In these essays, activist and author, John Halstead, takes us from a 2016 environmental protest at a Midwestern tar sands refinery to a mid-20th century Mexican cornfield stricken with blight to a bloody sacrifice to the Mother Goddess in ancient Rome, and from ancient pagan myths to the latest superhero movies to speculative fiction about a biocentric community of the future. In so doing, he explores the intersection of climate change and capitalism, hope and despair, death and denial, hubris and hero myths, love and limitations, popular culture and storytelling, and what it would really mean for our relationship with the natural world if we were to admit that we are doomed.

The critical situation in which our planet finds itself is no longer in doubt. Some things are already collapsing while others are beginning to do so, increasing the possibility of a global catastrophe that would mean the end of the world as we know it. As individuals, we are faced with a daily deluge of bad news about the worsening situation, preparing ourselves to live with years of deep uncertainty about the future of the planet and the species that inhabit it, including our own. How can we cope? How can we project ourselves beyond the present, think bigger and find ways not just to survive the collapse but to live it? In this book, the sequel to How Everything Can Collapse, the authors show that a change of course necessarily requires an inner journey and a radical rethinking of our vision of the world. Together these might enable us to remain standing during the coming storm, to develop a new awareness of ourselves and of the world and to imagine new ways of living in it. Perhaps then it will be possible to regenerate life from the ruins, creating new alliances in differing directions – with ourselves and our inner nature, between humans, with other living beings and with the earth on which we dwell.

In this post-apocalyptic rollercoaster ride, philosopher Srećko Horvat invites us to explore the Apocalypse in terms of ‘revelation’ (rather than as the ‘end’ itself). He argues that the only way to prevent the end – i.e., extinction – is to engage in a close reading of various interconnected threats, such as climate crisis, the nuclear age and the ongoing pandemic. Drawing on the work of neglected philosopher Günther Anders, this book outlines a philosophical approach to deal with what Horvat, borrowing a term from climate science and giving it a theological twist, calls ‘eschatological tipping points’. These are no longer just the nuclear age or climate crisis, but their collision, conjoined with various other major threats – not only pandemics, but also the viruses of capitalism and fascism. In his investigation of the future of places such as Chernobyl, the Mediterranean and the Marshall Islands, as well as many others affected by COVID-19, Horvat contends that the ‘revelation’ appears simple and unprecedented: the alternatives are no longer socialism or barbarism – our only alternatives today are a radical reinvention of the world, or mass extinction. After the Apocalypse is an urgent call not only to mourn tomorrow’s dead today but to struggle for our future while we can.

In 2001 the first World Social Forum was held in Porto Alegre, Brazil. The meeting was viewed by many at the time as a new manifestation of the global Left, a people's opposition to the World Economic Forum that stood as the first real front to global capitalism since the collapse of the Soviet Union. While many activists and intellectuals on the left have since become deeply critical of the Forum, newer movements, such as Occupy, the Arab Spring and the indignados, have built upon its successes and innovations. Another World is Possible is the original collection of essays and demands from the heart of the 'movement of movements'. Based on the work of the first two annual meetings of the WSF, this classic collection not only set out the initial aims of the movements that came together, it also paved the way for the theoretical study of new social movements, their multiple and participatory character. Today, as many crises affect all our lives, it is time to revisit the original demands of a global solidarity movement, united in its determination to fight against the concentration of wealth, the proliferation of poverty and inequalities, and the destruction of our earth, and to reconstitute a global left.

The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies – American, French and British – as by the members of the Red Army. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.

Do you like epic quests of amazing counting? Do you dislike global pandemics, being stuck at home, and the number 7? Then I have a story for you. It's about how I counted to a million during lockdown - with help from Mum and Dad, friends and neighbours, and Grandad. And some birds. And a bucket of marbles. And an awesome TV reporter. Sometimes, just keeping on going makes you a hero. Eight-year-old Max is counting to a million. Normally, school or having anything interesting to do would get in the way, but school is shut and everyone has to stay home because the UK is in its first lockdown. Max's dad works at the hospital and counting helps Max with missing him, but as the pandemic progresses and Max's grandad journeys through his own battle with the virus, what starts as a distraction turns into record-breaking effort that brings Max's community together. Suitable for readers aged 7 up, this funny, poignant, uplifting story reflects the experiences shared by so many during the Covid pandemic and celebrates how ordinary people accomplish epic things. £1 from the sale of every copy of this book will be donated to NHS Charities Together (Registered Charity Number 1186569)

Waste is one of the planet’s last great resource frontiers. From furniture made from up-cycled wood to gold extracted from computer circuit boards, artisans and multinational corporations alike are finding ways to profit from waste while diverting materials from overcrowded landfills. Yet beyond these benefits, this “new” resource still poses serious risks to human health and the environment. In this unique book, Kate O’Neill traces the emergence of the global political economy of wastes over the past two decades. She explains how the emergence of waste governance initiatives and mechanisms can help us deal with both the risks and the opportunities associated with the hundreds of millions – possibly billions – of tons of waste we generate each year. Drawing on a range of fascinating case studies to develop her arguments, including China’s role as the primary recipient of recyclable plastics and scrap paper from the Western world, “Zero-Waste” initiatives, the emergence of transnational waste-pickers’ alliances, and alternatives for managing growing volumes of electronic and food wastes, O’Neill shows how waste can be a risk, a resource, and even a livelihood, with implications for governance at local, national, and global levels.

We live in a world that is increasingly difficult to understand. It is not just changing: it is metamorphosing. Change implies that some things change but other things remain the same capitalism changes, but some aspects of capitalism remain as they always were. Metamorphosis implies a much more radical transformation in which the old certainties of modern society are falling away and something quite new is emerging. To grasp this metamorphosis of the world it is necessary to explore the new beginnings, to focus on what is emerging from the old and seek to grasp future structures and norms in the turmoil of the present. Take climate change: much of the debate about climate change has focused on whether or not it is really happening, and if it is, what we can do to stop or contain it. But this emphasis on solutions blinds us to the fact that climate change is an agent of metamorphosis. It has already altered our way of being in the world the way we live in the world, think about the world and seek to act upon the world through our actions and politics. Rising sea levels are creating new landscapes of inequality drawing new world maps whose key lines are not traditional boundaries between nation-states but elevations above sea level. It is creating an entirely different way of conceptualizing the world and our chances of survival within it. The theory of metamorphosis goes beyond theory of world risk society: it is not about the negative side effects of goods but the positive side effects of bads. They produce normative horizons of common goods and propel us beyond the national frame towards a cosmopolitan outlook.

Making Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art.

The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.