through her walls, perfect for fans of Colleen Hoover and Lucy Score. I wanted to lose myself in the small town of Pelion, Maine. To forget everything I had left behind. The sound of rain. The blood. The coldness of a gun against my skin. For six months, each breath has been a reminder that I survived--and my dad didn't. I'm almost safe again. But the moment I meet Archer Hale, my entire world tilts on its axis . . . and never rights itself again. Until I trespass into his strange, silent, and isolated world, Archer communicates with no one. Yet in his whiskey-colored eyes, something intangible happens between us. There's so much more to him than just his beauty, his presence, or the ways his hands communicate with me. On me. But this town is mired in secrets and betrayals, and Archer is the explosive center of it all. So much passion. And so much hurt. But it's only in Archer's silence that we might just find what we need to heal . . . and live. Includes an exclusive extended epilogue from Archer's POV! A Goodread's "Top Romance Novel of All Time" A New York Times, USA Today, and Wall Street Journal bestseller

AN INSTANT NEW YORK TIMES BESTSELLER A READ WITH JENNA TODAY SHOW BOOK CLUB PICK! “Brave, fresh . . . unforgettable.”—The New York Times Book Review “A celebration of girls who dare to dream.”—Imbolo Mbue, author of Behold the Dreamers (Oprah’s Book Club pick) Shortlisted for the Desmond Elliott Prize and recommended by The New York Times, Marie Claire, Vogue, Essence, PopSugar, Daily Mail, Electric Literature, Red, Stylist, Daily Kos, Library Journal, The Everygirl, and Read It Forward! The unforgettable, inspiring story of a teenage girl growing up in a rural Nigerian village who longs to get an education so that she can find her “louding voice” and speak up for herself, The Girl with the Louding Voice is a simultaneously heartbreaking and triumphant tale about the power of fighting for your dreams. Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself – and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams…and maybe even change the world.

An innovator in contemporary thought on economic and political development looks here at decline rather than growth. Albert O. Hirschman makes a basic distinction between alternative ways of reacting to deterioration in business firms and, in general, to dissatisfaction with organizations: one, “exit,” is for the member to quit the organization or for the customer to switch to the competing product, and the other, “voice,” is for members or customers to agitate and exert influence for change “from within.” The efficiency of the competitive mechanism, with its total reliance on exit, is questioned for certain important situations. As exit often undercuts voice while being unable to counteract decline, loyalty is seen in the function of retarding exit and of permitting voice to play its proper role. The interplay of the three concepts turns out to illuminate a wide range of economic, social, and political phenomena. As the author states in the preface, “having found my own unifying way of looking at issues as diverse as competition and the two-party system, divorce and the American character, black power and the failure of ‘unhappy’ top officials to resign over Vietnam, I decided to let myself go a little.”